Childrens movie soundtracks in TV & Movie Soundtracks

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"Barney's Great Adventure - The Movie" (07/27/2004) Soundtracks Original Soundtrack, Koch Records (USA)Personnel: Kevin Bailey (guitar, mandolin); Reggie Rueffer (fiddle); Scott Moody (keyboards); Derek Spigener (drums); Linda Ronstadt (background vocals); George Hearn, Trevor Morgan, Northwest Sinfonia, Bob West , Kyla Pratt, Diana Rice, Renee Madeleine Le Guerrier. Recording information: Bastyr University; O Henry Studios, Burbank, CA; Studio X, Seattle, WA. Arranger: Larry Blank. Barney's Great Adventure didn't perform particularly well at the box office, and this bloated soundtrack may give a clue as to the reason why. It proves conclusively that more is often less. Whereas much of the music from the PBS TV show and videos, even the live stage show, is zesty, fun and sweet, the huge cast of voices and overblown arrangements of this disc don't serve the big purple dinosaur well. ~ Ross Boissoneau

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"Anne of Green Gables: Animated Anne for Children" (12/20/2004) Soundtracks Original Soundtrack, Sullivan Entertainment

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"Children of Eden [Original Cast]" (05/19/1998) Soundtracks Original Cast, RCA Victor Records (USA)All music and lyrics written by Stephen Schwartz. Lyricist: Stephen Schwartz. Personnel: Steve Hogle, Charles Bergell, Dena Risha, Vincent Delia, LaTonya Holmes, Angela Garrison, Bart Shatto, Emy Baysic, Michael Hunsaker, Shawn Emamjomeh, Jim Weaver, Cheryl Allison, Sheetal Gandhi, Barry Cavanagh, James Anthony Johnson, Hunter Foster, William Solo, Diane Foster, Dana Greenberg, Adrian Zmed, Kelli Rabke, Stephanie Mills, Darius de Haas, Capathia Jenkins, Trent Armand Kendall (vocals); David Strauss, Steve Benson (guitar, mandolin); Annie Bass (cello); John Scott Schultz, Richard Heckman (woodwinds); Vicki Carter, Johnny O'Neal , Zina Goldrich (keyboards); Peter Grant (drums); John Angler, Paul Falcone, John R. Angier, Martin Erskine, Martin Erskine (programming). Liner Note Author: Bill Rosenfield. Recording information: Hit Factory Sudio 1, New York, NY (01/12/1998-01/14/1998). Photographer: Gerry Goodstein. Used to be, in the world of stage musicals, there were hits and flops. Hits were shows that opened on Broadway and ran long enough to turn a profit; flops were everything else. But that was back in the days when there were a lot of Broadway shows, they didn't cost as much money to produce, and money was easier to raise. Today, things are much more complicated: Shows don't even have to open on Broadway to be successful. The greater risks and opportunities, however, tend to eliminate finality. In a sense, there are no flops anymore, only shows that haven't been sufficiently revised and reproduced enough times to become hits yet. Stephen Schwartz, who wrote the songs for Godspell and collaborated with Leonard Bernstein on Mass, returned to religious subject matter with the musical Children of Eden, which ran for only 103 performances in London in 1991, though it produced a cast album. Used to be, that would have meant it was a flop. Instead, Schwartz and librettist John Caird continued to work on the show. For another six years. Then it was staged at the Paper Mill Playhouse, a prominent regional theater in New Jersey, for six weeks in 1997, with a cast including Broadway and recording star Stephanie Mills. It is the cast of this production that has recorded this two-CD set. (There is also a one-CD highlights version.) The hope, of course, is that this will lead to further productions and maybe even to Broadway. Children of Eden is a musical retelling of the Book of Genesis, specifically, creation, Adam and Eve in the Garden of Eden, Cain and Abel (Act I), and Noah and the Ark (Act II). Schwartz has experience musicalizing the New Testament, but the Old, while inherently dramatic, is also episodic and more intractable. But then, in a move that may make church productions dicey, Schwartz and Caird have introduced some variations into the stories. Their God often sounds more like a secular father than a holy one: Adam and Eve seem to discover sex before eating the apple; after Eve eats the apple, God tries to persuade Adam to stay in Eden; and Cain discovers "A Ring of Stones" that sounds a lot like Stonehenge and suggests some other god may have staged another creation nearby. For all that, the plot generally follows the Biblical versions, sometimes told in choral parts and sometimes in solo songs that mix traditional theater music with elements of pop/rock, jazz, gospel, and Caribbean music. The result is often pleasant, but rarely engaging, and it's hard to believe that theater professionals would devote so much time and effort to material that, in the end, remains what it always has been, with or without music. Maybe church groups will be able to overlook the discrepancies and use the work for youthful productions (it has a cast of 65). But will this non-flop ever be a hit on Broadway? Don't hold your breath. ~ William Ruhlmann

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"Children of Eden [Original Cast Highlights]" (05/19/1998) Soundtracks Original Cast, RCA Victor Records (USA)All music and lyrics written by Stephen Schwartz. Personnel: Paul Falcone, John R. Angier, Martin Erskine (programming). Liner Note Author: Bill Rosenfield. Recording information: Hit Factory Studio 1, New York, NY (01/12/1998-01/14/1998). Photographer: Gerry Goodstein. The two-disc Children of Eden assembles the original cast recording of this musical penned by Stephen Schwartz, which adapts the Old Testament to explore the theme of conflict between parents and their children. Neither Schwartz's lyrics nor melodies are among his best, and the performances -- particularly those of nominal stars Stephanie Mills and Adrian Zmed -- are lackluster at best. ~ Jason Ankeny

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"Karate Kid" (05/04/1999) Rock & Pop Original Soundtrack, Polygram (Japan)A unique issue of the popular film soundtrack to famous American movie; includes "Tough Love" and "Desire." 1999, Australian import.

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"Children of Dune" (03/11/2003) Soundtracks Original Soundtrack, Varese Sarabande (USA)Original score composed by Brian Tyler. Personnel: Brian Tyler (percussion). Audio Mixers: Jeff Vaughn; Brian Tyler. Recording information: Prague, The Czech Republic. Brian Tyler's score for the Sci-Fi channel's miniseries Children of Dune has an appropriately grandiose, menacing feel befitting an epic science-fiction saga. The mostly orchestral score mixes sweeping, John Williams-esque pieces like the main title and "Summon the Worms" with softer moments such as "Arrival of Lady Jessica" and Middle Eastern-inspired tracks like "Revolution" and "Inama Nushif." It's a well-balanced collection of music, moving from the stately "Dune Messiah" to the brooding "Leto Atreides II" to tense, treacherous pieces like "Jihad" and "Rya Wolves" while still remaining cohesive, and "My Skin Is Not My Own," "Horizon," and "The Golden Path" evoke the desert sandscapes of the miniseries, but for all its competency, the soundtrack rarely sounds distinctive. Fans of the miniseries may enjoy Children of Dune as a musical souvenir, but too much of the score sounds too generic to be appealing outside of that context. ~ Heather Phares

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"Hey, It's Franklin" (10/03/2000) Soundtracks Franklin (Children's), RhinoPersonnel includes: Brian Barlow, Stephanie Belding, Kevin Connley, Danny Douglas, Richard Evens, Shari Graf, Robyn Gram, Frank Korne, Mark Kelso, Shareen Laughlin, Steve McDade, Dony McDougall, Sarah Morrsion, Eric Nagler, Ray Parker, Paul Pasmore, Ray Podhornic, Brian Rainy, Dave Rodenburg, Rikki Rumble, Tom Scczesniak, Ron Schrim, Matt Segriff, Shelly Sereda. Hey, It's Franklin collects songs by and about the lovable turtle Franklin and his friends, including "Come See the World," "Wake Up Spring," "Georgia Camp Meeting," and "I Wonder." Classic children's songs such as "The Wheels on the Bus" and "The Hokey Pokey" also appear on Hey, It's Franklin, adding to the album's warmth and familiarity. ~ Heather Phares

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"Dickie Roberts: Former Child Star" (09/09/2003) Soundtracks Original Soundtrack, Hollywood RecordsPersonnel: Betsy Hammer (vocals). The soundtrack to the child star redemption comedy Dickie Roberts: Former Child Star features a mix of old and new pop singles, as well as performances from former child stars, including Leif Garrett and Corey Feldman. Unfortunately, the album includes an inferior version of one of the best songs in the movie, Matthew Wilder's new wave hit "Break My Stride." The "Stride 2003" version sounds a little slower and more tired than the original, which may be intentional but certainly isn't successful. The Grass Roots' "Sooner or Later" also appears as a poor re-recording, but at least Chic's "Le Freak" and the Temptations' "Just My Imagination (Runnin' Away With Me)" appear in all their original glory. Harvey Danger's snarky "Flagpole Sitta" is another highlight, but the soundtrack's most notable songs come from the movie's (former child) stars. Garrett continues his on-again, off-again musical career with "Former Child Star," a post-grunge-inspired song that could've come from 1997 or 2003 and doesn't offer any particular insight into being a superstar as a young teenager. It's still better than Feldman's "Negativity," a fascinatingly awful mix of industrial and alt-metal with cheesy synths and lyrics like "Denial of all things equal/Equal does not compute." "Child Stars on Your Television" is a "We Are the World"-style jam with child stars ranging from Willie Aames to Barry Williams, which admits that their lives may not be the greatest, but at least they're not as bad as Michael Jackson. "So we ask this simple question/How can it be that you occasionally don't respect their dignity?" they ask; with the last three songs on this soundtrack, they answer their own question. ~ Heather Phares

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"The City of Lost Children" (01/09/1996) Soundtracks Original Soundtrack, PointOriginal score written by Angelo Badalamenti. Fans of Badalamenti's Twin Peaks scores are advised to look elsewhere. This lush string-laden soundtrack is deadly serious, without a hint of irony or guitar twang. A circus-of-the-damned calliope appears from time to time, and Marianne Faithfull intones the doleful "Who Will Take My Dreams Away?" The darkly somber tone is maintained throughout, leaving the listener desperate for more variation. Music to mourn lost children by. ~ Rick Watrous Fans of Badalamenti's Twin Peaks scores are advised to look elsewhere. This lush string-laden soundtrack is deadly serious, without a hint of irony or guitar twang. A circus-of-the-damned calliope appears from time to time, and Marianne Faithfull intones the doleful "Who Will Take My Dreams Away?" ~ Rick Watrous

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"Kids' Halloween Party [Columbia River]" (2005) Soundtracks Various Artists, Allegro Corporation (Distributor US

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"The Wizard of Oz in Concert: Dreams Come True" (08/20/1996) Soundtracks Original Soundtrack, Rhino Records (USA)A portion of the proceeds from THE WIZARD OF OZ IN CONCERT: DREAMS COME TRUE will be donated to the Childrens Defense Fund. Recorded live at Lincoln Center, New York, New York in 1995. A bizarre recording, to say the least. The Wizard of Oz in Concert: Dreams Come True was recorded at a benefit concert for the Children's Defense Fund and, in keeping with the benefit concert tradition, the show was filled with stars, including Roger Daltrey, Jackson Browne, Nathan Lane, Jewel, Natalie Cole, Joel Grey, Debra Winger, Ronnie Spector, David Sanborn, Dr. John, Ry Cooder, and the Boys Choir of Harlem. The stars gathered together to perform The Wizard of Oz in its entirety, singing all of the Arlen & Harburg songs from the classic film, including ones that were left on the cutting room floor like "The Jitterbug." It was a well-intentioned concert that failed miserably in practice. Most of the performers -- especially Lane as the Cowardly Lion and Jewel as Dorothy (Daltrey played the Tin Man, Browne the Scarecrow, Cole was Glinda, Winger was the Wicked Witch, and Grey was the Wizard) -- turn in fine performances, but the music never really gels. The singers never settle down and begin interacting with each other, they just sing their own parts. And the attempts to meld rock, pop and blues into the songs comes off as clumsy and ham-fisted, not inspired. There's no denying that The Wizard of Oz in Concert: Dreams Come True is for a good cause -- part of the album's proceeds are donated to the Children's Defense Fund -- but as an enjoyable listening experience, the record falls far short of being pleasurable. ~ Rodney Batdorf

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"Butch Cassidy & the Sundance Kid" (06/30/2003) Rock & Pop Original Soundtrack, Spectrum Music (UK)Original score composed by Burt Bacharach. Bacharach's score for this Paul Newman/Robert Redford classic is probably his best-known film work, as it contains the instant standard "Raindrops Keep Fallin' On My Head." "Raindrops," like the similarly infectious "On A Bicycle Built For Joy" is sung in the film by B.J. Thomas. The rest of Bacharach's score is equally impressive, slyly echoing the great scores of the John Ford westerns of the '40s in much the same way the film itself plays with the conventions of the genre. "Not Goin' Home Anymore," in particular, has the elegiac feel so integral to westerns, while "South American Getaway" has a bossa-nova groove more in keeping with the era in which the film was shot. Though Bacharach is justifiably best known as a songsmith, his film scores are equally impressive, with BUTCH CASSIDY AND THE SUNDACE KID standing as one of his finest.

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"Drew's Famous Kids Pop Broadway Hits" (04/22/2003) Soundtracks Drew's Famous, Turn Up The Music, Inc.

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"Spy Kids 3-D: Game Over" (07/22/2003) Soundtracks Original Soundtrack, MilanOriginal score composed by Robert Rodriguez. Recorded at Troublemaker Studios, Austin, Texas. Personnel: Alexa Vega (vocals); Carl Thiel (guitar, keyboards, drums, loops); Robert Rodriguez (guitar, keyboards, drums); Michael Blahe, Michael Blake , Paul Boll (guitar); Rich DelCastillo (Spanish guitar); Johnny Reno (saxophone); George Oloziey (trumpet, piano); Joey Carter (piano, vibraphone); Craig Robinson (synthesizer). Audio Mixer: Carl Thiel. Recording information: The Troublemaker Studios, Austin, TX. Photographer: Rico Torres. As with the previous Spy Kids movies, Spy Kids 3-D: Game Over features a score composed by its director, Robert Rodriguez. Presumably the music turned out the way he conceived it, even though most of the score is heavy-handed to the point of being annoying. Tracks like "Pogoland" and "Robot Arena" feature cheap, tinny synth sounds -- possibly to mimic the film's virtual reality video game setting -- mixed with loud orchestral and rock elements. While it's a mix of sounds that could work if they were balanced properly, most of the time they're all cranked up in hopes of creating energy or tension. Overall, the soundtrack is just too obvious -- cues like "Metal Battle," which not surprisingly has a heavy metal/industrial cast, overstate what is going on in the film. Some of the score's pieces make its heavy-handed playfulness work, such as "Toymaker," "Cyber Staff Battle," and "Mega Racer," while others, like "Programmerz" and "Welcome to the Game," manage to create some tension and suspense. Still, the score's overdone quality is what defines it, from instrumental tracks like "The Real Guy" to the badly named and even worse-sounding "Heart Drive," a sci-fi rap-metal song sung by Alexa Vega (Carmen Cortez in the movie) and Bobby Edner (Francis the Brain). Vega also sings "Game Over," a considerably better mix of teen pop, electronica, and Latin that showcases her increasing singing talents. Nevertheless, whether or not Spy Kids 3-D: Game Over is the weakest volume of the trilogy, its soundtrack is definitely the weakest score that the series has yet produced. ~ Heather Phares

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Deals on Childrens movie soundtracks in TV & Movie Soundtracks. Visit BizRate to find the best deals on TV & Movie Soundtracks. See which Music stores have the Childrens movie soundtracks that you want. Read reviews on Music merchants and buy with confidence. Find savings on Barney's Great Adventure - The Movie by Original Soundtrack/Barney (Children) (CD - 07/27/2004) - Anne Of Green Gables: Animated Anne For Children.