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Old School Hip Hop, Vol. 2 by Various Artists (CD - 09/11/2001)
 

Old School Hip Hop, Vol. 2 by Various Ar...

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Old School Hip Hop, Vol. 2 by Various Artists (CD - 09/11/2001)
"Old School Hip Hop, Vol. 2" (09/11/2001) R&B Various Artists, Thump Records

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Old School Soul Party [Digipak] [3/1]
 

Old School Soul Party [Digipak] [3/1]

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Old School Soul Party [Digipak] [3/1]
"Old School Soul Party [Box]" (03/01/2005) R&B Various Artists, Shout! FactoryLiner Note Author: Steven Chean. Another entry in Shout! Factory's ongoing series of triple-CD box compilations promoted on PBS, this one is more cohesively presented. Sequenced to flow like a typical party, the discs of this predominantly '70s-era 58-track R&B collection are divided into three connected parts. Starting with the high-energy sounds of Wild Cherry's one-hit wonder "Play That Funky Music," disc one (subtitled "Kickin' It Off") continues with tough funk hits from Cameo, Rick James, Parliament, and James Brown. Mercifully dodging the disco bullet save for Donna Summer's "Last Dance," this nonstop funkathon platter is alone worth the price of admission. Adding different sounds such as the Undisputed Truth's slightly trippy "Smiling Faces Sometimes" and the Beginning of the End's tropical "Funky Nassau" successfully serves to shift the style but not the mood. Disc two ("Getting' into the Groove") lightens the groove moderately as melody and pop become more emphasized on Cheryl Lynn's "Got to Be Real," the Friends of Distinction's "Love or Let Me Be Lonely," Gene Chandler's "Groovy Situation," and Ashford & Simpson's "Solid." These are all well-chosen selections that were substantial hits, but not as ubiquitous as the Isley Brothers' "That Lady, Pts. 1-2," a tune that always seems to find its way onto '70s soul collections such as this. Disc three ("Dimmin' the Lights") moves into slow and sensual post-party fare with 19 quiet storm smooth jams from artists such as the Five Stairsteps ("O-o-h Child"), Minnie Riperton ("Lovin' You"),the Chi-Lites ("Have You Seen Her"), and Marvin Gaye ("Sexual Healing"). The schlock factor is obviously higher here, but all the songs are Top Ten R&B and/or pop hits and will spark instant recognition from those this box is intended for. The remastered sound is crisp and sparkling throughout, bringing out these oldies' subtleties -- especially with percussion -- that you might not have heard before. While not definitive, the set accomplishes its mission of replaying the soundtrack to a colorful late-'70s urban shindig. More than a haphazard collection of oldies, this conceptual box boasts a well-defined focus, a unique programming flow, and of course lots of soul. ~ Hal Horowitz

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Tha Carter II [PA] by Lil Wayne (CD - 08/18/2008)
 

Tha Carter II [PA] by Lil Wayne (CD - 08...

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Tha Carter II [PA] by Lil Wayne (CD - 08/18/2008)

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The Way I See It by Raphael Saadiq (CD - 09/16/2008)
 

The Way I See It by Raphael Saadiq (CD -...

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The Way I See It by Raphael Saadiq (CD - 09/16/2008)

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Just Like You by Keyshia Cole (CD - 09/25/2007)
 

Just Like You by Keyshia Cole (CD - 09/2...

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Just Like You by Keyshia Cole (CD - 09/25/2007)

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Decade [PA]
 

Decade [PA]

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Decade [PA]
"Decade 1994-2004 [PA]" (09/28/2004) R&B Az, B.E.C. Records

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Back to Black [PA] by Amy Winehouse (CD - 03/13/2007)
 

Back to Black [PA] by Amy Winehouse (CD ...

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Back to Black [PA] by Amy Winehouse (CD - 03/13/2007)

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Essential Jacksons by The Jackson 5 (CD - 03/09/2004)
 

Essential Jacksons by The Jackson 5 (CD ...

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Essential Jacksons by The Jackson 5 (CD - 03/09/2004)
"Essential Jacksons" (03/09/2004) R&B Jackson 5 (The), Legacy RecordingsThe Jacksons: Michael Jackson, Randy Jackson, Tito Jackson, Marlon Jackson, Jackie Jackson. Additional personnel includes: Mick Jagger (vocals); Teddy Riley (various instruments); Paul Jackson Jr. (guitar); Dexter Wansel (piano, keyboards); Paulinho Da Costa (percussion); Babyface (programming); MFSB. Producers include: Kenneth Gamble, Leon Huff, The Jacksons, Teddy Riley, Babyface, Compilation producer: Leo Sacks. Recorded between 1976 & 1989. Includes liner notes by Jermaine Jackson. This is part of "The Essential" series. Personnel: Tito Jackson (vocals, guitar); Marlon Jackson (vocals, timpani, background vocals); Jackie Jackson , Jackson C. Frank, Michael Jackson (vocals, background vocals); Janet Jackson, Jermaine Jackson, Rebbie Jackson (vocals); Babyface (guitar, keyboards); Dennis Harris, Michael Foreman, Michael Sembello, Paul Jackson, Jr. , Roland Bautista , Roland Chambers, David E. Williams (guitar); Gary Herbig (flute, horns); Don Myrick (saxophone); Alan "Funt" Prater, Roderick (Mac) McMorris, Cloris Grimes, East Coast Horns, Wesley Phillips (horns); Dexter Wansel, Leon Huff (piano, keyboards); Michael Boddicker, Webster Lewis (keyboards, synthesizer); Greg Phillinganes, Ronnie Foster, Bill Wolfer (keyboards); Bill Reichenbach , Larry Hall , Jerry Hey, Kim Hutchcroft, Gary Coleman (vibraphone); Claudio Slon, Laudir DeOliveira (drums, congas, percussion); L.A. Reid (drums, percussion); Ed Green , Ollie Brown, Charlie Collins (drums); David Cruse, Randy Jackson (congas, bongos); The Jacksons (percussion, background vocals); Paulinho Da Costa (percussion); Gene Corso (sound effects); Children's Choir, Johnny Nelson, Julia Tillman Waters, Jackson Children, Maxine Willard Waters, Stephanie Spruill (background vocals). Audio Mixers: Don Murray ; Jay Mark; Jay Marks; Joe Tarsia; Keith Cohen; L.A. Reid; Larry Ferguson; Peter Granet; Babyface; Tom Perry; Bill Schnee; Bruce Swedien. Liner Note Author: Jermaine Jackson. Photographers: Jeffrey Scales; Todd Gray; Reid Miles; Norman Seeff. Unknown Contributor Role: Rick Marotta. Arrangers: Tom Tom 84; Dexter Wansel; Jack Faith; Jerry Hey; L.A. Reid; Michael Jackson; The Jacksons; Babyface. In the legal battles that followed the Jackson 5's departure from Motown for Epic Records in 1976, the Jackson brothers lost the rights to their band name, and were known thereafter as the Jacksons. THE ESSENTIAL JACKSONS compiles the group's biggest hits from their tenure at Epic. Listeners should be forewarned that this compilation does not include material recorded under the name Jackson 5; so fans looking for "I Want You Back" and "I'll Be There" should seek out an earlier hits compilation. That said, this is an excellent sampler of the group's later incarnation, when their music, more heavily influenced by funk and disco, was polished to a high, danceable sheen. Kenneth Gamble and Leon Huff wrote and produced the group's first Epic records, and many tunes, especially the string-sweetened "Show You the Way to Go," reflect a classic Philly soul sound. By 1978's DESTINY, however, the Jacksons were writing and producing their own material, and the infectious singles that resulted ("Blame It on the Boogie" and "Shake Your Body," in particular) are fantastic. The set closes with a live rendition of the Jacksons doing "Don't Stop 'Til You Get Enough" (from Michael's OFF THE WALL).

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Tha Carter [PA] by Lil Wayne (CD - 06/29/2004)
 

Tha Carter [PA] by Lil Wayne (CD - 06/29...

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Tha Carter [PA] by Lil Wayne (CD - 06/29/2004)
"Tha Carter [PA]" (06/29/2004) R&B Lil Wayne, Universal DistributionPersonnel: Lil Wayne (rap vocals); Mannie Fresh, Baby (rap vocals). Lil' Wayne has been in the national spotlight since his days as the youngest member of the Dirty South's Hot Boys. On his fourth solo record, THA CARTER, Wayne is almost wholly on his own. There are no big-name guest stars (as with Petey Pablo's memorable turn on Wayne's previous album), only recurring shots from producer Mannie Fresh and Cash Money head Bryan "Baby" Williams. Lil' Wayne's easy flow speaks for itself; in a relaxed Southern manner, he waits for the rhyme to unfold before unleashing a torrent of lyrical lines, with consistent, understated beats pulling the tracks along. Not as "lil'" as his name implies, Wayne hits a peak with "This Is the Carter," a brash track that captures the essence of this potent hip-hop album.

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Hard to Kill [PA] by Gucci Mane (CD - 10/10/2006)
 

Hard to Kill [PA] by Gucci Mane (CD - 10...

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Hard to Kill [PA] by Gucci Mane (CD - 10/10/2006)

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Murder Was the Case [PA] [Digipak] [Remaster] by Original Soundtrack/Snoop Dogg (CD - 07/11/2006)
 

Murder Was the Case [PA] [Digipak] [Rema...

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Murder Was the Case [PA] [Digipak] [Remaster] by Original Soundtrack/Snoop Dogg (CD - 07/11/2006)

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Tom Joyner Presents: Old School Mix by Various Artists (CD - 03/16/1999)
 

Tom Joyner Presents: Old School Mix by V...

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Tom Joyner Presents: Old School Mix by Various Artists (CD - 03/16/1999)
"Tom Joyner Presents: Old School Mix" (03/16/1999) R&B Various Artists, Rhino Records (USA)Liner Note Author: Tom Joyner. Photographer: Michael Ochs. Around 1994, urban contemporary DJ Tom Joyner hired Steve "Silk" Hurley to provide "old school mixes" for his popular Tom Joyner Morning Show; and by old school, he meant the classic soul, funk, and disco of the late '70s and early '80s. To be sure, Hurley was perfect for the job; he had played an indispensable role in house music, and his credentials as a mixmaster were undeniable. The type of mixing that Hurley has done on his show is what he does for Old School Mix, which spans 1976-1982 and boasts a non-stop mix of 18 major hits from that period. One gem segues right into another; just as Gwen McCrae's "Funky Sensation" is starting to fade out, Hurley comes right in with One Way's "Cutie Pie." And just as Peter Brown's "Dance With Me" is starting to end, Anita Ward's "Ring My Bell" makes its presence felt. The CD is full of gems that defined the disco era, such as Chic's "Le Freak," Sister Sledge's "He's the Greatest Dancer," and Foxy's "Get Off." But Joyner's mix has as much to do with hardcore funk and soul as it does with disco; Funkadelic's "One Nation Under a Groove," Slave's "Slide," and Zapp's "More Bounce to the Ounce" soared to number one or two on the R&B charts, but didn't fare nearly as well on the pop charts. In fact, Old School Mix is pretty much the type of soul/funk/disco blend you could have expected to hear on the mix shows that graced black radio in the late '70s and early '80s. Even if you're not familiar with Joyner's show and Hurley's contributions to it, this is a CD to savor. ~ Alex Henderson

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Number Ones by Michael Jackson (CD - 11/18/2003)
 

Number Ones by Michael Jackson (CD - 11/...

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Number Ones by Michael Jackson (CD - 11/18/2003)
"Number Ones" (11/18/2003) R&B Jackson, Michael, Epic (USA)Personnel: Michael Jackson (vocals, background vocals); Siedah Garrett (vocals); Donnie Lyle (guitar). Audio Mixer: Serban Ghenea. Photographers: Stephen Harvey; Dick Zimmerman; Sam Emerson. The 1990s may not have been kind to Michael Jackson on a commercial level, due to fickle music tastes and assorted personal controversies, but NUMBER ONES reinforces Jackson's place in pop culture history. Unlike its preceding compilation, HIStory, this anthology trims the fat, although occasionally going overboard in leaving off certified chart-toppers like the Paul McCartney duet "Say Say Say" in lieu of lesser-known, latter-day fare like "Earth Song." That said, casual fans of the Gloved One will still feast on plenty, ranging from dance classics like "Don't Stop 'Til You Get Enough" and "Rock with You" from 1979's stellar OFF THE WALL to the singles that powered the industry-shifting THRILLER and BAD. Among the hits featured here are "Beat It," (with its tour de force Eddie Van Halen solo), the scathing "Dirty Diana" (with Steve Stevens substituting for Van Halen), and catchy title cuts from the aforementioned albums. Meanwhile, Alien Ant Farm fans get to reacquaint themselves with the original "Smooth Criminal," and R. Kelly fans get to experience Jacko croon "One More Chance," the single new song that was penned and produced by Kelly.

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Ya No Llores...Let Me Love You by Baby Boy (CD - 06/03/2008)
 

Ya No Llores...Let Me Love You by Baby B...

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Ya No Llores...Let Me Love You by Baby Boy (CD - 06/03/2008)

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Love Songs by Michael Jackson (CD - 01/15/2002)
 

Love Songs by Michael Jackson (CD - 01/1...

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Love Songs by Michael Jackson (CD - 01/15/2002)
"Love Songs" (01/15/2002) R&B Jackson, Michael, Motown RecordsPersonnel includes: Michael Jackson, The Jackson 5. Producers include: Bobby Taylor, Mel Larson, Jerry Marcellino, Hal Davis, Brian Holland. Compilation producers: Harry Weinger, Anthony Ellis. Recorded between 1969 and 1975. Includes liner notes by Brian Chin. All tracks have been digitally remastered. Liner Note Author: Brian Chin. Recording information: 02/1970. Arrangers: James Anthony Carmichael; David Blumberg; Fonce Mizell; Gene Page; David Van De Pitte; John Bahler; Bob West . Released in January of 2002, Motown's Love Songs contains 14 love songs and ballads Michael Jackson recorded, either by himself or with the Jackson 5, during his time on Motown in the early '70s. There are a few familiar songs here, such as "Who's Lovin' You," but the Love Songs series prides itself on mood, not hits, while providing just one or two tracks as collector's bait (a previously unreleased version of "I'll Be There" or the original mix of "Call on Me," for example). This means that it's the odd collection that sort of appeals to the dedicated, since it gives a different spin on the artist (but not really, since it recycles the catalog), and it sort of appeals to the casual fan, since it digs through albums to provide what they're looking for (but not really, since there aren't that many big hits here). So it fulfills the promise of the title quite well, but that doesn't necessarily mean that a lot of people will really need it (unless they're looking for mood music, of course). ~ Stephen Thomas Erlewine

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Black on Both Sides [PA] by Mos Def (CD - 06/04/2002)
 

Black on Both Sides [PA] by Mos Def (CD ...

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Black on Both Sides [PA] by Mos Def (CD - 06/04/2002)
"Black on Both Sides [PA]" (06/04/2002) R&B Def, Mos, Rawkus RecordsPersonnel includes: Mos Def (rap vocals, keyboards, vibraphone, bass, drums, congas, percussion); Vinia Mojica (vocals); Talib Kweli, Busta Rhymes, Q-Tip (rap vocals); Johnny Why (guitar); Weldon Irvine (piano, Fender Rhodes piano, Hammond B-3 organ, keyboards). Producers include: Mos Def, DJ Premier, Diamond, The Beatnuts, 88 Keys. Recorded at Sony Music Studios, Chung King and D & D Studios, New York, New York. Mos Def, one-half of the much loved Brooklyn duo Black Star, breaks out on his own with the most intense solo debut in hip-hop since THE MISEDUCATION OF LAUREN HILL. Like MISEDUCATION, BLACK ON BOTH SIDES stretches the definition of the genre to incorporate all aspects of music of the African Diaspora, from reggae to jazz, to form a new kind of sound. Def sings, Def raps, Def does all that and then some. The wide scope of the album is most evident by the collaborators he chooses to work with, who run the gamut from the underrated mastermind of a Tribe Called Quest, Ali Shaheed Mohammad, to the wrongly unsung hero of rare groove, keyboardist Weldon Irvine. The message in Mos Def's music is that like in blues and jazz before it: hip-hop is not a separate "giant living in the hillside" but a reflection of who we are. In "Fear of Not Man," Mos queries his audience, "next time you ask where hip-hop is going, ask yourself where am I going?" In "Hip Hop" he warns, "hip hop will simply amaze you, praise you, pay you, do whatever you say to, but black, it can't save you."

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Old School Love Songs Vol. 7 [4/5]
 

Old School Love Songs Vol. 7 [4/5]

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Old School Love Songs Vol. 7 [4/5]
"Old School Love Songs, Vol. 7" (09/27/2005) R&B Various Artists, Thump Records

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The Evolution of Robin Thicke by Robin Thicke (CD - 10/03/2006)
 

The Evolution of Robin Thicke by Robin T...

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The Evolution of Robin Thicke by Robin Thicke (CD - 10/03/2006)
"The Evolution of Robin Thicke" (10/03/2006) R&B Thicke, Robin, Interscope Records (USA)Robin Thicke's 2003 effort, A BEAUTIFUL WORLD, proved the artist was quite adept at spinning a lush pop-R&B hybrid in the blue-eyed soul mode. 2006's THE EVOLUTION OF ROBIN THICKE steps up the achievements of its predecessor, showcasing tighter songwriting and Thicke's versatile vocals (featuring plenty of the artist's lovely falsetto). There are hard-grooving tunes here, and downtempo tracks as well. Thicke works a nice contemporary R&B vibe by judiciously mixing choice old-school elements (Marvin Gaye is a clear touchstone) with electronic flourishes and hip-hop inflections, so that several tracks on THE EVOLUTION sound ready-made for radio play. Robin Thicke's sophomore release should be of interest to fans of the new breed of post-millennium R&B stars like Ne-Yo and Jaheim.

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Ain't Nobody Worrying [12/6] *
 

Ain't Nobody Worrying [12/6] *

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Ain't Nobody Worrying [12/6] *
"Ain't Nobody Worryin'" (12/13/2005) R&B Hamilton, Anthony, So So Def RecordingsPersonnel: Anthony Hamilton (vocals); Kelvin Wooten (vocals, acoustic guitar, strings, piano, Fender Rhodes piano, Clavinet, organ, keyboards, drums, percussion, drum programming); James Poyser (guitar, piano, Fender Rhodes piano, keyboards, drums, background vocals); Mark Batson (guitar, keyboards, drums); David Forman, Curtis Chambers, Raphael Saadiq, Norris Sirone Jones (guitar); Gloria Justin, Emma Kummrow (violin); Davis A. Barnett (viola); Larry Gold (cello); Christopher Farr (saxophone); Andy Skaggs (tenor saxophone, baritone saxophone); Matt Cappy (trumpet, flugelhorn); Tim Gordon (trumpet); John Thornton (trombone); David Balfour (keyboards); Bobby Ozuna (drums, percussion, turntables); Ahmir Khalib Thompson, Richard Jenkins (drums); Christopher "Wurlwyde" Pottinger (percussion); Tarsha McMillian, Stacey Richardson (background vocals). Audio Mixers: Vincent Dilorenzo; Daniel Romero; Phil Tan. Recording information: Allustrious Recording Studio, New York, NY; AXIS Studios, Philadelphia, PA; Blakeslee Recording Company, North Hollywood, CA; Reflection Sound Studios, Charlotte, NC; Studio 609, Philadelphia, PA; Westlake Audio, Hollywood, CA; WoodaWorx Productions, Huntsville, AL. Photographer: Danny Clinch. After the success of his 2003 album, COMIN' FROM WHERE I'M FROM, R&B/soul singer Anthony Hamilton followed up in earnest during 2005, first with a collection of previously unreleased tunes, SOULIFE, and then with another new studio record, AIN'T NOBODY WORRYIN'. This latter disc truly solidifies Hamilton's sterling reputation; it's an utterly confident outing that nods to 1970s soul music without being beholden to the style of that era. In fact, Hamilton's deft balancing of both vintage soul and contemporary production is what helps the expressive vocalist stand out in the crowd. Rather than calling up his R&B/rap peers for guest shots, Hamilton largely goes in alone on this solid record, allowing superstar producer Mark Batson and others to create organic backdrops that perfectly showcase his undeniable talent.

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The Ultimate Collection [Sony/Epic] [Box] by Michael Jackson (CD - 11/16/2004)
 

The Ultimate Collection [Sony/Epic] [Box...

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The Ultimate Collection [Sony/Epic] [Box] by Michael Jackson (CD - 11/16/2004)
"The Ultimate Collection [Sony/Epic] [Box]" (11/16/2004) R&B Jackson, Michael, Legacy RecordingsPersonnel: Michael Jackson (vocals, percussion); Mick Jagger, Paul McCartney, Siedah Garrett, Diana Ross (vocals); The Notorious B.I.G., Vincent Price (rap vocals); Chris Tucker (spoken vocals); Larry Carlton, Michael Sembello, Tito Jackson, David E. Williams , Marlo Henderson (guitar); Jim Horn (saxophone); David "Hawk" Wolinski (electric piano); Michael Boddicker (synthesizer); John Robinson , Nathan Watts, Bobby Watson (bass instrument); Ollie Brown, Bill Bottrell (drums); Paulinho Da Costa, Randy Jackson , Richard Heath (percussion); Jim Gilstrap, Augie Johnson (background vocals); Seawind Horns. By 2004, Michael Jackson's bizarre image almost completely obscured the talent that had made him an international superstar. However, he became a musical icon by simply being the best at creating and performing pop songs. The opening moments alone of hits like "Rock with You" and "Billie Jean" would make them classic, but every aspect of these songs adds up to perfect radio pop. Jackson's THRILLER, after all, didn't simply luck into being the biggest-selling record of its time; each of its seven Top 10 hits had unique charms and drew from different elements of the pop universe. While there have been many previous Jackson hits collections, the four-CD/one-DVD ULTIMATE COLLECTION is just that--it represents Jackson's whole career, from his youthful days with the Jackson 5 to the early years of the 21st century. (The rare omissions--"Human Nature," "Heal the World"--show up live on the DVD.) Mixed in with his numerous hits are previously unreleased songs, demo versions of hits, album tracks, and odds and ends, most remarkably, one of the earliest versions of "We Are the World" with almost completely different lyrics. THE ULTIMATE COLLECTION expertly chronicles the career of one of the most important, if unusual, pop artists of all time.

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Deals on Amazon Marketplace in R&B, Hip Hop & Rap Music. Visit BizRate to find the best deals on R&B, Hip Hop & Rap Music. See which Music stores have the Amazon Marketplace that you want. Read reviews on Music merchants and buy with confidence. Find savings on Old School Hip Hop, Vol. 2 by Various Artists (CD - 09/11/2001) - Old School Soul Party [Digipak] [3/1].