Elvis cd in Rock & Pop Music

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"North" (11/11/2003) Rock & Pop Costello, Elvis, DG Deutsche Grammophon (USA)Personnel: Elvis Costello (vocals, piano); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann, Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bobby Routch, Bob Carlisle (French horn); Conrad Herwig, Dave Tahlor (trombone); Steve Nieve (piano, celeste); Bill Ware (vibraphone); Michael Formanek, Brad Jones (bass); Peter Erskine (drums); Brodsky Quartet. Recorded at Nola Studios, Avatar Studios, New York, New York and Air Studios, London, England. NORTH was nominated for the 2004 Grammy Award for Best Engineered Album, Non-Classical. This is a Super Audio CD playable only on Super Audio CD players. This is a Super Audio CD playable only on Super Audio CD players. Few artists in pop history have displayed as many different musical sides as Elvis Costello. Over the years, he's ventured in new wave, country, jazz, R&B, and more, and collaborated with everyone from Burt Bacharach to opera star Anne Sofie Von Otter. So those who've followed his twists and turns shouldn't be taken aback by EC following his excellent, groove-based rock album WHEN I WAS CRUEL with a disc full of gently orchestrated piano ballads. This is Costello's debut release on the classical Deutsche Grammaphon label, and though he's ventured into the classical world on such projects as his JULIET LETTERS album with the Brodsky Quartet, this is a different beast. With a muted backing that splits the difference between jazzy combo and modern orchestra, NORTH finds Costello aiming for a modern variation on the classic standard format. Using traditional structures, he spices things up by adding seemingly Schubert-inspired art song-like harmonies and melodic intervals. The lyrics follow a man on the path from romantic disillusionment to the sparks of a new love, mirroring the songwriter's personal journey at the time of the recording. The only question at the end is--where to next?

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"Christmas Peace" (11/04/2003) Rock & Pop Presley, Elvis, BMG HeritagePersonnel: Elvis Presley (vocals); The Jordanaires, Mille Kirkham, The Imperials Quartet, June Page, Dolores Edgin, Charlie Hodge. Compilation producers: Ernst Mikael Jorgensen, Roger Semon. Recorded between 1957 & 1973. Includes liner notes by Ernst Mikael Jorgensen and Roger Semon. Adapter: Elvis Presley. Personnel: Mary Holladay, Dolores Edgin, June Page, Ginger Holladay, J.D. Sumner & the Stamps, The Voice, The Imperials Quartet, The Jordanaires, The Nashville Edition, Millie Kirkham, Charlie Hodge (vocals). Liner Note Authors: Ernst Mikael Jorgensen; Roger Semon. Recording information: 01/12/1957-12/16/1973. Arranger: Elvis Presley. Whether or not you're an aficionado of Christmas music, it's difficult to deny the effectiveness of Elvis Presley's numerous ventures into that area. The two-disc CHRISTMAS PEACE is pretty much your one-stop-shop for Elvis Christmas tunes; the first disc focuses on secular holiday tunes, while the second is based around the gospel tunes that were such a major part of Elvis's musical background. On the secular front, you can't do better than the original bummed-out holiday lament "Blue Christmas," or the great blues tune "Merry Christmas Baby." Elvis digs into the spiritual tunes with all the vigor of a true believer, giving the likes of "(There'll Be) Peace in the Valley for Me" and "Amazing Grace" his all. Needless to say, Elvis's all merits plenty of attention.

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"North" (09/23/2003) Rock & Pop Costello, Elvis, DG Deutsche Grammophon (USA)Personnel: Elvis Costello (vocals, piano); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann, Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bobby Routch, Bob Carlisle (French horn); Conrad Herwig, Dave Tahlor (trombone); Steve Nieve (piano, celeste); Bill Ware (vibraphone); Michael Formanek, Brad Jones (bass); Peter Erskine (drums); Brodsky Quartet. Recorded at Nola Studios, Avatar Studios, New York, New York and Air Studios, London, England. NORTH was nominated for the 2004 Grammy Award for Best Engineered Album, Non-Classical. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer: Elvis Costello. Personnel: Elvis Costello (guitar, piano); Stacy Shames (harp, strings); Maura Giannini, Yana Goichman, Marti Sweet, Cenovia Cummins, Joyce Hammann, Paul Peabody, Richard Sortomme, Carol Webb, Peter Winograd, Avril Brown, Cecelia Hobbs Gardner, Ann Leathers, Jan Mullen, Yuri Vodovoz, Jonathan Dinklage (violin, strings); Elena Barere, Ian Belton, Andrew Haveron, Regis Iandiorio (violin); Sue Pray, Crystal Garner, Rebecca Young, Maxine Roach, Sarah Adams, Karen Dreyfus (viola, strings); Paul Cassidy (viola); Diane Barere, Ellen Westerman, Jeanne LeBlanc, Richard Locker, Frederick Zlotkin (cello, strings); Jacqueline Thomas (cello); Timothy Cobb, Jacqui Danilow (strings); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann , Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bob Carlisle, Bobby Routch (French horn); Conrad Herwig (tenor trombone); Steve Nieve (piano, celesta, electric piano); Peter Erskine (drums). Audio Mixer: Kevin Killen. Recording information: Air Studios, London, England; Avatar Studios, New York, NY; Nola Studios, New York, NY. Photographer: Mark Seliger. Arrangers: Steve Nieve; Elvis Costello. Few artists in pop history have displayed as many different musical sides as Elvis Costello. Over the years, he's ventured in new wave, country, jazz, R&B, and more, and collaborated with everyone from Burt Bacharach to opera star Anne Sofie Von Otter. So those who've followed his twists and turns shouldn't be taken aback by EC following his excellent, groove-based rock album WHEN I WAS CRUEL with a disc full of gently orchestrated piano ballads. This is Costello's debut release on the classical Deutsche Grammaphon label, and though he's ventured into the classical world on such projects as his JULIET LETTERS album with the Brodsky Quartet, this is a different beast. With a muted backing that splits the difference between jazzy combo and modern orchestra, NORTH finds Costello aiming for a modern variation on the classic standard format. Using traditional structures, he spices things up by adding seemingly Schubert-inspired art song-like harmonies and melodic intervals. The lyrics follow a man on the path from romantic disillusionment to the sparks of a new love, mirroring the songwriter's personal journey at the time of the recording. The only question at the end is--where to next?

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"The Delivery Man" (09/21/2004) Rock & Pop Costello, Elvis, Lost Highway RecordsThis is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Elvis Costello: Elvis Costello (Wurlitzer piano). Personnel: Elvis Costello, Elvis Costello (vocals, guitar, tenor guitar, ukulele, piano, Wurlitzer organ, glockenspiel, electric bass, tambourine); Davey Faragher (vocals, Fender Rhodes piano, bass guitar); Dennis Herring (guitar); John McPhee (pedal steel guitar); Steve Nieve (accordion, melodica, piano, Wurlitzer piano, harmonium, organ, Hammond b-3 organ, Wurlitzer organ, omnichord, Theremin); Pete Thomas (drums, percussion); Emmylou Harris, Lucinda Williams (vocals). Audio Mixers: Dennis Herring; Chris Shepard; Clay Jones. Recording information: Delta Recording, Clarksdale, MS; Detla Recording, Clarksdale, MS; Ocean Way Studios, Nashville, TN; Sweet Tea, Oxford, MS; Village Recorders, Los Angeles, CA. Photographers: Dennis Herring; Jesse Dylan. In between Elvis Costello's 2003 album of jazzy, piano-based ballads (NORTH) and his 2004 album of orchestral, neo-classical compositions (IL SOGNO), rock's original Renaissance man somehow found the time to journey down to Oxford, Mississippi with his band the Imposters (essentially the Attractions with a different bassist) for the follow-up to his masterful 2002 pop album, WHEN I WAS CRUEL. There are some parallels to that record; a similar sense of raw immediacy, spare arrangements, and a couple of songs that echo WHEN I WAS CRUEL's churning, cyclical feel. For the most part, however, THE DELIVERY MAN, with its prevalence of rootsy country and soul influences (and duets with Lucinda Williams and Emmylou Harris), is closer in style to the much-loved 1986 Costello album KING OF AMERICA. "The Name of This Thing Is Not Love" sounds like it ought to be powering a Sam Moore comeback album, and "The Judgement" was, in fact, recorded by Solomon Burke for his 2002 comeback record, DON'T GIVE UP ON ME. Some cuts leave the rootsiness behind (the slinky, image-laden title song; the pounding, urgent "Bedlam"), but THE DELIVERY MAN is ultimately a deep bow to the American musical inspirations that are a huge part of Costello's vision.

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