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"Old School Soul Party [Box]" (03/01/2005) R&B Various Artists, Shout! FactoryLiner Note Author: Steven Chean. Another entry in Shout! Factory's ongoing series of triple-CD box compilations promoted on PBS, this one is more cohesively presented. Sequenced to flow like a typical party, the discs of this predominantly '70s-era 58-track R&B collection are divided into three connected parts. Starting with the high-energy sounds of Wild Cherry's one-hit wonder "Play That Funky Music," disc one (subtitled "Kickin' It Off") continues with tough funk hits from Cameo, Rick James, Parliament, and James Brown. Mercifully dodging the disco bullet save for Donna Summer's "Last Dance," this nonstop funkathon platter is alone worth the price of admission. Adding different sounds such as the Undisputed Truth's slightly trippy "Smiling Faces Sometimes" and the Beginning of the End's tropical "Funky Nassau" successfully serves to shift the style but not the mood. Disc two ("Getting' into the Groove") lightens the groove moderately as melody and pop become more emphasized on Cheryl Lynn's "Got to Be Real," the Friends of Distinction's "Love or Let Me Be Lonely," Gene Chandler's "Groovy Situation," and Ashford & Simpson's "Solid." These are all well-chosen selections that were substantial hits, but not as ubiquitous as the Isley Brothers' "That Lady, Pts. 1-2," a tune that always seems to find its way onto '70s soul collections such as this. Disc three ("Dimmin' the Lights") moves into slow and sensual post-party fare with 19 quiet storm smooth jams from artists such as the Five Stairsteps ("O-o-h Child"), Minnie Riperton ("Lovin' You"),the Chi-Lites ("Have You Seen Her"), and Marvin Gaye ("Sexual Healing"). The schlock factor is obviously higher here, but all the songs are Top Ten R&B and/or pop hits and will spark instant recognition from those this box is intended for. The remastered sound is crisp and sparkling throughout, bringing out these oldies' subtleties -- especially with percussion -- that you might not have heard before. While not definitive, the set accomplishes its mission of replaying the soundtrack to a colorful late-'70s urban shindig. More than a haphazard collection of oldies, this conceptual box boasts a well-defined focus, a unique programming flow, and of course lots of soul. ~ Hal Horowitz

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Decade [PA]

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"Decade 1994-2004 [PA]" (09/28/2004) R&B Az, B.E.C. Records

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"Number Ones" (11/18/2003) R&B Jackson, Michael, Epic (USA)Personnel: Michael Jackson (vocals, background vocals); Siedah Garrett (vocals); Donnie Lyle (guitar). Audio Mixer: Serban Ghenea. Photographers: Stephen Harvey; Dick Zimmerman; Sam Emerson. The 1990s may not have been kind to Michael Jackson on a commercial level, due to fickle music tastes and assorted personal controversies, but NUMBER ONES reinforces Jackson's place in pop culture history. Unlike its preceding compilation, HIStory, this anthology trims the fat, although occasionally going overboard in leaving off certified chart-toppers like the Paul McCartney duet "Say Say Say" in lieu of lesser-known, latter-day fare like "Earth Song." That said, casual fans of the Gloved One will still feast on plenty, ranging from dance classics like "Don't Stop 'Til You Get Enough" and "Rock with You" from 1979's stellar OFF THE WALL to the singles that powered the industry-shifting THRILLER and BAD. Among the hits featured here are "Beat It," (with its tour de force Eddie Van Halen solo), the scathing "Dirty Diana" (with Steve Stevens substituting for Van Halen), and catchy title cuts from the aforementioned albums. Meanwhile, Alien Ant Farm fans get to reacquaint themselves with the original "Smooth Criminal," and R. Kelly fans get to experience Jacko croon "One More Chance," the single new song that was penned and produced by Kelly.

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"Black on Both Sides [PA]" (06/04/2002) R&B Def, Mos, Rawkus RecordsPersonnel includes: Mos Def (rap vocals, keyboards, vibraphone, bass, drums, congas, percussion); Vinia Mojica (vocals); Talib Kweli, Busta Rhymes, Q-Tip (rap vocals); Johnny Why (guitar); Weldon Irvine (piano, Fender Rhodes piano, Hammond B-3 organ, keyboards). Producers include: Mos Def, DJ Premier, Diamond, The Beatnuts, 88 Keys. Recorded at Sony Music Studios, Chung King and D & D Studios, New York, New York. Mos Def, one-half of the much loved Brooklyn duo Black Star, breaks out on his own with the most intense solo debut in hip-hop since THE MISEDUCATION OF LAUREN HILL. Like MISEDUCATION, BLACK ON BOTH SIDES stretches the definition of the genre to incorporate all aspects of music of the African Diaspora, from reggae to jazz, to form a new kind of sound. Def sings, Def raps, Def does all that and then some. The wide scope of the album is most evident by the collaborators he chooses to work with, who run the gamut from the underrated mastermind of a Tribe Called Quest, Ali Shaheed Mohammad, to the wrongly unsung hero of rare groove, keyboardist Weldon Irvine. The message in Mos Def's music is that like in blues and jazz before it: hip-hop is not a separate "giant living in the hillside" but a reflection of who we are. In "Fear of Not Man," Mos queries his audience, "next time you ask where hip-hop is going, ask yourself where am I going?" In "Hip Hop" he warns, "hip hop will simply amaze you, praise you, pay you, do whatever you say to, but black, it can't save you."

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Ain't Nobody Worrying [12/6] *

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"Ain't Nobody Worryin'" (12/13/2005) R&B Hamilton, Anthony, So So Def RecordingsPersonnel: Anthony Hamilton (vocals); Kelvin Wooten (vocals, acoustic guitar, strings, piano, Fender Rhodes piano, Clavinet, organ, keyboards, drums, percussion, drum programming); James Poyser (guitar, piano, Fender Rhodes piano, keyboards, drums, background vocals); Mark Batson (guitar, keyboards, drums); David Forman, Curtis Chambers, Raphael Saadiq, Norris Sirone Jones (guitar); Gloria Justin, Emma Kummrow (violin); Davis A. Barnett (viola); Larry Gold (cello); Christopher Farr (saxophone); Andy Skaggs (tenor saxophone, baritone saxophone); Matt Cappy (trumpet, flugelhorn); Tim Gordon (trumpet); John Thornton (trombone); David Balfour (keyboards); Bobby Ozuna (drums, percussion, turntables); Ahmir Khalib Thompson, Richard Jenkins (drums); Christopher "Wurlwyde" Pottinger (percussion); Tarsha McMillian, Stacey Richardson (background vocals). Audio Mixers: Vincent Dilorenzo; Daniel Romero; Phil Tan. Recording information: Allustrious Recording Studio, New York, NY; AXIS Studios, Philadelphia, PA; Blakeslee Recording Company, North Hollywood, CA; Reflection Sound Studios, Charlotte, NC; Studio 609, Philadelphia, PA; Westlake Audio, Hollywood, CA; WoodaWorx Productions, Huntsville, AL. Photographer: Danny Clinch. After the success of his 2003 album, COMIN' FROM WHERE I'M FROM, R&B/soul singer Anthony Hamilton followed up in earnest during 2005, first with a collection of previously unreleased tunes, SOULIFE, and then with another new studio record, AIN'T NOBODY WORRYIN'. This latter disc truly solidifies Hamilton's sterling reputation; it's an utterly confident outing that nods to 1970s soul music without being beholden to the style of that era. In fact, Hamilton's deft balancing of both vintage soul and contemporary production is what helps the expressive vocalist stand out in the crowd. Rather than calling up his R&B/rap peers for guest shots, Hamilton largely goes in alone on this solid record, allowing superstar producer Mark Batson and others to create organic backdrops that perfectly showcase his undeniable talent.

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"The Ultimate Collection [Sony/Epic] [Box]" (11/16/2004) R&B Jackson, Michael, Legacy RecordingsPersonnel: Michael Jackson (vocals, percussion); Mick Jagger, Paul McCartney, Siedah Garrett, Diana Ross (vocals); The Notorious B.I.G., Vincent Price (rap vocals); Chris Tucker (spoken vocals); Larry Carlton, Michael Sembello, Tito Jackson, David E. Williams , Marlo Henderson (guitar); Jim Horn (saxophone); David "Hawk" Wolinski (electric piano); Michael Boddicker (synthesizer); John Robinson , Nathan Watts, Bobby Watson (bass instrument); Ollie Brown, Bill Bottrell (drums); Paulinho Da Costa, Randy Jackson , Richard Heath (percussion); Jim Gilstrap, Augie Johnson (background vocals); Seawind Horns. By 2004, Michael Jackson's bizarre image almost completely obscured the talent that had made him an international superstar. However, he became a musical icon by simply being the best at creating and performing pop songs. The opening moments alone of hits like "Rock with You" and "Billie Jean" would make them classic, but every aspect of these songs adds up to perfect radio pop. Jackson's THRILLER, after all, didn't simply luck into being the biggest-selling record of its time; each of its seven Top 10 hits had unique charms and drew from different elements of the pop universe. While there have been many previous Jackson hits collections, the four-CD/one-DVD ULTIMATE COLLECTION is just that--it represents Jackson's whole career, from his youthful days with the Jackson 5 to the early years of the 21st century. (The rare omissions--"Human Nature," "Heal the World"--show up live on the DVD.) Mixed in with his numerous hits are previously unreleased songs, demo versions of hits, album tracks, and odds and ends, most remarkably, one of the earliest versions of "We Are the World" with almost completely different lyrics. THE ULTIMATE COLLECTION expertly chronicles the career of one of the most important, if unusual, pop artists of all time.

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"At the Close of a Century [Box]" (11/23/1999) R&B Wonder, Stevie, Motown RecordsIncludes 96-page full-color booklet. Personnel includes: Stevie Wonder (vocals, various instruments, harmonica, piano, Fender Rhodes piano, Clavinet, keyboards, Moog & ARP synthesizers, drums, cabasa, percussion, vocoder, sound effects); Luther Vandross (vocals); Dean Parks (acoustic & electric guitars); Babyface (acoustic guitar, keyboards, background vocals); Michael Sembello, Buzzy Feiton, Earl Klugh (guitar); Bobbi Humphrey (flute); Greg Phillinganes (piano, keyboards); Herbie Hancock (keyboards); James Jamerson (acoustic & electric basses); Nathan East (bass); Benny Benjamin, Uriel Jones (drums); Lenny Castro (congas); Sheila E. (percussion); Betty Wright, Michael Jackson, Minnie Ripperton, Paul Anka, George Benson, Philip Bailey (background vocals). Producers include: Berry Gordy, Henry Cosby, Clarence Paul, Don Hunter, Harvey Fuqua. Compilation producer: Harry Weinger. Includes liner notes by David Ritz and Leonard Pitts Jr. Digitally remastered using 24-bit technology by Kevin Reeves. Personnel: Stevie Wonder (Fender Rhodes piano, drums); Dean Parks, Ben Bridges (guitar, acoustic guitar); Earl Klugh, Michael Sembello (guitar); Ralph Hammer (acoustic guitar); David T. Walker (electric guitar); Hank DeVito (steel guitar); Dorothy Ashby (harp); Bobbi Humphrey (flute); Hank Redd (saxophone, alto saxophone); Bob Malach (saxophone); Raymond Maldonado (trumpet, percussion); Steve Madaio, Larry Gittens (trumpet); Clarence Bell (organ); Greg Phillinganes, Herbie Hancock (keyboards); Malcolm Cecil, Robert Margouleff (ARP synthesizer, Moog synthesizer); James Jamerson (acoustic bass); Dennis Davis, Alvino Bennett, Raymond Lee Pounds (drums); Rocky Dzidzornu, Lenny Castro, Daniel Ben Zebulon (congas); Sheila Wilkerson (bongos); Yusuf Roahman (shaker); Nathan Alford, Jr., Sheila E., Nathan Watts, Earl DeRouen, Bobbye Hall (percussion); Robert A. Arbittier (computer); Minnie Riperton, The Jackson 5 (background vocals). Audio Mixer: Kevin Reeves. Arrangers: Clarence Paul; Paul Riser; Stevie Wonder; David Van De Pitte. The 4-CD set AT THE CLOSE OF A CENTURY is a chronological history of Stevie Wonder's commercial successes. The first CD documents his early Motown years on tracks that emphasize his frenetic singing and superb harmonica playing. The songs taken from MUSIC OF MY MIND, his first fully written and produced effort, show significant vocal development. CDs two and three include material from INNERVISIONS, SONGS IN THE KEY OF LIFE, and TALKING BOOK, a creative period that is considered Wonder's strongest. It is on these cuts that Wonder uses his most varied production techniques and instrumentation to share his vivid creative spirit. The fourth disc continues with pop hits recorded during the '80s and '90s, beginning with three songs he recorded for MUSIQUARIUM, and concluding with his duet with Babyface, "How Come, How Long." Disc four should surprise listeners who may remember only "I Just Called to Say I Love You" from Wonder's '80s work. Tracks like "Overjoyed" and "Ribbon in the Sky" make clear that Wonder had far more than one great song during the period. This box set is a great introduction to Stevie Wonder, and even after listening to all four discs in succession, fans will be left wanting more.

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"A Night at the Booty Bar [PA] *" (04/22/2003) R&B Disco D, Tommy BoyThis is a continuous in-the-mix CD compiled and mixed by DJ Disco D. Audio Mixer: Disco D. Audio Remixer: Disco D. Photographer: Kareem Black.

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"The Essential Michael Jackson" (07/19/2005) R&B Jackson, Michael, Legacy RecordingsPersonnel: Michael Jackson (vocals, soprano, percussion, background vocals); Michael Jackson; Linda Harmon (vocals, soprano); Christa Larson, Ashley Ferrell, Andra? Crouch, Mystery Girl (vocals); Vincent Price (rap vocals, spoken vocals); L.T.B. (rap vocals); Mario Henderson, Slash, Steve Stevens, Trevor Rabin (guitar); David "Hawk" Wolinski (piano, electric piano); Brad Buxer (keyboards, synthesizer); George Duke, Glen Ballard, Rhett Lawrence (synthesizer); Gary King, Louis Johnson, Nathan Watts, Bobby Watson (bass guitar); Claudio Slon (drums, congas, percussion); Rick Marotta (drums, percussion); Ed Green , Ed Green, Jeff Porcaro (drums); Claudio Sion (congas); Bryan Loren (percussion); Becky Lopez, Zedric Williams, Julia Waters, Maxine Willard Waters, Andra? Crouch Choir, Oren Waters, Bunny Hull (background vocals); Paul McCartney (vocals, background vocals); Siedah Garrett (vocals); Larry Carlton, Michael Sembello, Roland Bautista , Tito Jackson, David E. Williams , Marlo Henderson (guitar); Greg Phillinganes (electric piano, keyboards, synthesizer); David Paich, Michael Boddicker (keyboards, synthesizer); Steve Porcaro, Teddy Riley (synthesizer); Laudir DeOliveira (drums, congas, percussion); John "4 Daddman" Robinson (drums); Paulinho Da Costa, Randy Jackson , Richard Heath (percussion); James Ingram , Jim Gilstrap, Paulette McWilliams, Mortonette Jenkins, Augie Johnson (background vocals); Jerry Hey, Jimmy Smith , Kim Hutchcroft, Larry Williams . Audio Mixers: Don Murray ; Jeff Tarsia; Jay Marks; Peter Granet; Rodney Jerkins; Bruce Swedien. Liner Note Author: Nelson George. Recording information: Record One, Los Angeles, CA (1969-1999); Sony Studios, New York, NY (1969-1999); sony Studios, NY (1969-1999). Ensemble: Seawind Horns. Introduction bys: Michael Jackson; Chris Tucker. Photographers: Todd Gray; Kenny Rogers; Neal Preston; Dick Zimmerman; Sam Emerson. Unknown Contributor Roles: John Bahler Singers; Frank Dileo; The Winans. Arrangers: Michael Jackson; Quincy Jones; James Ingram ; Steve Porcaro; David Paich; Bobby Martin ; Jackie Jackson ; Marty Paich; Steve Lukather. The title might sound like hyperbole, but this two-disc collection is, in fact, a pretty fair summation of Michael Jackson's career up to 2005. Of course, it's impossible for two discs to hold every hit single Michael Jackson has ever had, but THE ESSENTIAL MICHAEL JACKSON starts with the Jackson Five's debut single, "I Want You Back," and ends 38 tracks later with the 2001 comeback attempt "You Rock My World." In between is a chronological overview of some of the most significant pop music in the last three decades of the 20th century, climaxing with about two-thirds of THRILLER and half of OFF THE WALL, the album that in retrospect sounds even fresher and more exciting than its blockbuster follow-up. Disc Two starts in 1987 with eight tracks from the underrated BAD, and its second half does the listener the handy service of compressing the second act of Michael Jackson's life story (a time when the tabloid headlines were overshadowing his increasingly formulaic music) into nine entirely respectable, if not earth-shattering, singles.

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"My World: The Definitive Collection" (05/03/2005) R&B Robinson, Smokey, Motown RecordsPersonnel: Smokey Robinson (vocals); The Miracles (vocals); Timothy Bloom (various instruments, background vocals); Daryl Holley Sr. (guitar); Hiroshi Upshur (keyboards); Larry Ball (bass instrument). Liner Note Author: Steven Ivory. Few artists have had as much impact on soul music as William "Smokey" Robinson. During his decades-spanning career, Robinson has penned and/or performed some of the greatest songs to ever grace Motown Records. Smokey's voice is instantly recognizable and alluring, a tenor so beguiling it even caused British New Romantic act ABC to write "When Smokey Sings." MY WORLD: THE DEFINITIVE COLLECTION surveys Robinson's monumental recording history, and offers up two new songs. MY WORLD opens with the title track, a soothing ballad, while "Fallin'" is a slice of Smokey's patented sweet seduction. The remainder of the compilation skips around in time, reminding listeners of how many classics Robinson penned. From his days fronting the Miracles ("Shop Around," "I Second That Emotion," "The Tears of a Clown") to his later days as solo pop balladeer ("Being with You," "Cruisin'"), Robinson has had his hands in a remarkable number of unforgettable tunes. With its 21 tracks, MY WORLD captures as many of them as possible on a single disc.

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"Back to the Future: The Very Best of Jodeci [Clean] [Edited]" (06/07/2005) R&B Jodeci, Universal DistributionJodeci: Devante, Jo Jo, K-CI, Dalvin (vocals). Audio Remixer: Dalvin DeGrate. Liner Note Author: Joseph Wilkes. Photographers: Albert Watson; Daniel Hastings. Following close on the heels of a name-check on Twista's "Slow Jamz," and half of the group (K-CI & JoJo) releasing their own "best of" collection, bedroom-soul icons Jodeci came out with their own greatest-hits album, BACK TO THE FUTURE: THE VERY BEST OF JODECI. The two sets of brothers who comprised Jodeci earned an exalted rank in early-'90s soul via sensual torch songs bathed in funk with firm roots in the unforgettable melodies of Motown. The group could seduce overtly with a straight-forward grab like "Freek 'N You" or move smoothly as they did with a reinterpretation of Stevie Wonder's "Lately" that somehow managed to add to the love and longing of the original. They could exude an air of vulnerability on "Come & Talk To Me," or pledge eternity with "Forever My Love." While Jodeci exuded an air of sex, there was an instinctive subtlety about them that made them the perfect counterpoint to Boyz II Men's G-rated soul. This disc collects all the band's hits along with frenetic remixes in a satisfying package.

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Deals on Amazon.com in R&B, Hip Hop & Rap Music. Visit BizRate to find the best deals on R&B, Hip Hop & Rap Music. See which Music stores have the Amazon.com that you want. Read reviews on Music merchants and buy with confidence. Find savings on Old School Hip Hop, Vol. 2 by Various Artists (CD - 09/11/2001) - Old School Soul Party [Digipak] [3/1].