"Latin ala Lee! [Bonus Tracks]" (10/21/2003) Pop Vocal Lee, Peggy (Vocals), S & P RecordsPersonnel includes: Peggy Lee (vocals); Jack Marshall (arranger, conductor). Principally recorded at Capitol Tower Recording Studio, Hollywood, California in August 1959. Includes liner notes by Will Friedwald. Audio Mixer: Steve Hoffman. Audio Remasterer: Steve Hoffman. Liner Note Author: Will Friedwald. Recording information: Capitol Tower Studio B (1959-1966). More than a decade after her massive hit "Ma?ana," Peggy Lee recorded a full album of Latin themes with Latin ala Lee!. The subtitle -- "Broadway hits sty...led with an Afro-Cuban beat" -- sounds not only forced, but a bit too gimmicky to be worth much more than the cardboard it's printed on. Also, none of the musicians are credited, and only a clueless marketing man would write the note on the back cover, "Accompanied by authentic Afro-Cuban rhythms." Even so, Peggy Lee's mastery over a range of stylistic situations rescues any potential miscues, and the rugged backing of arranger/conductor Jack Marshall is a pleasant surprise. The rhythms are not only authentically Afro-Cuban, but surprisingly strong and rarely watered down. The rest of the arrangements, though breezy and pop-slanted, support Lee's vocals perfectly. And though her voice isn't quite as strong as it had been during the '50s, Lee uses the cracks on her high notes to accentuate the songs. Out of print for many years, EMI-Capitol brought the album back in 2000 on a CD issue with remarkably clear stereo separation, though there are slight, occasional imperfections that would have been barely noticeable if not for the immaculate sound which surrounds them. ~ John Bush More than a decade after her massive hit "Ma?ana," Peggy Lee recorded a full album of Latin themes with Latin ala Lee! The subtitle -- "Broadway hits styled with an Afro-Cuban beat" -- sounds not only forced, but a bit too gimmicky to be worth much more than the cardboard it's printed on. Also, none of the musicians are credited, and only a clueless marketing man would write the note on the back cover, "Accompanied by authentic Afro-Cuban rhythms." Even so, Lee's mastery over a range of stylistic situations rescues any potential miscues, and the rugged backing of arranger/conductor Jack Marshall is a pleasant surprise. The rhythms are not only authentically Afro-Cuban, but surprisingly strong and rarely watered down. The rest of the arrangements, though breezy and pop-slanted, support Lee's vocals perfectly. And though her voice isn't quite as strong as it had been during the '50s, Lee uses the cracks on her high notes to accentuate the songs. Out of print for many years, EMI-Capitol brought the album back in 2000 on a CD issue with remarkably clear stereo separation, though there are slight, occasional imperfections that would have been barely noticeable if not for the immaculate sound that surrounds them. [The re-release contains three bonus tracks including a version of Cole Porter's "From Now On."] ~ John Bush
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