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"Definitive Collection" (10/29/2002) R&B Wonder, Stevie, Motown RecordsPersonnel includes: Stevie Wonder (vocals, various instruments); Luther Vandross (vocals); Malcolm Cecil, Robert Margouleff (programming); Gloria Barley, Lani Groves, Jim Gilstrap, The Jackson 5 (background vocals). Producers include: Berry Gordy, Henry Cosby, Clarence Paul, Stevie Wonder, William "Mickey" Stevenson. Compilation producers: Harry Weinger, Jeff Moskow. Recorded between 1963 & 1985. Includes liner notes by Scott Regan. Personnel: Stevie Wonder (vocals, harmonica, piano, keyboards, programming); Malcolm Cecil, Robert Margouleff (Moog synthesizer, programming); Charles Brewer, John Fischbach (programming); Gloria Barley, Jim Gilstrap, Lani Groves (background vocals). Liner Note Authors: Scott Regen; Harry Weinger; Scott Regan. Arrangers: Clarence Paul; Stevie Wonder. Missing in action for much of the 1990s, Stevie Wonder is a living legend whose consistent creative output is sorely missed. THE DEFINITIVE COLLECTION provides a snapshot overview of Wonder's stellar legacy starting back in 1963 as a teen musical prodigy with the exuberant "Fingertips Part 2." This jubilant tune, showcasing Wonder's much-touted facility on the chromatic harmonica, is a powerful harbinger of things to come. Along the way are classics that find this Michigan native going from being a one-man Motown hit machine to a young artist whose vision eschewed singles-based sensibilities for album-long artistic statements. Wonder's '60s gems include "I Was Made to Love Her," "For Once in My Life," and "Signed, Sealed, Delivered I'm Yours." Of course, his '70s work is just as stunning, particularly socially conscious numbers like "Higher Ground" and "Living for the City." Equally stellar if less political are this legend's tributes to Duke Ellington ("Sir Duke"), Bob Marley ("Master Blaster [Jammin']"), and Caribbean music in general ("Boogie on Reggae Woman"). THE DEFINITIVE COLLECTION is an excellent primer for both die-hard fan and passing admirer of Stevie Wonder's genius.

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"Tha Carter [Edited]" (06/29/2004) R&B Lil Wayne, Universal DistributionPersonnel: Lil Wayne (vocals); Mannie Fresh, Birdman , Reel . Lil' Wayne has been in the national spotlight since his days as the youngest member of the Dirty South's Hot Boys. On his fourth solo record, THA CARTER, Wayne is almost wholly on his own. There are no big-name guest stars (as with Petey Pablo's memorable turn on Wayne's previous album), only recurring shots from producer Mannie Fresh and Cash Money head Bryan "Baby" Williams. Lil' Wayne's easy flow speaks for itself; in a relaxed Southern manner, he waits for the rhyme to unfold before unleashing a torrent of lyrical lines, with consistent, understated beats pulling the tracks along. Not as "lil'" as his name implies, Wayne hits a peak with "This Is the Carter," a brash track that captures the essence of this potent hip-hop album.

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"Old School Soul Party [Box]" (03/01/2005) R&B Various Artists, Shout! FactoryLiner Note Author: Steven Chean. Another entry in Shout! Factory's ongoing series of triple-CD box compilations promoted on PBS, this one is more cohesively presented. Sequenced to flow like a typical party, the discs of this predominantly '70s-era 58-track R&B collection are divided into three connected parts. Starting with the high-energy sounds of Wild Cherry's one-hit wonder "Play That Funky Music," disc one (subtitled "Kickin' It Off") continues with tough funk hits from Cameo, Rick James, Parliament, and James Brown. Mercifully dodging the disco bullet save for Donna Summer's "Last Dance," this nonstop funkathon platter is alone worth the price of admission. Adding different sounds such as the Undisputed Truth's slightly trippy "Smiling Faces Sometimes" and the Beginning of the End's tropical "Funky Nassau" successfully serves to shift the style but not the mood. Disc two ("Getting' into the Groove") lightens the groove moderately as melody and pop become more emphasized on Cheryl Lynn's "Got to Be Real," the Friends of Distinction's "Love or Let Me Be Lonely," Gene Chandler's "Groovy Situation," and Ashford & Simpson's "Solid." These are all well-chosen selections that were substantial hits, but not as ubiquitous as the Isley Brothers' "That Lady, Pts. 1-2," a tune that always seems to find its way onto '70s soul collections such as this. Disc three ("Dimmin' the Lights") moves into slow and sensual post-party fare with 19 quiet storm smooth jams from artists such as the Five Stairsteps ("O-o-h Child"), Minnie Riperton ("Lovin' You"),the Chi-Lites ("Have You Seen Her"), and Marvin Gaye ("Sexual Healing"). The schlock factor is obviously higher here, but all the songs are Top Ten R&B and/or pop hits and will spark instant recognition from those this box is intended for. The remastered sound is crisp and sparkling throughout, bringing out these oldies' subtleties -- especially with percussion -- that you might not have heard before. While not definitive, the set accomplishes its mission of replaying the soundtrack to a colorful late-'70s urban shindig. More than a haphazard collection of oldies, this conceptual box boasts a well-defined focus, a unique programming flow, and of course lots of soul. ~ Hal Horowitz

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"Old School Rap, Vol. 1-4 [Box Set] [Box]" (06/06/2000) R&B Various Artists, Thump RecordsThump Records' Old School Rap box set collects all four volumes of the label's hip-hop series. Classics like Doug E. Fresh's "La Di Da Di," Tone Loc's "Wild Thing," Young MC's "Bust a Move," Slick Rick's "Children's Story," Run DMC's "You Be Illin'," Grand Master Flash's "White Lines," and UTFO's "Roxanne Roxanne" highlight this collection of over 50 rap classics. The Beastie Boys, Kool Moe Dee, Kurtis Blow, Ice-T, Eric B. & Rakim, Boogie Down Productions, the Sugar Hill Gang, and many others represent rap's golden age on this worthwhile set. ~ Heather Phares

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"The Ultimate Collection [Sony/Epic] [Box]" (11/16/2004) R&B Jackson, Michael, Legacy RecordingsPersonnel: Michael Jackson (vocals, percussion); Mick Jagger, Paul McCartney, Siedah Garrett, Diana Ross (vocals); The Notorious B.I.G., Vincent Price (rap vocals); Chris Tucker (spoken vocals); Larry Carlton, Michael Sembello, Tito Jackson, David E. Williams , Marlo Henderson (guitar); Jim Horn (saxophone); David "Hawk" Wolinski (electric piano); Michael Boddicker (synthesizer); John Robinson , Nathan Watts, Bobby Watson (bass instrument); Ollie Brown, Bill Bottrell (drums); Paulinho Da Costa, Randy Jackson , Richard Heath (percussion); Jim Gilstrap, Augie Johnson (background vocals); Seawind Horns. By 2004, Michael Jackson's bizarre image almost completely obscured the talent that had made him an international superstar. However, he became a musical icon by simply being the best at creating and performing pop songs. The opening moments alone of hits like "Rock with You" and "Billie Jean" would make them classic, but every aspect of these songs adds up to perfect radio pop. Jackson's THRILLER, after all, didn't simply luck into being the biggest-selling record of its time; each of its seven Top 10 hits had unique charms and drew from different elements of the pop universe. While there have been many previous Jackson hits collections, the four-CD/one-DVD ULTIMATE COLLECTION is just that--it represents Jackson's whole career, from his youthful days with the Jackson 5 to the early years of the 21st century. (The rare omissions--"Human Nature," "Heal the World"--show up live on the DVD.) Mixed in with his numerous hits are previously unreleased songs, demo versions of hits, album tracks, and odds and ends, most remarkably, one of the earliest versions of "We Are the World" with almost completely different lyrics. THE ULTIMATE COLLECTION expertly chronicles the career of one of the most important, if unusual, pop artists of all time.

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"Number Ones" (11/18/2003) R&B Jackson, Michael, Epic (USA)Personnel: Michael Jackson (vocals, background vocals); Siedah Garrett (vocals); Donnie Lyle (guitar). Audio Mixer: Serban Ghenea. Photographers: Stephen Harvey; Dick Zimmerman; Sam Emerson. The 1990s may not have been kind to Michael Jackson on a commercial level, due to fickle music tastes and assorted personal controversies, but NUMBER ONES reinforces Jackson's place in pop culture history. Unlike its preceding compilation, HIStory, this anthology trims the fat, although occasionally going overboard in leaving off certified chart-toppers like the Paul McCartney duet "Say Say Say" in lieu of lesser-known, latter-day fare like "Earth Song." That said, casual fans of the Gloved One will still feast on plenty, ranging from dance classics like "Don't Stop 'Til You Get Enough" and "Rock with You" from 1979's stellar OFF THE WALL to the singles that powered the industry-shifting THRILLER and BAD. Among the hits featured here are "Beat It," (with its tour de force Eddie Van Halen solo), the scathing "Dirty Diana" (with Steve Stevens substituting for Van Halen), and catchy title cuts from the aforementioned albums. Meanwhile, Alien Ant Farm fans get to reacquaint themselves with the original "Smooth Criminal," and R. Kelly fans get to experience Jacko croon "One More Chance," the single new song that was penned and produced by Kelly.

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"Diana Ross Presents the Jackson 5/ABC [Bonus Tracks]" (08/07/2001) R&B Jackson 5 (The), Motown Records2 LPs on 1 CD: DIANA ROSS PRESENTS THE JACKSON 5 (1969)/ABC (1970). The Jackson 5: Michael Jackson, Jermaine Jackson, Tito Jackson, Marlon Jackson, Jackie Jackson (vocals). Producers: Bobby Taylor, The Corporation, Hal Davis. Reissue producer: Harry Weinger. DIANA ROSS PRESENTS THE JACKSON 5 originally released on Motown (700). ABC originally released on Motown (709). Includes liner notes by Brian Chin. Digitally remastered by Jeff Willens (Universal Mastering Studios-East). Liner Note Author: Brian Chin. Photographer: George Rodriguez . Arrangers: Paul Riser; David Van De Pitte. This CD contains their debut album, Diana Ross Presents the Jackson 5 and the follow-up disc, ABC. In terms of sheer performance talent, the Jackson 5 are unquestionably among the best. The sibling-tight harmonies as well as youthful soul and funk exuberance sent these albums not only to the top of the R&B, but also the pop album charts in 1969 and 1970, respectively. It is not hard to understand why. Musically, both albums are propelled by the same exceedingly funky grooves previously sported by the likes of James Brown and Sly & the Family Stone -- an obvious influence, as their cover of "Stand" is among the highlights of the debut long-player. The same can be said of the George Clinton-penned "I Bet You," which arguably eclipses the Funkadelic version featured on their eponymously titled release. Their pursuit of fresh soul sounds also inevitably led to the sophisticated arrangements of Philly soul mavericks Thom Bell and William Hart, who provide "Can You Remember" on Diana Ross Presents the Jackson 5, as well as "La La (Means I Love You)" on ABC. The Corporation -- a self-contained Motown contingent of writers, producers, and musicians -- provide material from within. Their contributions include "I Want You Back" from the first album, as well as "The Love You Save" and the title track from ABC, each of which were crossover chart-toppers on the pop as well as R&B surveys. ~ Lindsay Planer Less than two weeks before the 1960s were left to be deciphered in the history books, Motown unleashed Diana Ross Presents the Jackson 5 (1969) and in doing so fittingly marked the beginning of a new era in crossover pop and soul. For all intents and purposes, this dozen-song disc introduced the world to the sibling talents of Jackie, Tito, Jermaine, Marlon, and most significantly of all, a prepubescent powerhouse named Michael Jackson. The brothers' inextricably tight vocal harmonies were fueled by the ebullience of youth and inexperience while the flames of their collective success were stoked with the funkified vibe of urban America. Immediately evident is the influence that Sly & the Family Stone (whose "Stand!" is an unmitigated zenith in the Jackson 5's care), James Brown, and even Funkadelic had on the J5. In fact, the quintet would actually cover George Clinton's "I Bet You" on their sophomore effort, ABC (1970). The burgeoning sounds coming out of Philly were having a similarly sizable impact, as evidenced by the addition of the Thom Bell/William Hart track "Can You Remember," which is one of the album's highlights. Another discernibly affective force was found closer to home, as they also drew on the considerable Motown back catalog with "My Cherie Amour," "Standing in the Shadows of Love," and a powerful reading of "(I Know) I'm Losing You." Under the moniker of "the Corporation," Motown staffers and artists including Bobby Taylor, instrumentalists Deke Richards (guitar), Freddie Perren (keyboard) , and Fonce Mizell (keyboards), and the label's co-founder, Berry Gordy, came up with a handful of dominant originals. Prominent among them are the midtempo "Nobody" and their double-sided chart-topping single "I Want You Back" b/w the Smokey Robinson-penned "Who's Lovin' You." [The 2001 CD reissue of Diana Ross Presents the Jackson 5 is coupled with their subsequent collection, ABC, and includes the supplementary "Oh, I've Been Blessed" from the very first J5 session at Motown.] ~ Lindsay Planer Now that the entire Jackson 5 Motown Records catalogue ha

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"Soul Hits of the 80's [Sony Music Box Set] [Box]" (02/17/2004) R&B Various Artists, Sony Music Distribution (USA)A budget three-CD set, Soul Hits of the 80's collects some of that awkward decade's soul moments from the Columbia/Sony catalog. Note the author's use of "moments" and the title's use of "hits," because they are, in fact, talking about the same songs. Not everything here was a hit, with some of the songs just squeaking into the Billboard Top 100; however, regardless of chart position, they do represent the era very well. There's a broad range of work here, from jazz crossovers like Stanley Jordan with "Heaven Sent You" and Grover Washington with "Summer Nights" to straight pop crossovers like Deniece Williams with "Let's Hear It for the Boy" and the classic and true hit "Easy Lover" by Philip Bailey and Phil Collins. Other actual chart-toppers here include "Juicy Fruit" by Mtume, Herbie Hancock with the seismic hit "Rockit," and one-hit wonder Johnny Kemp with "Just Got Paid." Luther Vandross, Teena Marie, Bill Withers, Babyface, and Regina Belle are a few of the others whose tracks pepper this 40-song (!) collection. It's not definitive, but does a fine job of representing just how broad soul music's reach had become in the '80s. ~ Wade Kergan

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