Steven spielberg science fiction movies in Sci-Fi DVDs & Videos

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Dinosaurs are back...to-back in JURASSIC PARK and JURASSIC PARK: THE LOST WORLD. In JURASSIC PARK, an eccentric billionaire invites two paleontologists to his private island off South America, where he is constructing a wild animal park--whose specimens are genetically engineered dinosaurs. Breakthrough digital effects bring these extinct animals roaring back to life. Based on Michael Crichton's ravenous bestseller. Academy Award Nominations: 3. Academy Awards: 3, including Best Visual Effects. JURASSIC PARK: THE LOST WORLD is the sequel to the smash dinosaur thriller. Dr. Ian Malcolm returns for more dino-horror when, four years after the disaster at the would-be amusement park attraction, another expedition is mounted to document the natural behavior of the beasts at mysterious Site B, the island where they were originally bred. The team--composed of Malcolm, a prehistoric behavioralist, a wildlife videographer, and a systems specialist--faces adversity in the form of a less-than-scrupulous company executive, an Ahab-like big game hunter, and, of course, the terrible lizards themselves. Marginally based on the Michael Crichton novel THE LOST WORLD. Academy Award Nomination: Best Visual Effects.

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THE LOST WORLD: JURASSIC PARK is director Steven Spielberg's sequel to his original dinosaur thriller. Dr. Ian Malcolm (Jeff Goldblum) returns for more dino-horror when, four years after the disaster at the would-be amusement park, another expedition is mounted by millionaire John Hammond (Richard Attenborough). To document the natural behavior of the beasts at a mysterious Site B, Hammond sends a team comprising Malcolm; Malcolm's girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore); and a wildlife videographer (Vince Vaughn). They face adversity in the form of a less-than-scrupulous big-game hunter (Pete Postlethwaite) and, of course, the terrible lizards themselves. The film is loosely based on Michael Crichton's novel THE LOST WORLD, which was named after the 1912 Sir Arthur Conan Doyle novel of the same name. Spielberg proved his determination to alternate making socially conscious films with directing movies of sheer entertainment value; his prior film to THE LOST WORLD was SCHINDLER'S LIST, and he followed the dinosaur adventure with AMISTAD.

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This miniseries premiered on the Sci-Fi Channel to critical praise and popular success. Beginning as Captain Owen Crawford tries to gain control of a project that's covering up a UFO crash in New Mexico, TAKEN follows its characters as they discover the evidence of alien life in 1947 until the end of the century, when their lives and the lives of their children have become enmeshed with those of the alien invaders. Tremendously involving and entertaining, TAKEN is a grand sci-fi miniseries unlike any other.

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THE LOST WORLD: JURASSIC PARK is director Steven Spielberg's sequel to his original dinosaur thriller. Dr. Ian Malcolm (Jeff Goldblum) returns for more dino-horror when, four years after the disaster at the would-be amusement park, another expedition is mounted by millionaire John Hammond (Richard Attenborough). To document the natural behavior of the beasts at a mysterious Site B, Hammond sends a team comprising Malcolm; Malcolm's girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore); and a wildlife videographer (Vince Vaughn). They face adversity in the form of a less-than-scrupulous big-game hunter (Pete Postlethwaite) and, of course, the terrible lizards themselves. The film is loosely based on Michael Crichton's novel THE LOST WORLD, which was named after the 1912 Sir Arthur Conan Doyle novel of the same name. Spielberg proved his determination to alternate making socially conscious films with directing movies of sheer entertainment value; his prior film to THE LOST WORLD was SCHINDLER'S LIST, and he followed the dinosaur adventure with AMISTAD.

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The 2002 rerelease of E.T., which marks 20 years since the film's 1982 debut, includes never before seen footage, enhanced visual effects, and a new remastered soundtrack. E.T. THE EXTRA-TERRESTRIAL is Steven Spielberg's warmhearted classic delight for both children and adults. It tells the story of an alien creature, E.T., mistakenly left behind on Earth. When a young boy, Elliott (Henry Thomas), finds E.T. and hides him in his home, both their worlds are changed forever. E.T. teaches Elliott and his two siblings (Drew Barrymore and Robert MacNaughton), whose parents have recently separated, about caring and love while the children protect E.T. from the malevolent world of grown-ups. Elliott and E.T. become so close that they share emotions; as E.T. becomes ill, so does Elliott. The children end up going on a fabulous adventure trying to help E.T. find a way back to his home planet. The movie was originally going to be based on a story idea by director John Sayles, but after he removed himself from the project, screenwriter Melissa Mathison (Harrison Ford's wife) took over the script and made it her own. John Williams's beautiful soundtrack became forever linked to E.T. THE EXTRA-TERRESTRIAL.

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One cannot help but think of terrorist attacks while watching Stephen Spielberg's update of the classic sci-fi fantasy THE WAR OF THE WORLDS. While the H.G. Wells story dates back to 1898, and has inspired previous adaptations, this particular version feeds off its 21st century audience's fear of a terrorist-induced apocalypse. Even if the sight of tall buildings crumbling to the ground and crowds running fearfully away from their demise doesn't trigger post-9/11 paranoia, dialogue such as "Is it the terrorists?" will. Disgruntled, divorced father Ray Ferrier (Tom Cruise) is struggling to connect with his estranged kids, who have been dropped off by their mother for the weekend, when a severe and unusual lightning storm leaves his New Jersey neighborhood powerless. Over the course of the next few hours, it becomes obvious that this was not a storm at all, but rather the first sign of a worldwide alien attack. Emerging from the ground in multi-legged tripod-like machines that have apparently been stored beneath the earth's surface since before man's time, these aliens begin the process of waging a long-planned war on our planet. While WAR OF THE WORLDS follows Ray's growing closeness with his two children (Dakota Fanning and Justin Chatwin) in the face of imminent disaster, and his transformation from lousy father to hero, their story is used mostly as a vehicle for illustrating an unending series of horrific scenarios. The human element of the story is also briefly explored with Tim Robbins's portrayal of a crazed, alien-fighting recluse. Sticking closely to Wells's original descriptions of alien warfare, the film focuses mainly on visuals and succeeds through impressive special effects to create two hours of thrilling, frightening, realistic terror.

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Steven Spielberg directed this blockbuster thriller based on the popular book by Michael Crichton. Millionaire John Hammond (Richard Attenborough) asks two dinosaur experts (Laura Dern and Sam Neill) to act as consultants on his entrepreneurial endeavor--an amusement park with DNA-cloned live dinosaurs as the main attraction. The paleontologists, along with a mathematician (Jeff Goldblum) and Hammond's two grandchildren, takes a run-through tour of the park. But soon the joyride turns to terror when an impending hurricane, an unscrupulous engineer (Wayne Knight), and the rebelling dinosaurs begin to destroy the park. Spielberg considered the most popular star of the film to be a computer-generated Tyrannosaurus rex. The special effects in general are spectacular. As Hollywood's preeminent director, Spielberg was used as a kind of financial savior for Universal Studios, which was hurting economically prior to the dinosaurian venture. Spielberg made a deal with Universal--his dream project, SCHINDLER'S LIST, would be green-lighted if he agreed to make JURASSIC PARK for the studio first. By the time SCHINDLER'S LIST premiered in December 1993, JURASSIC PARK, which had been released six months earlier, had broken E.T. THE EXTRA-TERRESTRIAL's worldwide box-office record.

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This collection includes the first, second, and third film from the groundbreaking Jurassic Park series. JURASSIC PARK: Steven Spielberg directed this blockbuster thriller based on the popular book by Michael Crichton. Millionaire John Hammond (Richard Attenborough) asks two dinosaur experts (Laura Dern and Sam Neill) to act as consultants on his entrepreneurial endeavor--an amusement park with DNA-cloned live dinosaurs as the main attraction. The paleontologists, along with a mathematician (Jeff Goldblum) and Hammond's two grandchildren, take a run-through tour of the park. But soon the joyride turns to terror when an impending hurricane, an unscrupulous engineer (Wayne Knight), and the rebelling dinosaurs begin to destroy the park. Featuring what were at the time spectacular special affects, the film's biggest star just may have been a computer-generated Tyrannosaurus Rex. THE LOST WORLD: JURASSIC PARK: In this sequel to the original dinosaur thriller, Dr. Ian Malcolm (Jeff Goldblum) returns for another of Hammond's expeditions four years after the disaster at the would-be amusement park. To document the natural behavior of the beasts at a mysterious Site B, Hammond sends a team comprising Malcolm; Malcolm's girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore); and a wildlife videographer (Vince Vaughn). They face adversity in the form of a less-than-scrupulous big-game hunter (Pete Postlethwaite) and, of course, the terrible lizards themselves. JURASSIC PARK III: Special effects wiz Joe Johnston takes over Spielberg's director's chair for the third installment of the Jurassic Park series. Paleontologist Alan Grant (Sam Neill) has sworn never to return to Jurassic Park. But he needs funding for his research, so when a wealthy thrill-seeking couple (William H. Macy and Téa Leoni) come calling, Grant and his protégée, Billy (Alessandro Nivola), agree to take them on a sightseeing flight. By the time Grant finds out what their true purpose is--to land on the island and search for their missing son--all of their lives are in peril. And Grant's newfound theory about raptor intelligence will have its deadly proof.

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The science-fiction thriller MINORITY REPORT, directed by Steven Spielberg and starring Tom Cruise, is based on a short story by renowned writer Philip K. Dick. In the year 2054, in Washington, D.C., murder has been eliminated thanks to Precrime, a program that uses the visions of three psychics, called Precogs (an abbreviation for precognitive thinkers), to arrest and imprison would-be murderers before they have a chance to kill. Tom Cruise plays John Anderton, a Precrime enforcer who believes in the system for his own personal reasons--years back his young son was abducted, and he has dealt with the loss by becoming a high-strung Precrime officer. The director of Precrime (Max von Sydow) is eager to take the program national, and feels threatened by an ambitious federal agent (Colin Farrell) who is bent on finding a flaw in the system. When Anderton finds himself accused of the future murder of a man he's never met, his faith in Precrime is instantly shaken. He goes on the run, and is trailed by the relentless Precrime police. In the tradition of BLADE RUNNER (also based on a Dick story), MINORITY REPORT is a dark, brooding vision of the future. Spielberg expertly mixes thrilling chase and suspense sequences (the best of which involves Anderton being pursued by eye-scanning mechanical spiders) and stunning special effects with a challenging look at society's willingness to sacrifice privacy and the notion of free will for convenience and security. MINORITY REPORT is a thought-provoking and exciting film that ranks with Spielberg's best.

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The science-fiction thriller MINORITY REPORT, directed by Steven Spielberg and starring Tom Cruise, is based on a short story by renowned writer Philip K. Dick. In the year 2054, in Washington, D.C., murder has been eliminated thanks to Precrime, a program that uses the visions of three psychics, called Precogs (an abbreviation for precognitive thinkers), to arrest and imprison would-be murderers before they have a chance to kill. Tom Cruise plays John Anderton, a Precrime enforcer who believes in the system for his own personal reasons--years back his young son was abducted, and he has dealt with the loss by becoming a high-strung Precrime officer. The director of Precrime (Max von Sydow) is eager to take the program national, and feels threatened by an ambitious federal agent (Colin Farrell) who is bent on finding a flaw in the system. When Anderton finds himself accused of the future murder of a man he's never met, his faith in Precrime is instantly shaken. He goes on the run, and is trailed by the relentless Precrime police. In the tradition of BLADE RUNNER (also based on a Dick story), MINORITY REPORT is a dark, brooding vision of the future. Spielberg expertly mixes thrilling chase and suspense sequences (the best of which involves Anderton being pursued by eye-scanning mechanical spiders) and stunning special effects with a challenging look at society's willingness to sacrifice privacy and the notion of free will for convenience and security. MINORITY REPORT is a thought-provoking and exciting film that ranks with Spielberg's best.

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The science-fiction thriller MINORITY REPORT, directed by Steven Spielberg and starring Tom Cruise, is based on a short story by renowned writer Philip K. Dick. In the year 2054, in Washington, D.C., murder has been eliminated thanks to Precrime, a program that uses the visions of three psychics, called Precogs (an abbreviation for precognitive thinkers), to arrest and imprison would-be murderers before they have a chance to kill. Tom Cruise plays John Anderton, a Precrime enforcer who believes in the system for his own personal reasons--years back his young son was abducted, and he has dealt with the loss by becoming a high-strung Precrime officer. The director of Precrime (Max von Sydow) is eager to take the program national, and feels threatened by an ambitious federal agent (Colin Farrell) who is bent on finding a flaw in the system. When Anderton finds himself accused of the future murder of a man he's never met, his faith in Precrime is instantly shaken. He goes on the run, and is trailed by the relentless Precrime police. In the tradition of BLADE RUNNER (also based on a Dick story), MINORITY REPORT is a dark, brooding vision of the future. Spielberg expertly mixes thrilling chase and suspense sequences (the best of which involves Anderton being pursued by eye-scanning mechanical spiders) and stunning special effects with a challenging look at society's willingness to sacrifice privacy and the notion of free will for convenience and security. MINORITY REPORT is a thought-provoking and exciting film that ranks with Spielberg's best.

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One cannot help but think of terrorist attacks while watching Stephen Spielberg's update of the classic sci-fi fantasy THE WAR OF THE WORLDS. While the H.G. Wells story dates back to 1898, and has inspired previous adaptations, this particular version feeds off its 21st century audience's fear of a terrorist-induced apocalypse. Even if the sight of tall buildings crumbling to the ground and crowds running fearfully away from their demise doesn't trigger post-9/11 paranoia, dialogue such as "Is it the terrorists?" will. Disgruntled, divorced father Ray Ferrier (Tom Cruise) is struggling to connect with his estranged kids, who have been dropped off by their mother for the weekend, when a severe and unusual lightning storm leaves his New Jersey neighborhood powerless. Over the course of the next few hours, it becomes obvious that this was not a storm at all, but rather the first sign of a worldwide alien attack. Emerging from the ground in multi-legged tripod-like machines that have apparently been stored beneath the earth's surface since before man's time, these aliens begin the process of waging a long-planned war on our planet. While WAR OF THE WORLDS follows Ray's growing closeness with his two children (Dakota Fanning and Justin Chatwin) in the face of imminent disaster, and his transformation from lousy father to hero, their story is used mostly as a vehicle for illustrating an unending series of horrific scenarios. The human element of the story is also briefly explored with Tim Robbins's portrayal of a crazed, alien-fighting recluse. Sticking closely to Wells's original descriptions of alien warfare, the film focuses mainly on visuals and succeeds through impressive special effects to create two hours of thrilling, frightening, realistic terror.

starting at

$4
 

starting at

$6
  • product
Steven Spielberg directed this blockbuster thriller based on the popular book by Michael Crichton. Millionaire John Hammond (Richard Attenborough) asks two dinosaur experts (Laura Dern and Sam Neill) to act as consultants on his entrepreneurial endeavor--an amusement park with DNA-cloned live dinosaurs as the main attraction. The paleontologists, along with a mathematician (Jeff Goldblum) and Hammond's two grandchildren, takes a run-through tour of the park. But soon the joyride turns to terror when an impending hurricane, an unscrupulous engineer (Wayne Knight), and the rebelling dinosaurs begin to destroy the park. Spielberg considered the most popular star of the film to be a computer-generated Tyrannosaurus rex. The special effects in general are spectacular. As Hollywood's preeminent director, Spielberg was used as a kind of financial savior for Universal Studios, which was hurting economically prior to the dinosaurian venture. Spielberg made a deal with Universal--his dream project, SCHINDLER'S LIST, would be green-lighted if he agreed to make JURASSIC PARK for the studio first. By the time SCHINDLER'S LIST premiered in December 1993, JURASSIC PARK, which had been released six months earlier, had broken E.T. THE EXTRA-TERRESTRIAL's worldwide box-office record.

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CLOSE ENCOUNTERS OF THE THIRD KIND is Steven Spielberg's extraordinary film about a man named Roy Neary (Richard Dreyfuss) who becomes obsessed with meeting extraterrestrials after encountering a UFO on an abandoned road one night. Against the wishes of his wife (Teri Garr) and children, Neary, along with another witness to the sighting (Melinda Dillon), travels to a mysterious mountain where the government has built a landing strip hoping to attract the aliens. Director François Truffaut costars as Claude Lacombe, one of the organizers of the project. Spielberg hoped to follow up the huge success of JAWS with a low-budget film that would be an easy shoot, but, thanks in part to the complicated special effects, CLOSE ENCOUNTERS quickly snowballed into being an expensive endeavor but a commercial and artistic success. No one who has seen the film has ever looked at a plate of mashed potatotes the same way again.

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starting at

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One cannot help but think of terrorist attacks while watching Stephen Spielberg's update of the classic sci-fi fantasy THE WAR OF THE WORLDS. While the H.G. Wells story dates back to 1898, and has inspired previous adaptations, this particular version feeds off its 21st century audience's fear of a terrorist-induced apocalypse. Even if the sight of tall buildings crumbling to the ground and crowds running fearfully away from their demise doesn't trigger post-9/11 paranoia, dialogue such as "Is it the terrorists?" will. Disgruntled, divorced father Ray Ferrier (Tom Cruise) is struggling to connect with his estranged kids, who have been dropped off by their mother for the weekend, when a severe and unusual lightning storm leaves his New Jersey neighborhood powerless. Over the course of the next few hours, it becomes obvious that this was not a storm at all, but rather the first sign of a worldwide alien attack. Emerging from the ground in multi-legged tripod-like machines that have apparently been stored beneath the earth's surface since before man's time, these aliens begin the process of waging a long-planned war on our planet. While WAR OF THE WORLDS follows Ray's growing closeness with his two children (Dakota Fanning and Justin Chatwin) in the face of imminent disaster, and his transformation from lousy father to hero, their story is used mostly as a vehicle for illustrating an unending series of horrific scenarios. The human element of the story is also briefly explored with Tim Robbins's portrayal of a crazed, alien-fighting recluse. Sticking closely to Wells's original descriptions of alien warfare, the film focuses mainly on visuals and succeeds through impressive special effects to create two hours of thrilling, frightening, realistic terror.

starting at

$12
 

starting at

$26
  • product
CLOSE ENCOUNTERS OF THE THIRD KIND is Steven Spielberg's extraordinary film about a man named Roy Neary (Richard Dreyfuss) who becomes obsessed with meeting extraterrestrials after encountering a UFO on an abandoned road one night. Against the wishes of his wife (Teri Garr) and children, Neary, along with another witness to the sighting (Melinda Dillon), travels to a mysterious mountain where the government has built a landing strip hoping to attract the aliens. Director François Truffaut costars as Claude Lacombe, one of the organizers of the project. Spielberg hoped to follow up the huge success of JAWS with a low-budget film that would be an easy shoot, but, thanks in part to the complicated special effects, CLOSE ENCOUNTERS quickly snowballed into being an expensive endeavor but a commercial and artistic success. No one who has seen the film has ever looked at a plate of mashed potatotes the same way again.

starting at

$26
 

starting at

$9
  • product
THE LOST WORLD: JURASSIC PARK is director Steven Spielberg's sequel to his original dinosaur thriller. Dr. Ian Malcolm (Jeff Goldblum) returns for more dino-horror when, four years after the disaster at the would-be amusement park, another expedition is mounted by millionaire John Hammond (Richard Attenborough). To document the natural behavior of the beasts at a mysterious Site B, Hammond sends a team comprising Malcolm; Malcolm's girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore); and a wildlife videographer (Vince Vaughn). They face adversity in the form of a less-than-scrupulous big-game hunter (Pete Postlethwaite) and, of course, the terrible lizards themselves. The film is loosely based on Michael Crichton's novel THE LOST WORLD, which was named after the 1912 Sir Arthur Conan Doyle novel of the same name. Spielberg proved his determination to alternate making socially conscious films with directing movies of sheer entertainment value; his prior film to THE LOST WORLD was SCHINDLER'S LIST, and he followed the dinosaur adventure with AMISTAD.

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This documentary examines the evolution of Hollywood's premier sci-fi storytellers. Tracing directors such as Peter Jackson, George Lucas, and Steven Spielberg back through childhood, THE SCI-FI BOYS explores the things and people that helped influence and shape their imaginations, from little-known B-movies to the mind-blowing potential of today's special effects.

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This double-feature pairs up two sci-fi features set in the future. THE ISLAND: In this thriller from director Michael Bay (PEARL HARBOR, ARMAGEDDON), survivors of global contamination live in a sterile, self-contained world where their every move is monitored. The rules are easy: be pleasant, refrain from asking questions, and don't rock the boat. Everything they need is provided for them, from the white uniforms that magically appear in their closets, to their customized cafeteria-style meals. The survivors all eagerly await their big payoff: winning the lottery and being sent to The Island, the only remaining untainted land in the world. But Lincoln Six-Echo (Ewan McGregor) yearns for more from his life and begins to wonder what really lies outside the thick walls. When his best friend, Jordan Two-Delta (Scarlett Johansson), wins the lottery, he knows that he has to find out the truth about their world before she departs. MINORITY REPORT: Directed by Steven Spielberg and starring Tom Cruise, this science-fiction thriller is based on a short story by renowned writer Philip K. Dick. In the year 2054, in Washington, D.C., murder has been eliminated thanks to Precrime, a program that uses the visions of three psychics, called Precogs (an abbreviation for precognitive thinkers), to arrest and imprison would-be murderers before they have a chance to kill. Tom Cruise plays John Anderton, a Precrime enforcer who believes in the system for his own personal reasons. The director of Precrime (Max von Sydow) is eager to take the program national, and feels threatened by an ambitious federal agent (Colin Farrell) who is bent on finding a flaw in the system. When Anderton finds himself accused of the future murder of a man he's never met, his faith in Precrime is instantly shaken. He goes on the run, and is trailed by the relentless Precrime police. In the tradition of BLADE RUNNER (also based on a Dick story), MINORITY REPORT is a dark, brooding vision of the future. Spielberg expertly mixes thrilling chase and suspense sequences (the best of which involves Anderton being pursued by eye-scanning mechanical spiders) and stunning special effects with a challenging look at society's willingness to sacrifice privacy and the notion of free will for convenience and security.

starting at

$11
 

starting at

$5
  • product
CLOSE ENCOUNTERS OF THE THIRD KIND is Steven Spielberg's extraordinary film about a man named Roy Neary (Richard Dreyfuss) who becomes obsessed with meeting extraterrestrials after encountering a UFO on an abandoned road one night. Against the wishes of his wife (Teri Garr) and children, Neary, along with another witness to the sighting (Melinda Dillon), travels to a mysterious mountain where the government has built a landing strip hoping to attract the aliens. Director François Truffaut costars as Claude Lacombe, one of the organizers of the project. Spielberg hoped to follow up the huge success of JAWS with a low-budget film that would be an easy shoot, but, thanks in part to the complicated special effects, CLOSE ENCOUNTERS quickly snowballed into being an expensive endeavor but a commercial and artistic success. No one who has seen the film has ever looked at a plate of mashed potatotes the same way again.

starting at

$5
Deals on Steven spielberg science fiction movies in Sci-Fi DVDs & Videos. Visit BizRate to find the best deals on Sci-Fi DVDs & Videos. See which DVDs & Videos stores have the Steven spielberg science fiction movies that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Jurassic Park/The Lost World (Deluxe Edition) [DVD] - The Lost World: Jurassic Park (Collector's Edition) [DVD].