Ridley scott in Sci-Fi DVDs & Videos

Description:

ALIEN QUADRILOGY celebrates one of the most popular series in the history of the movies. In addition to containing a mind-blowing amount of behind-the-scenes featurettes and documentaries, this comprehensive multi-pack includes multiple versions of each feature film: ALIEN (1979 Theatrical Version and 2003 Director's Cut), ALIENS (1986 Theatrical Version and 1991 Special Edition Version), ALIEN 3 (1992 Theatrical Version and 2003 Special Edition Version), and, finally, ALIEN RESURRECTION (1997 Theatrical Version and 2003 Special Edition Version). A film collector's dream, ALIEN QUADRILOGY takes advantage of modern technology to give fans more than they could have ever imagined.

Description:

There are virtually no sweet little E.T.s to be found in this unearthly collection. There are a lot of creepy pod people in Philip Kaufman's INVASION OF THE BODY SNATCHERS (1978), a perpetually naked female space vampire and ensuing earth zombies in Tobe Hooper's LIFEFORCE, and a bloodthirsty xenomorph in the claustrophobic Ridley Scott classic ALIEN, but that's about it. Please see individual titles for complete synopsis information.

Description:

Director Ridley Scott's lush fantasy film stars the young Tom Cruise as Jack, a peasant who lives in an enchanted forest with his beloved Lili (Mia Sara). One day, while quietly gamboling in a glade, the pair is distracted by the appearance of trolls, minions of the evil Lord of Darkness (Tim Curry). The cloven-footed, cavern-dwelling monster, long banished to the earth's nether regions, has sent the creatures on a mission to seize the horn of a unicorn, thereby plunging the planet into a frigid darkness over which he alone will reign. Things go from bad to worse as Lili succumbs to the forces of darkness, and Jack must assemble a motley band of elves to free her from bondage and return sunlight to the earth's surface. Sumptous art direction and overwhelming special effects are once again a testament to Scott's powers of visual invention.

Description:

Twenty-five years after the initial release of BLADE RUNNER, director Ridley Scott uses archival footage to re-create his original vision for the sci-fi classic. Based on a story by Philip K. Dick, the film is set in Los Angeles in 2019. Earth has become a polluted and miserable dystopia, and many people have fled to live "Off World" on other planets. This dreary vision of the future features replicants: lifelike robots built as slaves for human use. When a replicant escapes his owner, a "blade runner" is called in to hunt him down and kill him. Enter Harrison Ford as the retired blade runner Rick Deckard. He is pulled out of retirement to help catch four escaped replicants: Batty (Rutger Hauer), Leon (Brion James), Pris (Darryl Hannah), and Zhora (Joanna Cassidy.) Despite his distaste for the job, Deckard is soon hot on their heels, tracking them down one by one through the over-crowded, crumbling city streets. In the midst of his hunt, Deckard becomes involved with a beautiful replicant named Rachael (Sean Young). Rachel has fled her owner, and Deckard rightfully should kill her. However, the two fall in love, and after some startling revelations, they are both soon on the run from the very authorities that once employed Deckard. This final cut is a bleaker, more cynical version of an already dark film, which might explain why the studio insisted on a softer, more optimistic ending when it was first released. While some superfans might take issue with some of the revelatory new twists, they will no doubt delight in the quality of the digital restoration. The special effects were already impressive for 1982, but these new touch-ups give them a look that appears just as sharp and imaginative as the sci-fi films of today.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

This double-shot of classic sci-fi films boasting Oscar-winning visuals represents the landmark moments in state-of-the-art movie technology that occurred throughout the 1980s. The fact that the technology here was used for two of the most beloved films in modern cinema history is simply the icing on the cake. Included are Ridley Scott?s claustrophobic thriller ALIEN and James Cameron?s awe-inspiring THE ABYSS. See individual titles for complete details.

Description:

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

Description:

Director Ridley Scott's lush fantasy film stars the young Tom Cruise as Jack, a peasant who lives in an enchanted forest with his beloved Lili (Mia Sara). One day, while quietly gamboling in a glade, the pair is distracted by the appearance of trolls, minions of the evil Lord of Darkness (Tim Curry). The cloven-footed, cavern-dwelling monster, long banished to the earth's nether regions, has sent the creatures on a mission to seize the horn of a unicorn, thereby plunging the planet into a frigid darkness over which he alone will reign. Things go from bad to worse as Lili succumbs to the forces of darkness, and Jack must assemble a motley band of elves to free her from bondage and return sunlight to the earth's surface. Sumptous art direction and overwhelming special effects are once again a testament to Scott's powers of visual invention.

Description:

The timeless ALIEN series, which was brought to life by Ridley Scott in 1979, has an enduring appeal which has led to various spin-off films, comic books, and action figures. This set includes the first three movies in the series, beginning with Scott's masterpiece, then continuing with James Cameron's '86 sequel ALIENS, in which a group of soldiers and scientists head out to the now-colonized alien planet. The set concludes with David Fincher's '92 addition to the series, ALIEN 3, which takes places on a prison planet riddled with the deadly creatures. The one constant throughout each film, aside from the aliens, is actress Sigourney Weaver, who stars as Ripley in each feature.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Scott's 1992 director's cut edition contains notable alterations, including the absence of Ford's narration, which significantly heightens the ambiguity of key moments in this stunning cinematic landmark.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

To celebrate the 20th anniversary of the ultimate sci-fi/horror series, the ALIEN LEGACY set collects all 4 volumes of the ALIEN saga: ALIEN, ALIENS (a new-to- video special edition with nearly 20 minutes of additional footage), ALIEN 3 and ALIEN RESURRECTION.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

Description:

ALIEN: Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton. ALIEN VS. PREDATOR: When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

Description:

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

Description:

This double feature presents two science-fiction classics boasting production design by Swiss surrealist artist H.R. Giger. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN (1979) focuses on the crew of a space cargo ship that finds itself invaded by a brilliantly original fusion of insect, man, and machine. And in SPECIES (1995), a genetically engineered, shapeshifting creature (Natasha Henstridge) with extraterrestrial intelligence adopts the form of a beautiful woman to mate with humans and unleash a brood of offspring that will destroy mankind. See individual titles for further details.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Scott's 1992 director's cut edition contains notable alterations, including the absence of Ford's narration, which significantly heightens the ambiguity of key moments in this stunning cinematic landmark.

Description:

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

Description:

ALIEN: Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one. A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton. ALIEN VS. PREDATOR: When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Scott's 1992 director's cut edition contains notable alterations, including the absence of Ford's narration, which significantly heightens the ambiguity of key moments in this stunning cinematic landmark.

Description:

ALIEN QUADRILOGY celebrates one of the most popular series in the history of the movies. In addition to containing a mind-blowing amount of behind-the-scenes featurettes and documentaries, this comprehensive multi-pack includes multiple versions of each feature film: ALIEN (1979 Theatrical Version and 2003 Director's Cut), ALIENS (1986 Theatrical Version and 1991 Special Edition Version), ALIEN 3 (1992 Theatrical Version and 2003 Special Edition Version), and, finally, ALIEN RESURRECTION (1997 Theatrical Version and 2003 Special Edition Version). A film collector's dream, ALIEN QUADRILOGY takes advantage of modern technology to give fans more than they could have ever imagined.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Scott's 1992 director's cut edition contains notable alterations, including the absence of Ford's narration, which significantly heightens the ambiguity of key moments in this stunning cinematic landmark.

Description:

Director Ridley Scott's lush fantasy film stars the young Tom Cruise as Jack, a peasant who lives in an enchanted forest with his beloved Lili (Mia Sara). One day, while quietly gamboling in a glade, the pair is distracted by the appearance of trolls, minions of the evil Lord of Darkness (Tim Curry). The cloven-footed, cavern-dwelling monster, long banished to the earth's nether regions, has sent the creatures on a mission to seize the horn of a unicorn, thereby plunging the planet into a frigid darkness over which he alone will reign. Things go from bad to worse as Lili succumbs to the forces of darkness, and Jack must assemble a motley band of elves to free her from bondage and return sunlight to the earth's surface. Sumptous art direction and overwhelming special effects are once again a testament to Scott's powers of visual invention.

Description:

Director Ridley Scott's lush fantasy film stars the young Tom Cruise as Jack, a peasant who lives in an enchanted forest with his beloved Lili (Mia Sara). One day, while quietly gamboling in a glade, the pair is distracted by the appearance of trolls, minions of the evil Lord of Darkness (Tim Curry). The cloven-footed, cavern-dwelling monster, long banished to the earth's nether regions, has sent the creatures on a mission to seize the horn of a unicorn, thereby plunging the planet into a frigid darkness over which he alone will reign. Things go from bad to worse as Lili succumbs to the forces of darkness, and Jack must assemble a motley band of elves to free her from bondage and return sunlight to the earth's surface. Sumptous art direction and overwhelming special effects are once again a testament to Scott's powers of visual invention.

Description:

Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Scott's 1992 director's cut edition contains notable alterations, including the absence of Ford's narration, which significantly heightens the ambiguity of key moments in this stunning cinematic landmark.