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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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Gia

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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A surprise hit comedy, Paul and Chris Weitz's AMERICAN PIE follows four high school friends--Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), and Oz (Chris Klein)--through their sexually frustrated senior year. Boy-next-door Kevin hopes to finally lose his virginity to his bubbly girlfriend, Vicky (Tara Reid), while football player Oz begins an unlikely relationship with quiet chorus girl Heather (Mena Suvari). Finch struggles to maintain his cool air of witty detachment, while the neurotic Jim, most famously, has an intimate moment with apple pastry--and, eventually, sexy exchange student Nadia (Shannon Elizabeth). This hysterical yet sensitive movie also features memorable characters such as the ever-wise Jessica (Natasha Lyonne), the imbecilic Stifler (Seann William Scott), the dorky Sherminator (Chris Owen), the flute-playing Michelle (Alyson Hannigan), and Jim's hilariously nerdy dad (Eugene Levy).

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From Jason Friedberg and Aaron Setzer (DATE MOVIE, SCARY MOVIE) comes this everything-in-the-kitchen-sink, blender-set-to-grind comedy, which pokes fun at big crowd-pleasers like WILLIE WONKA AND THE CHOCOLATE FACTORY, CHRONICLES OF NARNIA, SNAKES ON A PLANE, PIRATES OF THE CARIBBEAN, X-MEN, NACHO LIBRE, and THE DA VINCI CODE, among others. The loose plot involves a gang of teen orphans (including Jayma Mays and Faune A. Chambers) whose trip inside Wonka's candy factory leads them to a Narnia-style wardrobe adventure. Jennifer Coolidge is the evil White Bitch they have to tangle with in this new land, and Fred Willard plays Aslo, the lion. Scene-stealing Crispin Glover plays the Wonka-be, David Carradine breakdances, and the vivacious Carmen Elektra morphs enticingly in X-MEN-style blue body paint. A bevy of eerie look-alikes pose as Paris Hilton, Anna Paquin, Samuel Jackson, and P Diddy, among others. Of course there's raunch a-plenty with humor both scatological and shot-to-the-crotch-ish, to keep the MTV generation of all ages amused. The jokes come so fast that no one need worry if a gag here falls flat: another one is right behind to jump on its back. Best of all, the directors keep a tight ship on the bad language, as befits the PG-13 rating.

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XXX

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XXX
This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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Based on a series of comics by underground cartoonist Robert Crumb, this X-rated animated film brings a cynical eye to the idealism of the 1960s. It's a world where black people are crows, cops are pigs, rabbis are lions, and cats--like New York University student Fritz (voiced by Skip Hinnant)--are substituted for guilt-ridden white guys who want to be poets but mainly smoke pot and engage in group sex. After a drug bust by a couple of bumbling pigs makes him an outlaw, Fritz sets fire to his NYU dorm and hits the road in search of self-discovery. The crazy cat steals a car, starts a race riot in Harlem, and ends up stuck outside San Francisco with a group of sadistic revolutionaries led by a junkie biker rabbit. Throughout these adventures, Fritz's pot-addled self-righteousness gradually gives way to a deeper understanding of life, but perhaps too late to extract himself from a terrorist plot. FRITZ THE CAT was director Ralph Bakshi's first feature, and it carries many of his future themes--ultra bleak urban landscapes, cynically guarded idealism, grotesque sexuality, and raucously over-the-top moments of violence.

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When Jamie, who's already been wed and divorced numerous times, accepts yet another marriage proposal, her wildly varied group of girlfriends throw a bachelorette party at a local restaurant. There, the women gab about sexual frustrations and fantasies.

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$4
 

Gia

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$2
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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

starting at

$2
 

starting at

$19
  • product
By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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$19
 

starting at

$5
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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Stanley Kubrick's final film is a mature, highly intelligent, thrilling masterpiece of sexual obsession and marital (in)fidelity. Tom Cruise stars as Bill Harford, a doctor who becomes obsessed with a sexual fantasy that his wife, Alice (Nicole Kidman), confesses to him. Although the fantasy (involving a naval officer) occurred only in Alice's mind, Bill can't get it out of his own head; his obsession leads him through a series of potential sexual encounters, each one surrounded by the specter of death. His whole world threatens to unravel as he falls deeper and deeper into a web of mystery, lies, and deceit. Kubrick's film breathes with vivid blues, reds, and blacks, the threat of illicit sex and death lurking around every corner. Cruise and Kidman, who are married in real life, are utterly convincing as a happy couple suddenly forced to reexamine their faith in each other. Sidney Pollack, Todd Field, Julienne Davis, Marie Richardson, and Vinessa Shaw sparkle in minor roles. Based on the novella TRAUMNOVELLE by Arthur Schnitzler, EYES WIDE SHUT is a brilliant examination of the psychological nature of sex and marriage, of faith and faithlessness, of obsession and desire. Kubrick said that his last film (he died shortly before the film opened) was "my best film ever;" while that is debatable, there is no doubting that the film is a splendid finale to a glorious career.

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Ross (Jason Schwartzman) is an addict badly in need of some speed. A visit to his dealer, Spider Mike's (John Leguizamo)--where fellow "tweakers" Nikki (Brittany Murphy)--a stripper, Frisbee (Patrick Fugit)--a metalhead, and Cookie (Mena Suvari)--Mike's girlfriend--turns into an odyssey, though, when Mike can't find his stash. Nikki tells Ross that her boyfriend, crazed cowboy The Cook (Mickey Rourke), can supply whatever he needs. The two of them visit The Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross' three days without sleep reaches a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of The Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder-block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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$5
 

starting at

$2
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No spoof is left unturned in director and parody-meister David Zucker's SCARY MOVIE 4, the latest installment in the popular horror-cum-humor series. Among several returnees from previous films, Anna Faris reprises her role as Cindy Campbell, the eternally unlucky and hilariously clumsy heroine. In a send-up of 2004's THE GRUDGE, Campbell is assigned as full-time nurse to a mysterious old lady in a house haunted by the ghost of a small boy. In a takeoff of 2005's WAR OF THE WORLDS, next door lives Tom Ryan (Craig Bierko), a divorced dock worker somewhat in charge of his two kids, who is called into action as Alien TriPods (remove the "Tr" for a hint at the inspiration for their invention) seek to destroy Earth. The two meet and quickly fall in love. Joined by Cindy's ever-present sidekick, the flirtatious Brenda Meeks (Regina Hall), the protagonists must save the planet from aliens and solve the mystery of the ghostly boy. One of the stops along the way includes a sharp lampooning of THE VILLAGE, complete with appearances from SCARY MOVIE veterans Carmen Electra and Chris Elliot, and other cinematic spoofs, including BROKEBACK MOUNTAIN, MILLION DOLLAR BABY, and SAW. The satirical wit extends beyond the movies, containing personal jabs both self-inflicted (Charlie Sheen, Shaquille O'Neal, and Dr. Phil) and not (Mike Tyson, Michael Jackson, and George W. Bush). Ultimately, there is more than enough funniness to sate the SCARY MOVIE or slapstick comedy fan's appetite.

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While on the surface, high school football may seem like an innocent game played by the young, for the young, it is, in fact, much, much more. For millions, including many fans who are well removed from their high school years but who love to sit in those creaky bleachers every Friday night/Saturday morning, it is something akin to a religion. Director Boaz Yakin's REMEMBER THE TITANS captures the heart of high school football while tackling the sins of its fathers, chronicling the true story of the undefeated 1971 T.C. Williams team of Alexandria, Virginia, which was the first integrated high school team in the state. Denzel Washington brings his ever-powerful presence to the role of coach Herman Boone, who is brought in to oversee the transition to integration. Though Boone is eventually successful as a coach, the townspeople dissaprove of him because he replaces the popular, entrenched former coach, Bill Yoast (Will Patton). At first, coach Yoast resents being supplanted, while coach Boone is told that his promotion was just for show--to help the integration--and that he's likely to be lifted if the team loses a game. Will the coaches and players be able to overcome their adversity and make T.C. Williams a beacon for integration in sports? Those viewers who follow history already know the answer. But REMEMBER THE TITANS portrays the story and delivers the inspirational result with a passion and glory that will warm the hearts of all those dedicated high school football fans who continue to bring pride to the sport.

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$10
 

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$8
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The Onion--that gold standard of pitch-perfect news parody publications--brings its distinctly absurd-yet-relevant brand of satire to a hitherto untapped medium: the feature film! When the Onion News Network asks lead anchorman Norm Archer (Lou Cariou) to compromise his journalistic integrity in the name of pleasing a new corporate sponsor, Archer doesn't respond too kindly. Armed with an irreverent sketch comedy-style approach to a loose narrative, THE ONION MOVIE takes aim at everything politics and society have to offer.

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$8
 

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$7
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This triple feature is a special set containing the tripartite teen sex comedy AMERICAN PIE series: AMERICAN PIE, AMERICAN PIE 2, and AMERICAN WEDDING. Massive hits, these films helped revive the irreverent, sometimes vulgar, teen sex comedy. Join Jim, the Stifmeister, Oz, Nadia, and Stifler's mom as they comically bungle their way through their erstwhile sexual conquests in high school and college, and finally tackle the big step of matrimony. See individual titles for details.

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$12
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Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

starting at

$12