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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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$21
 

starting at

$17
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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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$17
 

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$7
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Quentin Tarantino's long-gestating (and much anticipated) World War II epic is sure to delight fans of his artful touch with dialogue and visuals. Brad Pitt stars as Lieutenant Aldo Raine, an American soldier who leads a band of Jewish-American troops in their brutal, violent revenge against the Nazis. NATIONAL TREASURE?s Diane Kruger also stars as a German actress and double agent who is in on the group?s biggest plan yet. Michael Fassbender, Eli Roth, Til Schweiger, and Mike Myers are also featured in INGLOURIOUS BASTERDS? large cast.

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Karen Moncrieff follows up her well-received debut feature, BLUE CAR, with THE DEAD GIRL, an impressive, haunting ensemble drama. When a young girl is found murdered, the lives of several different individuals are impacted. Some of these connections are peripheral, while many others are painfully direct. The film is broken up into five distinct chapters, each with its own title. In "The Stranger," Arden (Toni Collette) finds the body, much to her abusive mother's (Piper Laurie) dismay. "The Sister" follows a graduate student (Rose Byrne) who is still mourning the disappearance of her sister along with her mother (Mary Steenburgen). Mary Beth Hurt stars in "The Wife" as a frustrated housewife who discovers that her husband (Nick Searcy) has been up to no good. "The Mother" features Marcia Gay Harden as a heartbroken mother who travels to Los Angeles to see how her murdered daughter lived and forms an unlikely bond with her daughter's former roommate (Kerry Washington). Lastly, "The Dead Girl" tells the story of Krista (Brittany Murphy), a tempestuous drug addict who wants to visit her daughter on her birthday, but fate conspires to bring her down. Moncrieff uses different filmmaking techniques to tell each story (handheld camerawork vs. static cinematography, a variety of color schemes, etc.), but the overall tone remains the same. This is a sad, somber world, yet glimpses of hope poke through the cracks at the most unexpected moments. An all-star cast brings Moncrieff's vision to life, but it is Brittany Murphy who steals the show, delivering a performance so naked and reckless that it's painful to watch.

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$5
 

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$9
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"Some names have been changed to protect the guilty." Such is the cheeky spirit of THE BANK JOB, a solidly entertaining British heist film based on England's famous walkie-talkie bank job. The year is 1971 and Michael X--emerging black activist and budding crime lord--has British authorities over a barrel after he gets hold of sexually incriminating photos of royal Princess Margaret. Desperate to recover the photos, the government pressures troubled model Martine Love (Saffron Burrows) to recruit a team and steal the bank safety deposit box containing the photos. Martine promptly enlists small-time con man and old flame Terry Leather (Jason Statham), luring him and his crew with the promise of millions. But also in their loot is a ledger detailing payoffs made to crooked cops by reputed gangster Porn King Vogel (David Suchet). Leather and mates soon find themselves on the run from both the British spy community and the ruthless British underworld, needing to stay one step ahead if they are to stay alive. Veteran director Roger Donaldson (THE WORLD'S FASTEST INDIAN, NO WAY OUT) deftly juggles the shifting intricacies and loyalties of THE BANK JOB's plot, balancing backroom politics with bank caper humor and cringe-inducing criminal brutality. Statham (LOCK, STOCK & TWO SMOKING BARRELS) is excellent as the petty criminal who finds himself in over his head, and who will need some quick thinking and a whole lot of guts to protect his friends and family. Briskly paced and lively in its handling of some serious intrigue, THE BANK JOB is an enjoyable entry in the bank robbery genre.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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$4
 

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This two pack features two of the ultimate "slacker" films, FAST TIMES AT RIDGEMONT HIGH and DAZED AND CONFUSED. Please see individual titles for complete story descriptions.

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$11
 

starting at

$18
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Quentin Tarantino's long-gestating (and much anticipated) World War II epic is sure to delight fans of his artful touch with dialogue and visuals. Brad Pitt stars as Lieutenant Aldo Raine, an American soldier who leads a band of Jewish-American troops in their brutal, violent revenge against the Nazis. NATIONAL TREASURE?s Diane Kruger also stars as a German actress and double agent who is in on the group?s biggest plan yet. Michael Fassbender, Eli Roth, Til Schweiger, and Mike Myers are also featured in INGLOURIOUS BASTERDS? large cast.

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$18
 

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$4
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Controversial rapper Eminem (real name Marshall Mathers) makes his big screen debut with 8 MILE, a bracing drama directed by the increasingly audacious Curtis Hanson. Set in 1995 in the bleak, urban battle zone of Detroit, the film follows the struggles of a young man who is desperate to make a better life for himself. Jimmy Smith, Jr., better known as Rabbit, is destined for a life of squalor. Living in a cramped trailer with his deadbeat mom (Kim Basinger), Rabbit works in a factory to make ends meet. His only outlet is hip-hop. Possessing a talent for freestyle rapping, Rabbit still hasn't managed to unleash his true potential. But his best friend, Future (Mekhi Phifer), is determined to make that happen. Future forces Rabbit to enter a freestyle battle that he blew the week before, giving him another chance at redemption. Hanson's stellar portrait of lower-class urban disillusionment, shot with uncompromisingly gritty realism by Rodrigo Prieto, proves that the issue is no longer about race, it's about money. Eminem delivers a bold performance as the troubled youngster who is still trying to find his place in a harsh, cruel world.

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Longtime sweethearts David (Woody Harrelson), an architect, and Diana (Demi Moore), a real estate agent, find themselves on hard times when financial troubles bring them to the verge of losing their house, which David designed. Taking their last $5,000, they go to Vegas in hopes of multiplying their money. Luck fails them, but they are faced with a major moral dilemma when billionaire John Gage (Robert Redford) spots Diana in the casino and offers her $1,000,000 to spend the night with him. What ensues causes them to question their relationship more than anything they've ever encountered. Based on the novel by Jack Engelhard.

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$4
 

Gia

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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A surprise hit comedy, Paul and Chris Weitz's AMERICAN PIE follows four high school friends--Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), and Oz (Chris Klein)--through their sexually frustrated senior year. Boy-next-door Kevin hopes to finally lose his virginity to his bubbly girlfriend, Vicky (Tara Reid), while football player Oz begins an unlikely relationship with quiet chorus girl Heather (Mena Suvari). Finch struggles to maintain his cool air of witty detachment, while the neurotic Jim, most famously, has an intimate moment with apple pastry--and, eventually, sexy exchange student Nadia (Shannon Elizabeth). This hysterical yet sensitive movie also features memorable characters such as the ever-wise Jessica (Natasha Lyonne), the imbecilic Stifler (Seann William Scott), the dorky Sherminator (Chris Owen), the flute-playing Michelle (Alyson Hannigan), and Jim's hilariously nerdy dad (Eugene Levy).

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The TRAILER PARK BOYS television show is based on a group of trailer park dwellers who live just outside of Nova Scotia. This feature-length version of their exploits finds the crew spending time in jail after a botched robbery, then planning one last crime spree so they can retire happily.

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Richard and Priscilla Parker (Kevin Kline and Mary Elizabeth Mastrantonio) are an ordinary suburban couple whose lives are invaded and rocked by their fast-living, secret-bearing, new neighbors, Eddy and Kay Otis (played by Kevin Spacey and Rebecca Miller) in this psychological thriller with intriguing plot twists. The film is rife with themes of paranoid mayhem, manipulation and deception. Spacey, in one of his first feature roles, gives a showy but charismatic performance as the evil neighbor, creating a smooth and charming surface appeal worthy of an Alfred Hitchcock villain.

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Cult favorites Fred Williamson (BLACK CAESER) and Bo Svenson (WALKING STAR) star in this Italian knock-off of THE DIRTY DOZEN. Arrested for crimes against the army, five World War II vets escape when their prison convoy is attacked by the Germans. Caught behind enemy lines, and not looking forward to serving prison sentences in their own countries, they decide to fight their way to neutral Switzerland. This zoom-happy exploitation pic later inspired Quentin Tarantino's long-gestating World War II project of the same name.

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Julius St. John is an up and coming Jamaican DJ with big dreams of making it big in the United States. When he joins the company of a deadly American Don, it is like he has made a pact with the devil himself and finds that his future and his dreams could be jeopardized.

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It's Los Angeles, 1977, and adult film director Jack Horner (Burt Reynolds) meets Eddie Adams (Mark Wahlberg), a well-endowed dishwasher in a nightclub. Jack recruits Eddie to be his newest star and Eddie, hungry for fame, quickly agrees, changing his name to Dirk Diggler. Soon Dirk is the hottest star in the porn industry, alongside Rollergirl (Heather Graham), a high school dropout who never removes her roller skates, and Amber Waves (Julianne Moore), the veteran star who pines for the son she's not allowed to visit. On the fringes, Little Bill (William H. Macy) fumes while his wife cheats on him in public, and Buck Swope (Don Cheadle) tries to escape the stigma of being a porn actor. The good times roll, but before long Dirk falls victim to the pressures of stardom and a drug habit that ruins his career while Jack struggles with porn's conversion from film to cheaper videotapes. Director Paul Thomas Anderson's breakthrough film is an exhilarating ride along the underbelly of the 1970s inspired by the films of Altman and Scorsese, featuring colorful camera work, a dynamic soundtrack, and excellent performances from the entire cast, most notably Reynolds in an Oscar-nominated comeback role.

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$8