J&R in R&B, Hip Hop & Rap Music

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"The Ultimate Collection [Sony/Epic] [Box]" (11/16/2004) R&B Jackson, Michael, Legacy RecordingsPersonnel: Michael Jackson (vocals, percussion); Mick Jagger, Paul McCartney, Siedah Garrett, Diana Ross (vocals); The Notorious B.I.G., Vincent Price (rap vocals); Chris Tucker (spoken vocals); Larry Carlton, Michael Sembello, Tito Jackson, David E. Williams , Marlo Henderson (guitar); Jim Horn (saxophone); David "Hawk" Wolinski (electric piano); Michael Boddicker (synthesizer); John Robinson , Nathan Watts, Bobby Watson (bass instrument); Ollie Brown, Bill Bottrell (drums); Paulinho Da Costa, Randy Jackson , Richard Heath (percussion); Jim Gilstrap, Augie Johnson (background vocals); Seawind Horns. By 2004, Michael Jackson's bizarre image almost completely obscured the talent that had made him an international superstar. However, he became a musical icon by simply being the best at creating and performing pop songs. The opening moments alone of hits like "Rock with You" and "Billie Jean" would make them classic, but every aspect of these songs adds up to perfect radio pop. Jackson's THRILLER, after all, didn't simply luck into being the biggest-selling record of its time; each of its seven Top 10 hits had unique charms and drew from different elements of the pop universe. While there have been many previous Jackson hits collections, the four-CD/one-DVD ULTIMATE COLLECTION is just that--it represents Jackson's whole career, from his youthful days with the Jackson 5 to the early years of the 21st century. (The rare omissions--"Human Nature," "Heal the World"--show up live on the DVD.) Mixed in with his numerous hits are previously unreleased songs, demo versions of hits, album tracks, and odds and ends, most remarkably, one of the earliest versions of "We Are the World" with almost completely different lyrics. THE ULTIMATE COLLECTION expertly chronicles the career of one of the most important, if unusual, pop artists of all time.

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"Essential Jacksons" (03/09/2004) R&B Jackson 5 (The), Legacy RecordingsThe Jacksons: Michael Jackson, Randy Jackson, Tito Jackson, Marlon Jackson, Jackie Jackson. Additional personnel includes: Mick Jagger (vocals); Teddy Riley (various instruments); Paul Jackson Jr. (guitar); Dexter Wansel (piano, keyboards); Paulinho Da Costa (percussion); Babyface (programming); MFSB. Producers include: Kenneth Gamble, Leon Huff, The Jacksons, Teddy Riley, Babyface, Compilation producer: Leo Sacks. Recorded between 1976 & 1989. Includes liner notes by Jermaine Jackson. This is part of "The Essential" series. Personnel: Tito Jackson (vocals, guitar); Marlon Jackson (vocals, timpani, background vocals); Jackie Jackson , Jackson C. Frank, Michael Jackson (vocals, background vocals); Janet Jackson, Jermaine Jackson, Rebbie Jackson (vocals); Babyface (guitar, keyboards); Dennis Harris, Michael Foreman, Michael Sembello, Paul Jackson, Jr. , Roland Bautista , Roland Chambers, David E. Williams (guitar); Gary Herbig (flute, horns); Don Myrick (saxophone); Alan "Funt" Prater, Roderick (Mac) McMorris, Cloris Grimes, East Coast Horns, Wesley Phillips (horns); Dexter Wansel, Leon Huff (piano, keyboards); Michael Boddicker, Webster Lewis (keyboards, synthesizer); Greg Phillinganes, Ronnie Foster, Bill Wolfer (keyboards); Bill Reichenbach , Larry Hall , Jerry Hey, Kim Hutchcroft, Gary Coleman (vibraphone); Claudio Slon, Laudir DeOliveira (drums, congas, percussion); L.A. Reid (drums, percussion); Ed Green , Ollie Brown, Charlie Collins (drums); David Cruse, Randy Jackson (congas, bongos); The Jacksons (percussion, background vocals); Paulinho Da Costa (percussion); Gene Corso (sound effects); Children's Choir, Johnny Nelson, Julia Tillman Waters, Jackson Children, Maxine Willard Waters, Stephanie Spruill (background vocals). Audio Mixers: Don Murray ; Jay Mark; Jay Marks; Joe Tarsia; Keith Cohen; L.A. Reid; Larry Ferguson; Peter Granet; Babyface; Tom Perry; Bill Schnee; Bruce Swedien. Liner Note Author: Jermaine Jackson. Photographers: Jeffrey Scales; Todd Gray; Reid Miles; Norman Seeff. Unknown Contributor Role: Rick Marotta. Arrangers: Tom Tom 84; Dexter Wansel; Jack Faith; Jerry Hey; L.A. Reid; Michael Jackson; The Jacksons; Babyface. In the legal battles that followed the Jackson 5's departure from Motown for Epic Records in 1976, the Jackson brothers lost the rights to their band name, and were known thereafter as the Jacksons. THE ESSENTIAL JACKSONS compiles the group's biggest hits from their tenure at Epic. Listeners should be forewarned that this compilation does not include material recorded under the name Jackson 5; so fans looking for "I Want You Back" and "I'll Be There" should seek out an earlier hits compilation. That said, this is an excellent sampler of the group's later incarnation, when their music, more heavily influenced by funk and disco, was polished to a high, danceable sheen. Kenneth Gamble and Leon Huff wrote and produced the group's first Epic records, and many tunes, especially the string-sweetened "Show You the Way to Go," reflect a classic Philly soul sound. By 1978's DESTINY, however, the Jacksons were writing and producing their own material, and the infectious singles that resulted ("Blame It on the Boogie" and "Shake Your Body," in particular) are fantastic. The set closes with a live rendition of the Jacksons doing "Don't Stop 'Til You Get Enough" (from Michael's OFF THE WALL).

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"Diana Ross Presents the Jackson 5/ABC [Bonus Tracks]" (08/07/2001) R&B Jackson 5 (The), Motown Records2 LPs on 1 CD: DIANA ROSS PRESENTS THE JACKSON 5 (1969)/ABC (1970). The Jackson 5: Michael Jackson, Jermaine Jackson, Tito Jackson, Marlon Jackson, Jackie Jackson (vocals). Producers: Bobby Taylor, The Corporation, Hal Davis. Reissue producer: Harry Weinger. DIANA ROSS PRESENTS THE JACKSON 5 originally released on Motown (700). ABC originally released on Motown (709). Includes liner notes by Brian Chin. Digitally remastered by Jeff Willens (Universal Mastering Studios-East). Liner Note Author: Brian Chin. Photographer: George Rodriguez . Arrangers: Paul Riser; David Van De Pitte. This CD contains their debut album, Diana Ross Presents the Jackson 5 and the follow-up disc, ABC. In terms of sheer performance talent, the Jackson 5 are unquestionably among the best. The sibling-tight harmonies as well as youthful soul and funk exuberance sent these albums not only to the top of the R&B, but also the pop album charts in 1969 and 1970, respectively. It is not hard to understand why. Musically, both albums are propelled by the same exceedingly funky grooves previously sported by the likes of James Brown and Sly & the Family Stone -- an obvious influence, as their cover of "Stand" is among the highlights of the debut long-player. The same can be said of the George Clinton-penned "I Bet You," which arguably eclipses the Funkadelic version featured on their eponymously titled release. Their pursuit of fresh soul sounds also inevitably led to the sophisticated arrangements of Philly soul mavericks Thom Bell and William Hart, who provide "Can You Remember" on Diana Ross Presents the Jackson 5, as well as "La La (Means I Love You)" on ABC. The Corporation -- a self-contained Motown contingent of writers, producers, and musicians -- provide material from within. Their contributions include "I Want You Back" from the first album, as well as "The Love You Save" and the title track from ABC, each of which were crossover chart-toppers on the pop as well as R&B surveys. ~ Lindsay Planer Less than two weeks before the 1960s were left to be deciphered in the history books, Motown unleashed Diana Ross Presents the Jackson 5 (1969) and in doing so fittingly marked the beginning of a new era in crossover pop and soul. For all intents and purposes, this dozen-song disc introduced the world to the sibling talents of Jackie, Tito, Jermaine, Marlon, and most significantly of all, a prepubescent powerhouse named Michael Jackson. The brothers' inextricably tight vocal harmonies were fueled by the ebullience of youth and inexperience while the flames of their collective success were stoked with the funkified vibe of urban America. Immediately evident is the influence that Sly & the Family Stone (whose "Stand!" is an unmitigated zenith in the Jackson 5's care), James Brown, and even Funkadelic had on the J5. In fact, the quintet would actually cover George Clinton's "I Bet You" on their sophomore effort, ABC (1970). The burgeoning sounds coming out of Philly were having a similarly sizable impact, as evidenced by the addition of the Thom Bell/William Hart track "Can You Remember," which is one of the album's highlights. Another discernibly affective force was found closer to home, as they also drew on the considerable Motown back catalog with "My Cherie Amour," "Standing in the Shadows of Love," and a powerful reading of "(I Know) I'm Losing You." Under the moniker of "the Corporation," Motown staffers and artists including Bobby Taylor, instrumentalists Deke Richards (guitar), Freddie Perren (keyboard) , and Fonce Mizell (keyboards), and the label's co-founder, Berry Gordy, came up with a handful of dominant originals. Prominent among them are the midtempo "Nobody" and their double-sided chart-topping single "I Want You Back" b/w the Smokey Robinson-penned "Who's Lovin' You." [The 2001 CD reissue of Diana Ross Presents the Jackson 5 is coupled with their subsequent collection, ABC, and includes the supplementary "Oh, I've Been Blessed" from the very first J5 session at Motown.] ~ Lindsay Planer Now that the entire Jackson 5 Motown Records catalogue ha

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"Tha Carter [PA]" (06/29/2004) R&B Lil Wayne, Universal DistributionPersonnel: Lil Wayne (rap vocals); Mannie Fresh, Baby (rap vocals). Lil' Wayne has been in the national spotlight since his days as the youngest member of the Dirty South's Hot Boys. On his fourth solo record, THA CARTER, Wayne is almost wholly on his own. There are no big-name guest stars (as with Petey Pablo's memorable turn on Wayne's previous album), only recurring shots from producer Mannie Fresh and Cash Money head Bryan "Baby" Williams. Lil' Wayne's easy flow speaks for itself; in a relaxed Southern manner, he waits for the rhyme to unfold before unleashing a torrent of lyrical lines, with consistent, understated beats pulling the tracks along. Not as "lil'" as his name implies, Wayne hits a peak with "This Is the Carter," a brash track that captures the essence of this potent hip-hop album.

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"Love Songs" (01/15/2002) R&B Jackson, Michael, Motown RecordsPersonnel includes: Michael Jackson, The Jackson 5. Producers include: Bobby Taylor, Mel Larson, Jerry Marcellino, Hal Davis, Brian Holland. Compilation producers: Harry Weinger, Anthony Ellis. Recorded between 1969 and 1975. Includes liner notes by Brian Chin. All tracks have been digitally remastered. Liner Note Author: Brian Chin. Recording information: 02/1970. Arrangers: James Anthony Carmichael; David Blumberg; Fonce Mizell; Gene Page; David Van De Pitte; John Bahler; Bob West . Released in January of 2002, Motown's Love Songs contains 14 love songs and ballads Michael Jackson recorded, either by himself or with the Jackson 5, during his time on Motown in the early '70s. There are a few familiar songs here, such as "Who's Lovin' You," but the Love Songs series prides itself on mood, not hits, while providing just one or two tracks as collector's bait (a previously unreleased version of "I'll Be There" or the original mix of "Call on Me," for example). This means that it's the odd collection that sort of appeals to the dedicated, since it gives a different spin on the artist (but not really, since it recycles the catalog), and it sort of appeals to the casual fan, since it digs through albums to provide what they're looking for (but not really, since there aren't that many big hits here). So it fulfills the promise of the title quite well, but that doesn't necessarily mean that a lot of people will really need it (unless they're looking for mood music, of course). ~ Stephen Thomas Erlewine

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"R&B Christmas [BMG Special Products]" (09/01/2005) R&B Various Artists, BMG Special Products

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"Old School Soul Party [Box]" (03/01/2005) R&B Various Artists, Shout! FactoryLiner Note Author: Steven Chean. Another entry in Shout! Factory's ongoing series of triple-CD box compilations promoted on PBS, this one is more cohesively presented. Sequenced to flow like a typical party, the discs of this predominantly '70s-era 58-track R&B collection are divided into three connected parts. Starting with the high-energy sounds of Wild Cherry's one-hit wonder "Play That Funky Music," disc one (subtitled "Kickin' It Off") continues with tough funk hits from Cameo, Rick James, Parliament, and James Brown. Mercifully dodging the disco bullet save for Donna Summer's "Last Dance," this nonstop funkathon platter is alone worth the price of admission. Adding different sounds such as the Undisputed Truth's slightly trippy "Smiling Faces Sometimes" and the Beginning of the End's tropical "Funky Nassau" successfully serves to shift the style but not the mood. Disc two ("Getting' into the Groove") lightens the groove moderately as melody and pop become more emphasized on Cheryl Lynn's "Got to Be Real," the Friends of Distinction's "Love or Let Me Be Lonely," Gene Chandler's "Groovy Situation," and Ashford & Simpson's "Solid." These are all well-chosen selections that were substantial hits, but not as ubiquitous as the Isley Brothers' "That Lady, Pts. 1-2," a tune that always seems to find its way onto '70s soul collections such as this. Disc three ("Dimmin' the Lights") moves into slow and sensual post-party fare with 19 quiet storm smooth jams from artists such as the Five Stairsteps ("O-o-h Child"), Minnie Riperton ("Lovin' You"),the Chi-Lites ("Have You Seen Her"), and Marvin Gaye ("Sexual Healing"). The schlock factor is obviously higher here, but all the songs are Top Ten R&B and/or pop hits and will spark instant recognition from those this box is intended for. The remastered sound is crisp and sparkling throughout, bringing out these oldies' subtleties -- especially with percussion -- that you might not have heard before. While not definitive, the set accomplishes its mission of replaying the soundtrack to a colorful late-'70s urban shindig. More than a haphazard collection of oldies, this conceptual box boasts a well-defined focus, a unique programming flow, and of course lots of soul. ~ Hal Horowitz

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"Tha Carter [Edited]" (06/29/2004) R&B Lil Wayne, Universal DistributionPersonnel: Lil Wayne (vocals); Mannie Fresh, Birdman , Reel . Lil' Wayne has been in the national spotlight since his days as the youngest member of the Dirty South's Hot Boys. On his fourth solo record, THA CARTER, Wayne is almost wholly on his own. There are no big-name guest stars (as with Petey Pablo's memorable turn on Wayne's previous album), only recurring shots from producer Mannie Fresh and Cash Money head Bryan "Baby" Williams. Lil' Wayne's easy flow speaks for itself; in a relaxed Southern manner, he waits for the rhyme to unfold before unleashing a torrent of lyrical lines, with consistent, understated beats pulling the tracks along. Not as "lil'" as his name implies, Wayne hits a peak with "This Is the Carter," a brash track that captures the essence of this potent hip-hop album.

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"Home for Christmas" (09/01/2001) Rock & Pop Vandross, Luther, Sony Music Distribution (USA)Personnel: Luther Vandross (vocals); Darlene Love (vocals). Arranger: Marcus Miller.

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"Tom Joyner Presents: Old School Mix" (03/16/1999) R&B Various Artists, Rhino Records (USA)Liner Note Author: Tom Joyner. Photographer: Michael Ochs. Around 1994, urban contemporary DJ Tom Joyner hired Steve "Silk" Hurley to provide "old school mixes" for his popular Tom Joyner Morning Show; and by old school, he meant the classic soul, funk, and disco of the late '70s and early '80s. To be sure, Hurley was perfect for the job; he had played an indispensable role in house music, and his credentials as a mixmaster were undeniable. The type of mixing that Hurley has done on his show is what he does for Old School Mix, which spans 1976-1982 and boasts a non-stop mix of 18 major hits from that period. One gem segues right into another; just as Gwen McCrae's "Funky Sensation" is starting to fade out, Hurley comes right in with One Way's "Cutie Pie." And just as Peter Brown's "Dance With Me" is starting to end, Anita Ward's "Ring My Bell" makes its presence felt. The CD is full of gems that defined the disco era, such as Chic's "Le Freak," Sister Sledge's "He's the Greatest Dancer," and Foxy's "Get Off." But Joyner's mix has as much to do with hardcore funk and soul as it does with disco; Funkadelic's "One Nation Under a Groove," Slave's "Slide," and Zapp's "More Bounce to the Ounce" soared to number one or two on the R&B charts, but didn't fare nearly as well on the pop charts. In fact, Old School Mix is pretty much the type of soul/funk/disco blend you could have expected to hear on the mix shows that graced black radio in the late '70s and early '80s. Even if you're not familiar with Joyner's show and Hurley's contributions to it, this is a CD to savor. ~ Alex Henderson

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"Soulful Christmas [Time Life]" (09/11/2001) R&B Various Artists, Time/Life MusicArrangers: Charles Previn; Morton Gould; Booker T. & the MG's. Though soul singers aren't as perfect a match for a Christmas compilation as professional standard bearers like Frank Sinatra or Ella Fitzgerald (or even Elvis Presley), Time-Life's Soulful Christmas is an excellent compilation of holiday soul by some of the best performers in pop music history. Charles Brown brings a quiet warmth to "Please Come Home for Christmas," while Smokey Robinson brings a bit of magic to the hoary "Deck the Halls." There are plenty of other highlights, including "I'll Be Home for Christmas" by the Stylistics, "Winter Wonderland" by Aretha Franklin, a grooving "Jingle Bells" by Booker T. & the MG's, and the moving "This Christmas" by Donny Hathaway. Most of the tracks are remastered and in the best condition they've ever been heard. ~ John Bush

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"Love Songs" (01/04/2000) R&B Manhattans (The), Legacy RecordingsThe Manhattans: Gerald (Smut) Alston, Winifred (Blue) Lovett, Kenneth (Wally) Kelly, Edward (sonny) (Dip) Bivins (vocals). Producers include: Leo Graham, James Mack, Dennis Lambert & Brian Potter, Teddy Randazzo. Compilation producers: Leo Sacks, Winfred (Blue) Lovett. Tracks recorded between 1976 and 1981. Includes liner notes by Elvis Mitchell. Digitially remastered by Joseph M. Palmaccio (Sony Music Studios, New York, New York). Like Sony's other Love Songs compilations, this one runs the risk of overlapping too much with greatest-hits discs for some consumers' tastes. Seven of the 13 tracks here are on The Best of the Manhattans: Kiss and Say Goodbye, which, like Love Songs, surveys their recordings from the 1970s and early 1980s for Columbia. Still, this collection does retrieve three R&B chart singles that eluded The Best of the Manhattans...: "We Never Danced to a Love Song," "Girl of My Dream," and "The Way We Were/Memories." The disc is filled out by a couple of album tracks and their 1972 single "A Million to One," which was actually on the Deluxe label. ~ Richie Unterberger

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