Elvis in Rock & Pop Music

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"Christmas Peace" (11/04/2003) Rock & Pop Presley, Elvis, BMG HeritagePersonnel: Elvis Presley (vocals); The Jordanaires, Mille Kirkham, The Imperials Quartet, June Page, Dolores Edgin, Charlie Hodge. Compilation producers: Ernst Mikael Jorgensen, Roger Semon. Recorded between 1957 & 1973. Includes liner notes by Ernst Mikael Jorgensen and Roger Semon. Adapter: Elvis Presley. Personnel: Mary Holladay, Dolores Edgin, June Page, Ginger Holladay, J.D. Sumner & the Stamps, The Voice, The Imperials Quartet, The Jordanaires, The Nashville Edition, Millie Kirkham, Charlie Hodge (vocals). Liner Note Authors: Ernst Mikael Jorgensen; Roger Semon. Recording information: 01/12/1957-12/16/1973. Arranger: Elvis Presley. Whether or not you're an aficionado of Christmas music, it's difficult to deny the effectiveness of Elvis Presley's numerous ventures into that area. The two-disc CHRISTMAS PEACE is pretty much your one-stop-shop for Elvis Christmas tunes; the first disc focuses on secular holiday tunes, while the second is based around the gospel tunes that were such a major part of Elvis's musical background. On the secular front, you can't do better than the original bummed-out holiday lament "Blue Christmas," or the great blues tune "Merry Christmas Baby." Elvis digs into the spiritual tunes with all the vigor of a true believer, giving the likes of "(There'll Be) Peace in the Valley for Me" and "Amazing Grace" his all. Needless to say, Elvis's all merits plenty of attention.

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"North" (09/23/2003) Rock & Pop Costello, Elvis, DG Deutsche Grammophon (USA)Personnel: Elvis Costello (vocals, piano); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann, Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bobby Routch, Bob Carlisle (French horn); Conrad Herwig, Dave Tahlor (trombone); Steve Nieve (piano, celeste); Bill Ware (vibraphone); Michael Formanek, Brad Jones (bass); Peter Erskine (drums); Brodsky Quartet. Recorded at Nola Studios, Avatar Studios, New York, New York and Air Studios, London, England. NORTH was nominated for the 2004 Grammy Award for Best Engineered Album, Non-Classical. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer: Elvis Costello. Personnel: Elvis Costello (guitar, piano); Stacy Shames (harp, strings); Maura Giannini, Yana Goichman, Marti Sweet, Cenovia Cummins, Joyce Hammann, Paul Peabody, Richard Sortomme, Carol Webb, Peter Winograd, Avril Brown, Cecelia Hobbs Gardner, Ann Leathers, Jan Mullen, Yuri Vodovoz, Jonathan Dinklage (violin, strings); Elena Barere, Ian Belton, Andrew Haveron, Regis Iandiorio (violin); Sue Pray, Crystal Garner, Rebecca Young, Maxine Roach, Sarah Adams, Karen Dreyfus (viola, strings); Paul Cassidy (viola); Diane Barere, Ellen Westerman, Jeanne LeBlanc, Richard Locker, Frederick Zlotkin (cello, strings); Jacqueline Thomas (cello); Timothy Cobb, Jacqui Danilow (strings); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann , Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bob Carlisle, Bobby Routch (French horn); Conrad Herwig (tenor trombone); Steve Nieve (piano, celesta, electric piano); Peter Erskine (drums). Audio Mixer: Kevin Killen. Recording information: Air Studios, London, England; Avatar Studios, New York, NY; Nola Studios, New York, NY. Photographer: Mark Seliger. Arrangers: Steve Nieve; Elvis Costello. Few artists in pop history have displayed as many different musical sides as Elvis Costello. Over the years, he's ventured in new wave, country, jazz, R&B, and more, and collaborated with everyone from Burt Bacharach to opera star Anne Sofie Von Otter. So those who've followed his twists and turns shouldn't be taken aback by EC following his excellent, groove-based rock album WHEN I WAS CRUEL with a disc full of gently orchestrated piano ballads. This is Costello's debut release on the classical Deutsche Grammaphon label, and though he's ventured into the classical world on such projects as his JULIET LETTERS album with the Brodsky Quartet, this is a different beast. With a muted backing that splits the difference between jazzy combo and modern orchestra, NORTH finds Costello aiming for a modern variation on the classic standard format. Using traditional structures, he spices things up by adding seemingly Schubert-inspired art song-like harmonies and melodic intervals. The lyrics follow a man on the path from romantic disillusionment to the sparks of a new love, mirroring the songwriter's personal journey at the time of the recording. The only question at the end is--where to next?

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"North" (11/11/2003) Rock & Pop Costello, Elvis, DG Deutsche Grammophon (USA)Personnel: Elvis Costello (vocals, piano); Pamela Sklar (alto flute); John Moses (clarinet); Roger Rosenberg (bass clarinet); Dave Mann, Lee Konitz (alto saxophone); Andy Snitzer (tenor saxophone); Lew Soloff (flugelhorn); Bobby Routch, Bob Carlisle (French horn); Conrad Herwig, Dave Tahlor (trombone); Steve Nieve (piano, celeste); Bill Ware (vibraphone); Michael Formanek, Brad Jones (bass); Peter Erskine (drums); Brodsky Quartet. Recorded at Nola Studios, Avatar Studios, New York, New York and Air Studios, London, England. NORTH was nominated for the 2004 Grammy Award for Best Engineered Album, Non-Classical. This is a Super Audio CD playable only on Super Audio CD players. This is a Super Audio CD playable only on Super Audio CD players. Few artists in pop history have displayed as many different musical sides as Elvis Costello. Over the years, he's ventured in new wave, country, jazz, R&B, and more, and collaborated with everyone from Burt Bacharach to opera star Anne Sofie Von Otter. So those who've followed his twists and turns shouldn't be taken aback by EC following his excellent, groove-based rock album WHEN I WAS CRUEL with a disc full of gently orchestrated piano ballads. This is Costello's debut release on the classical Deutsche Grammaphon label, and though he's ventured into the classical world on such projects as his JULIET LETTERS album with the Brodsky Quartet, this is a different beast. With a muted backing that splits the difference between jazzy combo and modern orchestra, NORTH finds Costello aiming for a modern variation on the classic standard format. Using traditional structures, he spices things up by adding seemingly Schubert-inspired art song-like harmonies and melodic intervals. The lyrics follow a man on the path from romantic disillusionment to the sparks of a new love, mirroring the songwriter's personal journey at the time of the recording. The only question at the end is--where to next?

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"Mighty Like A Rose: Deluxe Edition" (11/19/2002) Rock & Pop Costello, Elvis, Rhino Records (USA)Personnel: Elvis Costello (vocals, acoustic, electric & 12-string guitars, piano, celeste, chamberlin); Mary Coughlan (vocals); Marc Ribot (acoustic & electric guitars, banjo, cornet, horn); James Burton (acoustic & elcetric guitars); Andrew Findon (flute); Davy Spillane (Uilleann pipes); Nicholas Bucknall (clarinet); Richard Morgan (oboe); Neil Levesley (bassoon); Kevin Harris (tenor saxophone); Roger Lewis (baritone saxophone); Gregory Davis, Efrem Towns (trumpet); Simon Rayner (French horn); Charles Joseph (trombone); Larry Knechtel (piano, harmonium, Clavinet, Hammond B-3 organ, calliope); Rob Wasserman, Nick Lowe, T-Bone Wolk, Jerry Scheff (bass); Pete Thomas, Lionel Batiste (drums); Donal Lunny (bodhran); The Chieftains. Producers include: Mitchell Froom, Kevin Killen, Donal Lunny, Paddy Moloney, Rob Wasserman. Recorded between 1990 & 1991. Originally released on Warner Brothers (26575). By the early '90s, Elvis Costello had forgotten more about songcraft and record production than most musicians would ever learn, earning him titles like "modern-day Gershwin." MIGHTY LIKE A ROSE is where he starts showing off his smarts. It's far and away Elvis' most elaborate effort, both in terms of composition and arrangement, making his collaboration with the Brodsky Quartet sound like a Ramones album. Aided by Mitchell Froom and innovative guitarist Marc Ribot, Costello turns out arty, harmonically sophisticated tunes that never go where you expect them to, either musically or lyrically. Ironically, it's the simplest tunes on what could fairly be called Costello's SERGEANT PEPPER that make the most impact, like the very Leonard Cohen-ish "After the Fall" and the elegant melancholy of the McCartney collaboration "So Like Candy."

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"Alan, Elvis & God *" (10/07/1997) Rock & Pop Something Happens, Lizard GroupSomething Happens: Tom Dunne (vocals); Ray Harman (guitar); Pat Fitzpatrick (keyboards); Alan Byrne (bass); Eamonn Ryan (drums). Producers: Something Happens, Chris O'Brien, Tim Martin. Engineers include: Ivan O'Shea. Recorded at OFI Studios & Totally Wired Studios, Dublin, Ireland. Personnel: Tom Dunne (vocals); Ray Harman (guitar); Eamoun Ryan (drums). Audio Mixer: Bob Rosa. Recording information: OFI Studios, Dublin, Ireland; Totally Wired Studio, Dublin, Ireland. Photographer: Brendan Fitzpatrick. Unknown Contributor Role: Mark Ryan.

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Elvis '55

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"Elvis Presley '55" (11/18/2003) Oldies Presley, Elvis, Dynamic Recording Studio (Records)Recorded live at the Louisians Hayride in 1955. Fourteen songs from Elvis Presley's Louisiana Hayride appearances in the mid-'50s -- a well-traveled body of work that has been issued in various different permutations -- are on this CD. While any live recordings of Presley from so early in his career have high historical importance, this package has its flaws. It's not a complete record of his early Louisiana Hayride appearances; some additional tracks are on other CDs, such as Good Rockin' Tonight: Evolution of Elvis Presley. Although there's a thick booklet in the gatefold sleeve, the dates of the original recordings are not given. The booklet does contain information about some of the songs on the collection, along with a timeline of key dates and events in the year 1955. Then there's the music. Remember? Although the sound is, through no fault of the compilers, not very good or well-recorded due to limitations in the source tapes, they're exciting performances that give a good idea of the brash excitement generated by Elvis onstage in the early days. You could hardly ask for a better slice of his early repertoire, too, with "Heartbreak Hotel," "Blue Suede Shoes," "Hound Dog," "Baby Let's Play House," "That's Alright Mama," and "Good Rockin' Tonight" as the highlights, along with a couple of songs he didn't record in the studio in the mid-'50s, "Tweedle Dee" and "Maybellene." ~ Richie Unterberger

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"Kojak Variety [Expanded] [Remaster]" (08/03/2004) Rock & Pop Costello, Elvis, Rhino Records (USA)Personnel: Elvis Costello (vocals, electric guitar, harmonica); James Burton (guitar); Marc Ribot (guitar, banjo); Larry Knechtel (piano, Wurlitzer electric piano, Hammond organ); Jerry Scheff (bass); Jim Keltner, Pete Thomas (drums). Recorded at Blue Wave Studios, Barbados. Includes liner notes by Elvis Costello. Personnel: Elvis Costello (vocals, guitar, acoustic guitar, harmonica, piano, celesta, vibraphone); Elvis Costello; Fran McPhail, Phil Callery, Gerry Cullen (vocals); Steve Donnelly (guitar, acoustic guitar); Marc Ribot (guitar, electric guitar, Spanish guitar, banjo, e flat horn); Larry Knechtel (guitar, piano, Wurlitzer organ); Danny Barker (guitar); Barney McKenna (banjo); D¢nal Lunny (bouzouki, harmonium); Larry Adler (harmonica); Kevin Harris (tenor saxophone); Roger Lewis (baritone saxophone); Efrem Towns, Gregory Michael Davis II (trumpet); Charles Joseph (trombone); Kirk Joseph (sousaphone); Jerry Scheff (piano, Hammond b-3 organ, electric bass, bass guitar); Steve Nieve (keyboards); Pete Thomas (bass guitar, drums); Eoghan O'Neill (bass guitar); Jenell Marshall (drums, percussion); Ray Fean (drums); Noel Eccles (percussion); James Burton (guitar, acoustic guitar, electric guitar); Jim Keltner (drums). Audio Mixer: Glyn Johns. Audio Remasterer: Dan Hersch. Liner Note Author: Elvis Costello. Recording information: Air Studios, Lyndhurst, NJ (??/1989-02/1994); Blue Wave Studios, St. Philip, Barbados (??/1989-02/1994); Bunk, Junk & Genius, London, England (??/1989-02/1994); Pete Thomas' Studio, St Margaret's, London, England (??/1989-02/1994); Sorceror Sound, NY (??/1989-02/1994); Ultrasonic Studios, New Orleans, LA (??/1989-02/1994); Westside Studios, London, England (??/1989-02/1994). Photographers: Patrick Rochon; Giuliano Valenti; Tim Hall. Costello was always something of a musical sponge, soaking up an eclectic bunch of influences and assimilating them into an original vision that was fed by tradition but pointed straight to the future. Here he pays tribute to the musical heroes of his youth, with cover versions of songs both obscure and familiar. The accent is on blues and R&B, as EC tackles James Carr's anguished, soulful "Pouring Water on a Drowning Man" and Willie Dixon's vibrant "Hidden Charms." Along the way, Elvis redefines some of his favorite tunes by radically recasting them. Dylan's "I Threw it All Away" become a soul torch ballad. The Louvin Brothers' "Must You Throw Dirt in My Face" is turned into an R&B lament. Session monsters like Jim Keltner and James Burton inject the proper amount of grit into the proceedings, making this a surprisingly fresh-sounding walk through the American roots of one of Britain's finest singer-songwriters. Elvis Costello recorded the 15 songs that comprised his covers album Kojak Variety in 1990, but the album sat in the vaults for five years, with some songs trickling out on soundtracks, with the entire album eventually leaking out as a bootleg prior to its release in 1995. Given this slow, steady crawl to release and the nature of bootlegs and B-sides, it's reasonable to assume from its slow unveiling that the album was a collection of covers that he recorded with different bands over different years, when quite the opposite was true -- all 15 songs were the cut with the same band, all sequestered away in Barbados. However, the bonus disc that accompanies Rhino's 2004 expanded, double-CD reissue of Kojak Variety is indeed a crazy quilt of covers, taken from different sessions recorded during the '90s. Many of these have been previously released, either as B-sides or more often as contributions to various-artists tribute albums (or, in the case of Dave Bartholomew's "That's How You Got Killed Before," Costello sang it for an album by the Dirty Dozen Brass Band). While these aren't exactly rare, it is nice to have them all collected in one place, but it's even nicer to have all of the "George Jones Tape" finally see the light of day. These ten songs -- running from track two ("My Resistance Is Low") through track 11 ("How Long Has This Been Going On") on the

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Elvis: Inspirational [2/28] *

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"Elvis Inspirational" (02/28/2006) Gospel Presley, Elvis, RCA/Sony BMGLiner Note Author: Michael Hill. Recording information: 10/31/1960-12/16/1973. In early 2006, RCA/Sony released three Elvis Presley compilations, each one focusing on a different aspect of the King's catalog. This installment, featuring tracks recorded between 1960 and '76, finds Presley, as the title would suggest, in an inspirational mode. While not expressly gospel, the collection stills offers up songs of hope and faith. Elvis ably takes on classics such as "Amazing Grace" and "Danny Boy," and also shines on more contemporary tunes such as Neil Diamond's gentle "And the Grass Won't Pay No Mind" and Simon & Garfunkel's "Bridge Over Troubled Water," which soars to a thundering finale. An uplifting set that presents Presley in his bold, latter-day voice, ELVIS: INSPIRATIONAL lives up to the grandeur that one would expect from such a collection.

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Elvis: Country [2/28]

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"Elvis Country [RCA]" (02/28/2006) Oldies Presley, Elvis, RCA/Sony BMGLiner Note Author: Michael Hill. Recording information: 08/25/1969-02/08/1976. One of three compilations released in early 2006 to showcase the King's versatility as a singer and song stylist, this 20-track set presents many of Elvis Presley's finest forays into country music. While the release's artwork is deceptive--the photos depict a young rockabilly cat, even though the songs here were all recorded between 1969 and '76--many of the tunes are outstanding, with the King easing into a number of "countrypolitan" classics. Highlights include a wonderfully wistful rendition of Willie Nelson's "Funny How Time Slips Away" and a dreamy, echo-laden version of Fred Rose's "Blue Eyes Crying in the Rain." While those looking to venture deeper into this aspect of Presley's material should seek out THE COUNTRY SIDE OF ELVIS, this collection is perfect for listeners looking to make a shorter rural detour.

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Elvis: Rock [2/28]

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"Elvis Rock" (02/28/2006) Oldies Presley, Elvis, Sony BMG Music (Canada) (DisitributIssued in early 2006, ROCK forms a trilogy with two other Elvis Presley compilations (COUNTRY and INSPIRATIONAL), each one focusing on a specific aspect of the King's legacy. While the latter sets present primarily late-1960s/early-'70s material, this appropriately lively installment features tracks recorded between 1956 and '58, showcasing Elvis as he tries superstardom on for size. This is of course the man who brought rock & roll to mainstream America, and while the collection includes many of the usual suspects ("Don't Be Cruel," "Hound Dog," "Jailhouse Rock," etc.), it also boasts more obscure sides such as the fierce "Hard Headed Woman," the swaggering film tie-in "King Creole," and the aptly titled "Party." Although there are numerous collections that mine similar territory, few have such clear-cut intentions, making ELVIS: ROCK a notable release.

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Love, Elvis [1/25] *

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"Love, Elvis" (01/25/2005) Oldies Presley, Elvis, BMG (distributor)Personnel: Holladays, Charles Prescott, Sherrill Nielsen, J.D. Sumner, Rad Robinson, Jon Dodson, Kathy Westmoreland, The Blossoms, The Imperials Quartet, The Jordanaires, The Stamps, The Sweet Inspirations, Ben Speer, Gordon Stoker, Millie Kirkham, Brock Speer (vocals). Liner Note Author: Michael Hill. Recording information: 04/11/1956-04/24/1977. Arrangers: Glen D. Hardin; Glen Spreen; Ken Darby; Bergen White. Does the world really need another Elvis Presley compilation? Well, it does, actually. Unlike some of the more haphazard reissues, LOVE, ELVIS is a collection with a focus, bringing together 24 of the King's best ballads and love songs. It has been done before, but never in such a nice, big, well-chosen chunk. Elvis himself always idolized the cool lounge style of Dean Martin, and while Presley's menacing, sexually charged early rock & roll hits revolutionized popular music, he could also be a seductive crooner with the best of them. LOVE, ELVIS is a stylish, cohesive package that showcases this softer side of the King to full advantage. While some of the later material from the 1970s is no match for timeless classics like "It's Now or Never" and "Love Me Tender," all of the songs fit seamlessly together in an inspired, non-chronological sequence. For a satisfying, romantic Valentine's Day collection, you can't beat LOVE, ELVIS.

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Deals on Elvis in Rock & Pop Music. Visit BizRate to find the best deals on Rock & Pop Music. See which Music stores have the Elvis that you want. Read reviews on Music merchants and buy with confidence. Find savings on My Aim Is True [Digipak] [Limited] by Elvis Costello (CD - 05/01/2007) - Christmas Peace by Elvis Presley (CD - 11/04/2003).