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"Riddim Driven: Blazing and Chiney Gal" (05/23/2005) Reggae Various Artists, VP RecordsRIDDIM DRIVEN VOL. 1 features different vocal versions recorded by various artists over the Chiney Gal and Blazing riddims. Performers include: Elephant Man, Beenie Man, Capleton, Sizzla. Compilation producers: Norman "Bul Pus" Bryan, Cecile Charlton. Engineers include: Cordell "Skatta" Burell, Shane Brown. Audio Mixer: Shane Brown. Recording information: Tuff Gong Recording; Xclaim Studio. Like the myriad other Riddim Driven albums released by VP, the Blazing and Chiney Gal volume features an ensemble of reggae vocalists singing over a given producer's riddim, in this case producer Cecile Charlton. Though the production is generally top-notch, it lumbers on for the entire CD, often getting monotonous toward the conclusion. Thus, the vocalists are left to engage you, and since they come and go swiftly, your patience is often tested throughout the listening experience. Regardless, the series has proven successful for VP because many listeners enjoy the seamless beats and the variety of vocalists. ~ Jason Birchmeier

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"Reggae Lasting Love Songs, Vol. 4" (05/23/2005) Reggae Various Artists, VP RecordsEditor: Paul Shields. Photographer: Marlon "Ajamu" Myrie. In this fourth installment of the Reggae Lasting Love Songs series, the 17-song selections come together to form a truly stellar collection that outdistances all of the previous offerings. The art of lovers rock reggae is showcased here with masterful performances. From Richie Stephens' inspired cover of Luther Vandross' "I'd Rather," to the ragga romance of Junior Kelly's "Baby Can We Meet," this CD covers every angle of the genre and it does it well. There's not a weak track here, but standouts include Nana McLean's supple singing on "Promised Land," Fiona's sweet remake of Selena's "I Could Fall in Love," Mikey Spice's soul-drenched "When You Are Lonely," and Ambelique's passionate "I Loved and I Lost." ~ Rosalind Cummings-Yeates

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"Brighter Day [PA]" (03/08/2005) Reggae Sizzla, Kingston WorldPersonnel: Sizzla (vocals); Carlinton Morrison, Kadian Dixon (vocals). Additional personnel: Kadia Gritton, SKI, Turbulence, Vybz Kartel. Audio Mixers: Kemar McGregor; Samuel Jonathan Johnson.

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"The Essential Peter Tosh: The Columbia Years" (06/10/2003) Reggae Tosh, Peter, Legacy RecordingsPersonnel: Peter Tosh (vocals, guitar, keyboards); Al Anderson, Donald Kinsey, Karl Pitterson, Abdul Wali (guitar); Dirty Harry (tenor saxophone); Bobby Ellis (trumpet); Harold Butler (Clavinet); Earl "Wire" Lindo (keyboards, background vocals); Tyrone Downie, Skully (keyboards); Robbie Shakespeare (bass, background vocals); Aston "Family Man" Barrett (bass); Carlton Barrett, Santa Davis, Sly Dunbar (drums); Skully (percussion); Rita Marley, Judy Mowatt, Bunny Wailer (background vocals). Producers: Peter Tosh, Jerry Rappaport. Compilation producer: Jerry Rappaport. Recorded in 1976. Includes liner notes by Liz Reilly. This is part of the "Essential Collection" series. Personnel: Peter Tosh (vocals, guitar, keyboards); Donald Kinsey, Al Yasha Anderson, Abdul Wali, Karl Pitterson (guitar); Robbie Shakespeare (harp, background vocals); Ras Lee (harp); Bobby Ellis (trumpet); Harold Butler (Clavinet); Skully (keyboards, percussion); Tyrone Downie, Errol "Tarzan" Nelson (keyboards); Santa Davis, Sly Dunbar, Carlton "Carlie" Barrett (drums); Judy Mowatt, Rita Marley, Bunny Wailer (background vocals). Audio Mixer: Thom Cadley. Liner Note Author: Tom Terrell. Recording information: Aguarius, Kingston, Jamaica (05/1976-12/1976); Dynamic Sound Studio, Kingston, Jamaica (05/1976-12/1976); Joe Gibbs, Kingston, Jamaica (05/1976-12/1976); Randy's Studio 17, Kingston, Jamaica (05/1976-12/1976); Sanders Theatre, Cambridge, MA (05/1976-12/1976); Treasure Isle, Kingston, Jamaica (05/1976-12/1976). Photographers: Pieter Maz?l; Tony Mottram; Peter Simon. The Peter Tosh entry in Sony's The Essential series of best-ofs is a reasonable selection from Tosh's limited catalog of Columbia Records recordings, which includes only two studio albums, Legalize It (1976) and Equal Rights (1977), plus a belatedly released concert album, Live & Dangerous Boston 1976 (2001). In 1999, Columbia/Legacy released Scrolls of the Prophet: The Best of Peter Tosh, which included material from both the Columbia studio albums and Tosh's subsequent tenure on the Rolling Stones and EMI America labels (1978-1987), making that collection more comprehensive than this one. However, The Essential does contain "Why Must I Cry," an excellent song co-written by Bob Marley that is not found on Scrolls of the Prophet, as well as a live version of the Wailers classic "400 Years" also missing from the earlier disc. ~ William Ruhlmann The Peter Tosh entry in Sony's The Essential series of best-ofs is a reasonable selection from Tosh's limited catalog of Columbia Records recordings, which includes only two studio albums, Legalize It (1976) and Equal Rights (1977), plus a belatedly released concert album, Live & Dangerous Boston 1976 (2001). In 1999, Columbia/Legacy released Scrolls of the Prophet: The Best of Peter Tosh, which included material from both the Columbia studio albums and Tosh's subsequent tenure on the Rolling Stones and EMI America labels (1978-1987). Since that collection, which is more comprehensive than this one, was selling for the same $11.98 list price at the time that The Essential Peter Tosh: The Columbia Years was released, it was difficult to understand why someone looking for a good, inexpensive collection of Tosh's best major-label recordings wouldn't go for the earlier collection instead. True, the newer album does contain "Why Must I Cry," an excellent song co-written by Bob Marley that is not found on Scrolls of the Prophet, as well as a live version of the Wailers classic "400 Years" also missing from the earlier disc. But Scrolls of the Prophet is still a better album on the whole. ~ William Ruhlmann

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"Real and Personal" (03/14/2006) Reggae Papa San, Gospocentric RecordsPersonnel: Papa San (vocals); Joi "Giel" Branker, Rita Marie Valle, Mary Ann Malone, Barry Ryan, Kiplin Batchelor, Ian Henry (vocals, background vocals); Jos? Antonio Torres Almod¢var (vocals); Paul Richards (bass guitar); Christian Bentley (background vocals); Fiona Robinson (vocals, background vocals). Audio Mixers: Mike Tsarfati; Vincent Dilorenzo. Recording information: Ezpmuzik Inc. Studios, Sunny Isle Beach, FL; Jaguar Studios, Hallandale Beach, FL. Photographer: Mark Mann.

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"Very Best [T.P.] *" (09/13/2005) Reggae Thriller U, T.P. RecordsPersonnel includes: Thriller U (vocals); Fire House Crew; Dean Fraser, Chris Meredith. Engineers: King Jammy, Bobby Digital, Fat Man Recorded at King Jammy's Recording Studios, Kingston, Jamaica. Recording information: King Jammy's Recording Studio, 38 St. Lucia Road, Erin; Kingston II Jamaica West Indies.

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"Dub Side of the Moon" (05/24/2005) Reggae Easy Star All-Stars, Easy Star RecordsEasy Star All Stars: Corey Harris, Frankie Paul, Gary "Nesta" Pine, Dr. Israel, Ranking Joe (vocals); Michael Goldwasser (guitar); Victor Axelrod (melodica, piano, electric piano, Clavinet, synthesizer, percussion); Victor Rice (electric bass, upright bass); Patrick Dougher (drums). Additional personnel: Jenny Hill (saxophone); Michael Wagner (trombone); Wayne Wiggum (electric bass); Eddie Ocampo, Larry McDonald (percussion); Tamar-Kali (background vocals). Recorded at Noise NY, Mount Vernon, New York; Mike Stand Killer Studios, Funky Slip Studios and Zion Studios Brooklyn, New York; 401 Studios and Hot Sound, New York, New York. Includes liner notes by Lem Oppenheimer. The pun in the title gives the album's conceit away: This is, in fact, a dub-influenced take on Pink Floyd's classic DARK SIDE OF THE MOON. But while the idea may be groan-inducing, the results are actually quite appealing. All-Star founders Michael G. and Ticklah recruit a handful of guests, including Corey Harris, the Meditations, and Frankie Paul, among others, to turn Floyd's spacey, art-rock epic into a heavy-lidded roots excursion, incorporating rap, dancehall, IDM, and jungle rhythms. The deeply ingrained familiarity of the original creates a fine palette for the All-Stars' Jamaican coloring, resulting in a surprisingly successful synthesis.

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Dirty Reggae

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"Dirty Reggae" (11/21/2003) Reggae Aggrolites (The), Axe Records

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"Can't Stop a Man: The Ultimate Collection" (05/23/2005) Reggae Hammond, Beres, VP RecordsPersonnel: Beres Hammond, U-Roy, Zap Pow, Buju Banton, Marcia Griffiths, Big Youth. Producers include: Willie Lindo, Joe Gibbs, Zap Pow, Beres Hammond, Donovan Germain. Recorded between 1976 & 2002. Includes liner notes by Rob Kenner. Liner Note Author: Robby Kenner. Recording information: Hammerstein Ballroom. Photographers: Marlon "Ajamu" Myrie; William Richards; Anders Jones; David Corio. Can't Stop a Man collects some of Beres Hammond's biggest Jamaican hits, beginning with his first, "One Step Ahead" from 1976, a song produced by Willie Lindo. Moving chronologically through to 2003's sweet and infectious "Dancehall Vibes," which features Big Youth and is one of the highlights here, this two-disc set is a wonderful introduction to this woefully underappreciated singer and writer. With a voice that combines Marvin Gaye's subtle phrasing, Sam Cooke's easy charm, and the soulful power of a David Ruffin, Hammond has a talent for graceful, easy-flowing lovers rock, but he has also effortlessly managed to work light dancehall and hip-hop elements into his work, giving him an uncommon longevity in the ever-shifting sea of styles that is the trademark of Jamaican music. Key tracks here include "Last War," "Who Say" (with Buju Banton),"Sugar You Want," and "Rockaway," a fond reminiscence of the island's roots era. Lovingly packaged, Can't Stop a Man includes track-by-track annotation and discussion. ~ Steve Leggett

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"Riddim Driven: Maybach 365" (05/23/2005) Reggae Various Artists, VP RecordsThe Maybach 365 rhythm is hip- hop influenced, with an almost maddeningly simple and infectious electric piano riff at its center. Not as rough and booming as most current dancehall rhythms, it is really a perfect hybrid between the Kingston and Brooklyn scenes. This compilation, like the others in VP's Riddim Driven series, voices several DJs, toasters, and singers over one backing track in what can appear -- if you're not paying close attention -- to be one extremely long dance track. Among the better variations here are the first voicing, "Maybach," which rotates Buju Banton, Major Damage, and Benzino at the mic, and Red Fox's "After Party," which features Mr. Easy. An unlisted 19th track is actually the Maybach rhythm with no frills added, giving a sort of behind-the-curtain glimpse at the foundation that holds up this whole house of cards. ~ Steve Leggett

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"Infiltration" (09/13/2005) Reggae Assassin (U.S. Rap), VP RecordsPersonnel: Assassin (vocals); Freddie McGregor, Syleena Johnson (vocals); Cleveland "Clevie" Browne, Wycliffe "Steely" Johnson (background vocals); Red Square Black. Audio Mixers: Collin "Bulbie" York; Dave Hyman; Michael "Factor" Jarrett; James M. Wisner ; Jevon Bailey; Richard Browne; Anthony Graham; Shane Brown; Shaun "Sting Int'l" Pizzonia; Wycliffe "Steely" Johnson; Troyton Rami. Recording information: 321 Strong Studios, Kingston, Jamaica; Big Yard Studios, Long Island, NY; Black Shadow Studios, Miami, FL; Hit Factory, New York, NY; Pentagon Studios, Kingston, Jamaica; Penthouse Recording Studio, Kingston, Jamaica; Renaissance Studios, Kingston, Jamaica; Studio 2000, Kingston, Jamaica; Sweet Room Studios, Kingston, Jamaica; The House, Miami, FL; Vendetta Studios, Kingston, Jamaica; Zero G Studios. Arrangers: Cleveland "Clevie" Browne; Wycliffe "Steely" Johnson. The debut album from Assassin arrives with much hype and fanfare -- this young man has made a name for himself on the Jamaican dancehall scene and on the island's airwaves, and has toured extensively as a prot?g? of Buju Banton. But if you come to his album expecting any new take on the typical modern dancehall vibe, you'll be disappointed. On the other hand, if all you're expecting is a more than usually mature debut from a significant talent, then you're sure to be pleased by Assassin's self-assured delivery and witty chatting. The rhythms provided for his use on Infiltration are drawn from the A list of Jamaican production teams, including Clevie & Steelie (whose "As a Man" rhythm is one of the album's highlights), Renaissance Crew, and Jah Snowcone. There are also combination tracks, two of which are among the program's strongest cuts: a sweetly romantic number titled "Let Me Know," which features the golden-voiced Syleena Johnson, and a fine roots-and-culture collaboration with Freddie McGregor called "Youths Well Cold." "Respect Due" is that rarest of dancehall features, a song on which the singer humbly acknowledges the influence of his musical forebears; "Girls Gone Wild," unfortunately, is that most common of dancehall features, a trend-hopping shout-out to slutty girls everywhere. Recommended overall. ~ Rick Anderson

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"Give Me the Reason" (05/23/2005) Reggae Lady Saw, VP RecordsPersonnel includes: Lady Saw, Sly Dunbar, Chevelle Franklyn. Personnel: Lloyd "Gitsy" Willis (guitar); Stephen Hussey (violin); Dean Fraser (saxophone); Robbie Shakespeare (piano); Strickland Stone, Paul Hussey (keyboards); Sly Dunbar (drums); Bongo Herman (percussion); Marie Twiggi Gittens, Leba, Tony Gold, Brian & Tony Gold (background vocals). Arrangers: Bobby "Digital" Dixon; Patrick Roberts.

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"Can't Stop Us Now: Linval Thompson Productions" (05/24/2005) Reggae Various Artists, Easy Star RecordsPersonnel: Bertram Ranchie McLean, Dwight Pinkney, Eric "Bingy Bunny" Lamont, Eric Lamont (guitar); Dean Fraser (saxophone); Ronald "Nambo" Robinson, Ronald Robinson (trombone); Franklyn Waul, Ansel Collins, Robert Lyn, Wycliffe "Steely" Johnson (keyboards); Errol "Flabba" Holt (bass instrument); Lincoln Scott, Lincoln Style Scott, Sly Dunbar, Carlton "Santa" Davis (drums); Christopher Burth, Noel "Scully" Simms (percussion). Recording information: Channel One Studios, Kingston, Jamaica (1979-1990); King Tubby's, Kingston, Jamaica (1979-1990). As the roots and culture period of the 1970s was slowly giving way to the dancehall juggernaut that would dominate reggae music for the next two decades, there were few producers quite as influential as Linval Thompson. In a real sense, he presided over the roots-to- dancehall transition, overseeing crucial recordings of the period by such artists as Gregory Isaacs, Johnny Osbourne, Sugar Minott, and the young Barrington Levy. Can't Stop Us Now is a handy document of that phase in reggae history, presenting 20 tracks by all the artists mentioned as well as many more; more than half of these songs have not been previously available on CD. Unfortunately, a few of them (notably Levy's "Sensimilla" and a Don Carlos tune called "Sweet Africa") suffer from sound quality that is awful even by reggae standards. But for the most part, this is truly great stuff -- the extended mix of Freddie McGregor's "Jah Help the People" benefits from the mixing genius of Scientist, Isaacs' "Tenement Yard" is an excellent pre-dancehall sufferer's anthem, and Johnny Clarke is at his sweet-voiced best on "They Can't Stop Me." Through it all, the Roots Radics and Revolutionaries bands provide grooves that are solid but supple. Highly recommended. ~ Rick Anderson

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"Observer Attack Dub" (06/07/2007) Reggae Niney The Observer, ROIRPersonnel: Niney The Observer (Winston Niney); Chinna Smith, Tony Chin (guitar); Deadly Headly (tenor saxophone); Keith Sterling (trumpet); Vin Gordon (trombone); George Fulwood (bass); Santa Davis (drums). Engineers: Errol Thompson, Lynford Fatta Marshall. Recorded at Joe Gibbs Studio and The Original Randys Studio, Jamaica between 1969 and 1976. Recording information: Old Joe Gibbs Studio, Jamaica (1969-1976); Original Randys Studio (1969-1976). (Niney is best known as a producer who continues to present the finest in Jamaican talent from his studio in Kingston. He has produced a few lackluster dub albums in the past, but "Observer Attack Dub" finds him making a quantum leap in musical quality by jumping backward in time for his source material; all of the tracks on this disc were originally recorded between 1969 and 1976 by legendary producer King Tubby, and are given brand-new dub treatments by Niney for this release. The all-star instrumental cast gives Niney plenty of rock-solid groove to work with, and he rules the mixing board like a man inspired. His remixes create new musical gestures as if out of a void, and the sound is exquisite, much better than one would have the right to expect from recordings of this vintage. This disc is highly recommended. ~ Rick Anderson

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"Strictly the Best, Vol. 20" (05/23/2005) Reggae Various Artists, VP RecordsEditors: Paul Shields; Joel Chin. Illustrator: Chris Clarke. Strictly the Best, Vol. 20 includes many highlights, like Cocoa Tea, Beres Hammond, John Flabba Holt, Culture and Freddie McGregor. ~ Keith Farley

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R.A.W.

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"Riddim Driven: R.A.W. Ready and Willing" (2005) Reggae Various Artists, VP RecordsEditor: Paul Shields. The very 2005 device of looping an acoustic guitar is a big part of producer Arif Cooper's R.A.W (Ready and Willing) riddim, but what surrounds it is what makes the backing track pop. Hooky, simple strings provide the base of the riddim, but the breakdown is the twist as '80s-style syndrums stutter and create dramatic excitement most of the singers here feed off. Kiprich's soca-influenced take on the riddim would be absolutely stunning if it wasn't preceded by four killer cuts, including Lexxus' winning slinky and funky cut, "We Say Party." Young bucks like Busy Signal and Vybz Kartel live up to their hype on their thuggish party cuts, while the underrated Ce'Cile provides more evidence that she's one of the craftiest ladies in dancehall with the brassy, bold, and entirely brash "Stop Looking at My...." The male equivalent would be Sanjay and his testosterone-powered "Now Not Later," while Elephant Man's "Free Your Soul (Lose Control)" deserves special mention since it takes the vibe and hook from Missy Elliot's "Lose Control" and runs with it. Tracks like the polished, R&B-influenced "Just Do It" from Alaine serve the all-important purpose of making the riddim album sound well-rounded, and while it's still hard to recommend a comp that contains just one backing track to non-fanatics, the exciting Riddim Driven: R.A.W. could convince them that the strange -- most would say "monotonous" -- world of riddim albums is worthy of consideration. ~ David Jeffries

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"The Complete Upsetter Singles: 1970-1972 Plus Dubs" (07/02/2002) Reggae Marley, Bob, Purple Pyramid/CleopatraThe Wailers: Bob Marley, Peter Tosh, Bunny Wailer (vocals). The Upsetters: Alva "reggie" Lewis (guitar); Glen Adams (keyboards); Aston "Family Man" Barrett (bass); Carlton Barrett (drums). Recorded between 1970 & 1972. All tracks have been digitally remastered. Personnel: Bob Marley (vocals); Peter Tosh, Bunny Wailer (vocals); Alva Lewis (guitar); Glen Adams (keyboards); Carlton "Carlie" Barrett (drums). Audio Remasterer: Judson Leech. Photographers: Kim Gottlieb-Walker; Barry Plummer. Purple Pyramid's Complete Upsetter Singles: 1970-1972 covers the territory laid out in the title -- 36 songs, both A and B sides, plus dub versions and bonus tracks, spill out over the course of two CDs. Though this material has appeared numerous times on numerous labels over the years, this particular collection is logically assembled, boasts pretty good sound, and is comprehensive, making it a good choice for those seeking a thorough overview of these pivotal, Lee Perry-produced sessions. ~ Stephen Thomas Erlewine

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Bingie Trod [6/7]

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