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In this funny documentary exploring the many talents of porn star Ron Jeremy, whose stout physical build and hairy back earned him the nickname The Hedgehog, director Scott J. Gill explores the actor from every possible angle while carefully avoiding hard core content. Bubbling with personality, Jeremy is extroverted and perverted, he loves attention of any kind, and he boasts a bold sexual aptitude (which viewers of his movies can certainly assert). Having starred in hundreds of films ranging from the campy THREE FOXES AND A DWEEB (which he directed, casting himself in the role of a professor whose students are especially eager to learn) to the trashy SNATCH MASTERS series (Jeremy starred in parts 9 through 12), this porn star has certainly been around the block. However, PORN STAR is not all breathy bedroom scenes, nor is it laugh-out-loud comedy. The documentary reveals a more human, lonely, vulnerable side of Jeremy that may make viewers reconsider the idea that the porn industry is all fun and games. In fact, maintaining such a prolific career has not been easy for Jeremy, and has taken a toll on his personal relationships. However, that does not subtract from Jeremy's celebrity status in the porn niche or his avid fan base.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

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Based on a series of comics by underground cartoonist Robert Crumb, this X-rated animated film brings a cynical eye to the idealism of the 1960s. It's a world where black people are crows, cops are pigs, rabbis are lions, and cats--like New York University student Fritz (voiced by Skip Hinnant)--are substituted for guilt-ridden white guys who want to be poets but mainly smoke pot and engage in group sex. After a drug bust by a couple of bumbling pigs makes him an outlaw, Fritz sets fire to his NYU dorm and hits the road in search of self-discovery. The crazy cat steals a car, starts a race riot in Harlem, and ends up stuck outside San Francisco with a group of sadistic revolutionaries led by a junkie biker rabbit. Throughout these adventures, Fritz's pot-addled self-righteousness gradually gives way to a deeper understanding of life, but perhaps too late to extract himself from a terrorist plot. FRITZ THE CAT was director Ralph Bakshi's first feature, and it carries many of his future themes--ultra bleak urban landscapes, cynically guarded idealism, grotesque sexuality, and raucously over-the-top moments of violence.

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When a Miami mom loses her job as a secretary, her lowlife ex-husband is awarded custody of their young daughter. Taking a job as a stripper to raise enough money for a court appeal, she unwittingly attracts the obsessive and insistent attentions of a crazed, slavering U.S. Congressman. Adapted from the comic novel by Carl Hiaasen. The uncut version contains footage not seen theatrically in North America.

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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From Jason Friedberg and Aaron Setzer (DATE MOVIE, SCARY MOVIE) comes this everything-in-the-kitchen-sink, blender-set-to-grind comedy, which pokes fun at big crowd-pleasers like WILLIE WONKA AND THE CHOCOLATE FACTORY, CHRONICLES OF NARNIA, SNAKES ON A PLANE, PIRATES OF THE CARIBBEAN, X-MEN, NACHO LIBRE, and THE DA VINCI CODE, among others. The loose plot involves a gang of teen orphans (including Jayma Mays and Faune A. Chambers) whose trip inside Wonka's candy factory leads them to a Narnia-style wardrobe adventure. Jennifer Coolidge is the evil White Bitch they have to tangle with in this new land, and Fred Willard plays Aslo, the lion. Scene-stealing Crispin Glover plays the Wonka-be, David Carradine breakdances, and the vivacious Carmen Elektra morphs enticingly in X-MEN-style blue body paint. A bevy of eerie look-alikes pose as Paris Hilton, Anna Paquin, Samuel Jackson, and P Diddy, among others. Of course there's raunch a-plenty with humor both scatological and shot-to-the-crotch-ish, to keep the MTV generation of all ages amused. The jokes come so fast that no one need worry if a gag here falls flat: another one is right behind to jump on its back. Best of all, the directors keep a tight ship on the bad language, as befits the PG-13 rating.

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The Onion--that gold standard of pitch-perfect news parody publications--brings its distinctly absurd-yet-relevant brand of satire to a hitherto untapped medium: the feature film! When the Onion News Network asks lead anchorman Norm Archer (Lou Cariou) to compromise his journalistic integrity in the name of pleasing a new corporate sponsor, Archer doesn't respond too kindly. Armed with an irreverent sketch comedy-style approach to a loose narrative, THE ONION MOVIE takes aim at everything politics and society have to offer.

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Jason Friedberg and Adam Seltzer--the two guys who did EPIC MOVIE, DATE MOVIE, SCARY MOVIE, and MEET THE SPARTANS--bring you DISASTER MOVIE, a compendium of gross-out gags and reference-check quasi-satire bits aping THE INCREDIBLE HULK, INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, HIGH SCHOOL MUSICAL, JUMPER, ENCHANTED, DON'T MESS WITH THE ZOHAN, SEX AND THE CITY, NIGHT AT THE MUSEUM, and so on. The story is structured via CLOVERFIELD with Will (Matt Lanter), after having a 10,000 B.C.-style dream involving an Amy Winehouse look-a-like (Nicole Parker), races against time to rescue his girlfriend (Vanessa Minnillo) who is trapped in a museum with references to TWISTER; meanwhile kids who look like the teens from SUPERBAD try and score booze. What? Along for the ride are a JUNO-esque slacker girl (Crista Flanagan) and Gary "G-Thang" Johnson; there are take-offs of ALVIN AND THE CHIPMUNKS, and celebrity impersonations of Dr. Phil, Michael Jackson, the real Kim Kardashian, and the ubiquitous Carmen Electra; lots of dances and fights and dance/fights (à la STEP UP and STEP UP 2 THE STREETS). The comedy talent here is mostly imported from MAD TV, particularly Parker, who also does ENCHANTED and a mean Jessica Simpson. The recipe here, as before, is to cram in as many pop-culture references as possible, douse liberally with gross bodily fluids, and serve face forward. In other words, it's the perfect film for loud shouts and inappropriate laughter with a roomful of one's most off-color cohorts.

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No spoof is left unturned in director and parody-meister David Zucker's SCARY MOVIE 4, the latest installment in the popular horror-cum-humor series. Among several returnees from previous films, Anna Faris reprises her role as Cindy Campbell, the eternally unlucky and hilariously clumsy heroine. In a send-up of 2004's THE GRUDGE, Campbell is assigned as full-time nurse to a mysterious old lady in a house haunted by the ghost of a small boy. In a takeoff of 2005's WAR OF THE WORLDS, next door lives Tom Ryan (Craig Bierko), a divorced dock worker somewhat in charge of his two kids, who is called into action as Alien TriPods (remove the "Tr" for a hint at the inspiration for their invention) seek to destroy Earth. The two meet and quickly fall in love. Joined by Cindy's ever-present sidekick, the flirtatious Brenda Meeks (Regina Hall), the protagonists must save the planet from aliens and solve the mystery of the ghostly boy. One of the stops along the way includes a sharp lampooning of THE VILLAGE, complete with appearances from SCARY MOVIE veterans Carmen Electra and Chris Elliot, and other cinematic spoofs, including BROKEBACK MOUNTAIN, MILLION DOLLAR BABY, and SAW. The satirical wit extends beyond the movies, containing personal jabs both self-inflicted (Charlie Sheen, Shaquille O'Neal, and Dr. Phil) and not (Mike Tyson, Michael Jackson, and George W. Bush). Ultimately, there is more than enough funniness to sate the SCARY MOVIE or slapstick comedy fan's appetite.

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In the satirical spirit of ROBOT CHICKEN and TEAM AMERICA, DISASTER! is a Claymation spoof of action blockbusters with bloated budgets. When scientists discover that an asteroid is on a collision course with earth, it's up to Harry Bottoms, Sandy Mellons, and V.D. Johnson to save the world. Featuring the voices of Motley Crue, DISASTER! takes aim at movies like ARMAGEDDON by using lots of scatological humor and animated gore. Though made using stop-motion animation, this raunchy comedy doesn't belong on the shelf next to Gumby or the Rankin and Bass classics.

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No spoof is left unturned in director and parody-meister David Zucker's SCARY MOVIE 4, the latest installment in the popular horror-cum-humor series. Among several returnees from previous films, Anna Faris reprises her role as Cindy Campbell, the eternally unlucky and hilariously clumsy heroine. In a send-up of 2004's THE GRUDGE, Campbell is assigned as full-time nurse to a mysterious old lady in a house haunted by the ghost of a small boy. In a takeoff of 2005's WAR OF THE WORLDS, next door lives Tom Ryan (Craig Bierko), a divorced dock worker somewhat in charge of his two kids, who is called into action as Alien TriPods (remove the "Tr" for a hint at the inspiration for their invention) seek to destroy Earth. The two meet and quickly fall in love. Joined by Cindy's ever-present sidekick, the flirtatious Brenda Meeks (Regina Hall), the protagonists must save the planet from aliens and solve the mystery of the ghostly boy. One of the stops along the way includes a sharp lampooning of THE VILLAGE, complete with appearances from SCARY MOVIE veterans Carmen Electra and Chris Elliot, and other cinematic spoofs, including BROKEBACK MOUNTAIN, MILLION DOLLAR BABY, and SAW. The satirical wit extends beyond the movies, containing personal jabs both self-inflicted (Charlie Sheen, Shaquille O'Neal, and Dr. Phil) and not (Mike Tyson, Michael Jackson, and George W. Bush). Ultimately, there is more than enough funniness to sate the SCARY MOVIE or slapstick comedy fan's appetite.

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In what may go down in history as the most irresponsible, outrageous footage ever to be released by a major Hollywood studio, Paramount Pictures presents JACKASS: THE MOVIE. Based on the MTV show of the same name, creators and coproducers Jeff Tremaine, Johnny Knoxville, and Spike Jonze stretch their surprisingly successful concept into a feature-length film. Watch cast regulars Knoxville, Steve-O, Chris Pontius, Bam Margera, Dave England, Ryan Dunn, Jason "Wee Man" Acuna, Preston Lacy, Ehren McGehey, and Brandon Dicamillo as they perform a series of ridiculously dangerous and dangerously stupid stunts. Entering a rental car in a crash-up derby, snorting wasabi, eating a urine-soaked snow-cone, self-inflicting paper cuts, and using a store's display toilet are just a few of the increasingly obscene antics that unfurl at a relentless pace. A large portion of the footage finds the pranksters in Japan, dressing up in outlandish outfits and wreaking havoc on the unsuspecting locals. Whether or not this is a hysterical romp or a waste of eighty minutes is for the viewer to decide, but the fact can't be argued, JACKASS: THE MOVIE is slapstick entertainment for the 21st century, incorporating the modern world's fascination with reality television and obsession with disaster into a raucous, electrifying spectacle.

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In this funny documentary exploring the many talents of porn star Ron Jeremy, whose stout physical build and hairy back earned him the nickname The Hedgehog, director Scott J. Gill explores the actor from every possible angle while carefully avoiding hard core content. Bubbling with personality, Jeremy is extroverted and perverted, he loves attention of any kind, and he boasts a bold sexual aptitude (which viewers of his movies can certainly assert). Having starred in hundreds of films ranging from the campy THREE FOXES AND A DWEEB (which he directed, casting himself in the role of a professor whose students are especially eager to learn) to the trashy SNATCH MASTERS series (Jeremy starred in parts 9 through 12), this porn star has certainly been around the block. However, PORN STAR is not all breathy bedroom scenes, nor is it laugh-out-loud comedy. The documentary reveals a more human, lonely, vulnerable side of Jeremy that may make viewers reconsider the idea that the porn industry is all fun and games. In fact, maintaining such a prolific career has not been easy for Jeremy, and has taken a toll on his personal relationships. However, that does not subtract from Jeremy's celebrity status in the porn niche or his avid fan base.

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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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In the satirical spirit of ROBOT CHICKEN and TEAM AMERICA, DISASTER! is a Claymation spoof of action blockbusters with bloated budgets. When scientists discover that an asteroid is on a collision course with earth, it's up to Harry Bottoms, Sandy Mellons, and V.D. Johnson to save the world. Featuring the voices of Motley Crue, DISASTER! takes aim at movies like ARMAGEDDON by using lots of scatological humor and animated gore. Though made using stop-motion animation, this raunchy comedy doesn't belong on the shelf next to Gumby or the Rankin and Bass classics.

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The FBI's top bomb expert Danny O'Neil has been assigned to protect Senator Frank Travers, who has been having an affair with danny's wife. Terrorists have developed a lethal new explosive to try to get the Senator and in the tense final minutes, Danny must decide the fate of his wife, her lover and the nation's capital.

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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This fast-paced comedy romp includes a veritable cornucopia of delights. Whether its playing- up music videos, TV shows, or life itself, this is a rip-roaring riot of lampooning and laughter. Amongst the guests taking part are Slash, Michael Clarke Duncan, Gena Lee Nolin, Karen Black, and a whole lot more!

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This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

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SEX WITH STRANGERS focuses on swinging--or couples engaging openly in sex with other, often multiple, partners. Filmed on digital video over a year by filmmakers Joe and Harry Gantz (HBO's Taxicab Confessions), the film observes two couples and and a trio who partake in what is known by insiders as "The Lifestyle." Twentysomethings Calvin and Sarah opened up their relationship to Julie and include her as a permanent fixture to their practices. Married thirtysomething medical professionals James and Theresa spend their free time cruising bars and clubs in their R.V. looking for potential lovers, then discussing their experiences the day after. Southerners Shannon and Gerard met when he was 32 and she was 17, married, then tried swinging when it was suggested by a marriage counselor. Though what is presented is fairly explicit, a minimal amount of sex is actually shown in Gantz's film. Instead, SEX WITH STRANGERS chooses to examine the manner in which swinging affects an otherwise committed relationship--and the result appears to be determined by the emotional constitution of the participants. Calvin's emotional distance appears to be the undoing of sensitive Sarah, while James and Theresa could be an advertisement for The Lifestyle. Problems between Shannon and Gerard, however, appear to be beyond anything that any amount of additional partners could ever repair.

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In what may go down in history as the most irresponsible, outrageous footage ever to be released by a major Hollywood studio, Paramount Pictures presents JACKASS: THE MOVIE. Based on the MTV show of the same name, creators and coproducers Jeff Tremaine, Johnny Knoxville, and Spike Jonze stretch their surprisingly successful concept into a feature-length film. Watch cast regulars Knoxville, Steve-O, Chris Pontius, Bam Margera, Dave England, Ryan Dunn, Jason "Wee Man" Acuna, Preston Lacy, Ehren McGehey, and Brandon Dicamillo as they perform a series of ridiculously dangerous and dangerously stupid stunts. Entering a rental car in a crash-up derby, snorting wasabi, eating a urine-soaked snow-cone, self-inflicting paper cuts, and using a store's display toilet are just a few of the increasingly obscene antics that unfurl at a relentless pace. A large portion of the footage finds the pranksters in Japan, dressing up in outlandish outfits and wreaking havoc on the unsuspecting locals. Whether or not this is a hysterical romp or a waste of eighty minutes is for the viewer to decide, but the fact can't be argued, JACKASS: THE MOVIE is slapstick entertainment for the 21st century, incorporating the modern world's fascination with reality television and obsession with disaster into a raucous, electrifying spectacle.

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$4
 

starting at

$8
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A highly acclaimed, animated samurai sword-and-sorcery epic. Jubei, a masterless ninja for hire. He joins forces with a powerful female ninja, Kagero, after the rest of her ninja team is destroyed by a powerful man-monster. With extraordinary fight scenes and stunning animation NINJA SCROLL is Yoshiaki Kawajiri's masterpiece.

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This collection includes both feature-length films in the JACKASS franchise--JACKASS: THE MOVIE (2002) and JACKASS: NUMBER TWO (2006), both presented in unrated editions--for a double feature of wince-inducing stunts, pranks, and, of course, male nudity. See individual titles for further plot details.

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Thirteen years ago, cultist Philip Swan murdered his group's leader, an evil prophet named Nix who possessed unparalleled skills in black magic. Then he hid the body -- very well. Now a successful magician in his own right, Swann finds himself stalked by Nix's followers, who want Nix's corpse so they can bring it back to life. Swann's wife Dorothea, aware of the dangers facing her husband, hires hard-boiled detective Harry D'Amour to watch over Philip. Soon D'Amour becomes deeply embroiled in the dark, unstable world of the supernatural, where nefarious illusionists, strange conjurings, creepy cultists, and the mysterious Mrs. Swann all turn his life into a living nightmare.

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Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made.

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Based on the series of novels by Christian historical fiction writer Janette Oke, LOVE COMES SOFTLY was first aired on the Hallmark Channel. It tells the story of a young woman named Marty who travels with her new husband Aaron out west to make a home for themselves. Once there, however, Aaron unexpectedly dies, and a heartbroken Marty must now figure out how she will make it through the cruel frontier winter alone. For this reason she accepts the recently widowed Clarke's proposal, as a matter of survival. The two strike a deal, as he needs a mother for his child while she requires a roof over her head, and the pair agree that she will return home in the springtime. But love blooms during the cold months as this uncommon little family discuss important questions about life, love, and God, and struggle to help each other grow in the unfriendly winter environment.

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Based on a true story, this film is both a riveting courtroom drama and a first class chiller. A Catholic Priest (Tom Wilkinson) is on trial for homicidal negligence after performing a failed exorcism on Emily Rose, devout college girl (Jennifer Carpenter) now dead from assorted wounds and malnutrition. Laura Linney plays Erin Bruner, the priest's defense lawyer, and Campbell Scott plays the chief prosecutor, who argues persuasively that Emily was likely suffering from psychotic epilepsy and could have been saved with hospitalization and medicine. The demonic possession unfolds in a series of spine-tingling flashbacks and as it does so, the initially doubtful Erin is visited by evil forces and her own soul seems to be at stake. More than a criminal negligence case, the trial becomes about the importance of recognizing the limits of rationality and the possibility of a world beyond the visible. In portraying the extent to which wildly different belief systems have splintered modern society this film couldn't be more relevant or timely. Linney and Campbell are first rate, as is to be expected, creating great depth for their characters even though the script grants them almost no personal lives; it's a very "stick to the facts" sort of tale. Each character lives a life of apparent near-isolation, which adds to the cumulative effect of unease. The house where Emily grows up is spookily oppressive, the scenes of possession are truly scary and a dark sense of foreboding may follow viewers long after the credits have rolled. Carpenter earns a place as a 21st century scream queen with her hair-raising, fearless performance; Mary Beth Hurt plays the judge.

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In his feature film directorial debut, Joel Gallen spoofs the ever-popular teen genre. The students of John Hughes High School live the plot lines of numerous teen flicks, including SHE'S ALL THAT, AMERICAN PIE, TEN THINGS I HATE ABOUT YOU, VARSITY BLUES, and SIXTEEN CANDLES, to name just a few. The most popular boy, Jake Wyler (Chris Evans) has bet his friends that he can make Janey Briggs (Chyler Leigh)--the poor, smart girl from the wrong side of the tracks--prom queen. Meanwhile, her little brother is in pursuit of the most beautiful girl he's ever seen when he's not getting into trouble with his geeky friends. Of course, a teen movie wouldn't be complete without a mean-spirited cheerleading captain, a lovestruck best friend, and a foreign exchange student, all of whom have prominent roles in the film. Throw in a few guest appearances from familiar faces from some of the best-known teen movies of the 1980s, along with remakes of songs from the same films--and even some word-for-word dialogue--and you have an amusing walk down memory lane for anyone who has a soft spot for THE BREAKFAST CLUB, CRUEL INTENTIONS, and PRETTY IN PINK.

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Peter Webber (GIRL WITH A PEARL EARRING) directs the latest installment about the monstrous cannibal Hannibal Lecter, revealing the facts of his childhood and the birth of his troubled mind. When he is a young boy in Lithuania, Hannibal and his privileged family flee their castle as both the Nazi and Russian troops advance, going into hiding in a nearby humble cottage. But the war quickly finds them, and Hannibal witnesses horrible atrocities against his family, particularly from a local independent force of brutes led by the creepy Grutas (Rhys Ifans). Years after the war, teenage Hannibal (Gaspard Ulliel) leaves Lithuania and travels to France, where his uncle's wife, Lady Murasaki (Gong Li), takes him in and befriends him. A gifted medical student, Hannibal studies corpses and anatomy with extreme diligence, but dreams of tracking down and destroying those who harmed him and his family. Soon, he is acting on his impulses, hunting down the perpetrators from his youth and inflicting cruel punishment. Ulliel is chilling as the stone-faced Hannibal, clearly scarred by his tragic past and ever more determined to exact revenge. Li is luminous onscreen, and her mysterious character deserves more development. Ifans, perhaps best known for his turn as the goofy roommate in NOTTING HILL, is a menacing bully with a heart of stone. Dominic West appears as Inspector Popil, a French detective specializing in war crimes who suffered his own losses during the war, making him sympathetic towards Hannibal even though he is convinced of his guilt. Thomas Harris, the author of the Hannibal series that also includes THE SILENCE OF THE LAMBS, RED DRAGON, and HANNIBAL, serves as screenwriter for the first time in the Hannibal films.

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Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

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Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all.

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Doug and Lynn have the perfect life: a successful business, a home and a baby on the way. Happiness soon turns to horror when they accidentally kill a cop in Mexico. They leave Mexico covering up any clues that would connect them with the death. Safe at a home, a stranger arrives from Mexico looking for a job, but wants much more from Doug and Lynn.

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While on the surface, high school football may seem like an innocent game played by the young, for the young, it is, in fact, much, much more. For millions, including many fans who are well removed from their high school years but who love to sit in those creaky bleachers every Friday night/Saturday morning, it is something akin to a religion. Director Boaz Yakin's REMEMBER THE TITANS captures the heart of high school football while tackling the sins of its fathers, chronicling the true story of the undefeated 1971 T.C. Williams team of Alexandria, Virginia, which was the first integrated high school team in the state. Denzel Washington brings his ever-powerful presence to the role of coach Herman Boone, who is brought in to oversee the transition to integration. Though Boone is eventually successful as a coach, the townspeople dissaprove of him because he replaces the popular, entrenched former coach, Bill Yoast (Will Patton). At first, coach Yoast resents being supplanted, while coach Boone is told that his promotion was just for show--to help the integration--and that he's likely to be lifted if the team loses a game. Will the coaches and players be able to overcome their adversity and make T.C. Williams a beacon for integration in sports? Those viewers who follow history already know the answer. But REMEMBER THE TITANS portrays the story and delivers the inspirational result with a passion and glory that will warm the hearts of all those dedicated high school football fans who continue to bring pride to the sport.

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This triple feature is a special set containing the tripartite teen sex comedy AMERICAN PIE series: AMERICAN PIE, AMERICAN PIE 2, and AMERICAN WEDDING. Massive hits, these films helped revive the irreverent, sometimes vulgar, teen sex comedy. Join Jim, the Stifmeister, Oz, Nadia, and Stifler's mom as they comically bungle their way through their erstwhile sexual conquests in high school and college, and finally tackle the big step of matrimony. See individual titles for details.

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This film brings the classic Ten Commandments story to life with vivid color and heartfelt performances by Dougray Scott, Linus Roache, Mia Maestro, and Omar Sharif.

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A lovely nymph finds herself passionately in love with her widowed father. When he decides to re-marry, she seeks consolation in the arms of her boyfriend, her teacher and even her step-mom!

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A reputedly faithful cinematic depiction of the historical events of Caligula's Rome, including the decadence and debauchery that marked his reign. This notorious release has faced rather hysterical hostility from would-be censors. Financed by Penthouse Magazine magnate Bob Guccione, who was accused of inserting hardcore sex scenes after completing photography with the impressive and esteemed cast of British actors. Contains graphic sex and violence. The R-rated version is shorter by 53 minutes!

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This entertaining and thoughtful documentary takes a look at the history of the word "fuck." Talking to celebrities, political figures, and other commentators who are eager to discuss this taboo-riddled word, director Steve Anderson crafts a film that manages to combine deep conversation about civil liberties with some highly amusing uses of a word that is still considered shocking to many.

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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XXX
This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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This beautifully filmed, expertly acted movie about two 17-year-old, middle-class Mexican boys on summer break is deceivingly complex. The basic plot of the film is that best friends Tenoch (Diego Luna, BEFORE NIGHT FALLS) and Julio (Gael Garcia Bernal, AMORES PERROS), who think of nothing but sex, convince a beautiful 28-year-old woman, Luisa (Maribel Verdu), to go on a road trip with them to a nonexistent beach. They get lost. They flirt and giggle and fawn over Luisa hoping to win her over with their boyish charms. And that's about it. But that simple plotline merely provides structure for the poetry and meaning that is woven into the film with photography and narration. Periodically throughout the film, while the action continues normally, the sound stops. A voice over then gives information--sometimes a brief biography of one of the characters (birth date, name of father and mother, consequences of birth, primary childhood experiences), or a note about what each of the characters is really thinking, or a news report or historical comment that brings Mexico's tangled politics into the context of daily life. Never is the voice connected to a character in the film. It simply floats. Meanwhile, underwater photography, roving shots of the Mexican countryside, and affectionate close-ups on the characters communicate a solemnness that is not present in the plot. All of these pieces fit together easily, resulting in an excellent, whole, thoughtful film.

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In the tradition of SCARY MOVIE and NOT ANOTHER TEEN MOVIE, this tongue-in-cheek spoof incorporates every recognizable gay stereotype in the book. With a narrative modeled after AMERICAN PIE, the film follows four teen homosexual buddies in their attempts to lose their virginity before the summer's end. But instead of pie, this story includes sex toys, nudity, and quiche. Based largely on clichés of how gays are represented on film, ANOTHER GAY MOVIE is packed with jokes about the sexual orientation of countless actual celebrities.

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A woman strays from her slumbering marriage into her wildest dreams with a mysterious stranger. Soon she finds their love verging on a dangerous obsession and their lust becoming violent.

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Named after a 1941 Alfred Hitchcock film, MR. AND MRS. SMITH is really its own ball of flaming wax, with enough sizzling chemistry between stars Angelina Jolie and Brad Pitt to blow up a small building. He shows he is equally adept in comedy and action, and she manages to set new screen standards of bad-ass sexiness. It's impossible to dislike this pair, or a movie that makes being married seem like such insane fun. Pitt and Jolie play extremely skilled professional assassins who have managed to stay married for five years without ever realizing each other's profession because they work for rival agencies and the work is top secret. When their paths eventually cross on a high-level hit, one of the most lethal battles of the sexes in the history of cinema is officially on. Thanks to a genuinely witty script, the issue isn't who will win, but whether the couple will realize they are meant for each other before it's too late. Director Doug Liman was obviously the right choice for the material, having proved his ability to fuse engaging romance with knuckle-biting action in 2002's THE BOURNE IDENTITY. The comedy is sophisticated and witty, the action is visceral and intense, and there is plenty of satisfying eye candy. Another plus is Vince Vaughn as a fast-talking fellow hit man who lives with his mother. The cinematography is by Bozan Bajelli (the genius behind Abel Ferrara's best mid-1980s work) who imbues each environment, whether it's the Smith's house, or the urban streets--with its own evocative color scheme and feel.

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Bringing back the entire ensemble from the original hit comedy, AMERICAN PIE 2 finds Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), Oz (Chris Klein), and Stifler (Seann William Scott) reunited for the summer after their first year at college. When the boys rent a beach house, even more familiar faces--such as Vicky (Tara Reid), Jessica (Natasha Lyonne), and the Sherminator (Chris Owen)--begin to appear. Soon Jim discovers that the gorgeous exchange student Nadia (Shannon Elizabeth) will be making a romantic visit, and, in a panic, he heads for band camp to seek sex advice from the flute-playing Michelle (Alyson Hannigan). A worthy follow-up to AMERICAN PIE, this outrageous and entertaining sequel flaunts even more absurd antics and unlikely couplings. Erotic attempts continue to go awry, and musical instruments still find their way into the most inappropriate places. And once again, Eugene Levy brings down the house as Jim's nerdy yet understanding father. Fans of the first film will not be disappointed.

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While it might sound outlandish to speak of THE PINEAPPLE EXPRESS in the same sentence as CITIZEN KANE, in its own little neck of the cinematic woods the Judd Apatow/Seth Rogen comedy is perhaps just as groundbreaking. In fact, it's nearly impossible to think of another film that blends so seamlessly pitch-perfect stoner babble with high-octane action sequences. Dale Denton (Rogen), a process server with a weed fixation, witnesses a murder and turns to his dealer, Saul (James Franco), for support. The murderer is actually Saul's main drug supplier, and because of Saul's access to some extremely rare high-grade pot (called Pineapple Express) the two are quickly tracked down and put on the run. Like all Apatow/Rogen vehicles, the movie deals with the theme of men succumbing to adulthood and all the adjustments they are forced to make in the process. However, unlike KNOCKED UP and THE 40 YEAR OLD VIRGIN, PINEAPPLE EXPRESS is just too wacky to offer any lessons. Still, there's more going on here than giggles and the munchies. Indie director David Gordon Green (SNOW ANGELS) brings a subtle auteur's touch to the proceedings, approaching the smoking scenes with his distinctively loose feel and giving the action sequences a wonderfully dated sheen that makes them look more like a fight from KNIGHT RIDER than the empty flash of 21st-century blow-?em-ups. It is Franco, however, who truly steals this movie--he hasn't been this charming since his days on FREAKS AND GEEKS. There's only so many ways to play a stoner, but Franco puts his own endearing, lovable spin on the type, portraying Saul as a kind-hearted, well-intentioned yet hardcore dope smoker. Rogen and Apatow have proven themselves a nearly unstoppable juggernaut; here's hoping they bring Franco along on the ride a little more often.

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A clever, refreshing take on the "teensploitation" comedy, presented from the female perspective. Stream (Root) and her elite New York City prep school friends Jenny (Hoffmann) and Nell (Vessey) seemingly have it all--brains, looks, money, popularity--but when Stream looses her virginity to the ultra-popular "butter boy" Chad (Roday), she's left feeling that she's missing something... satisfaction. Confused, unfulfilled, and armed with a stack of self-help books, women's magazines and the comically misinformed advice of her peers, Stream besets upon a quest to achieve the ecstasy so often promised, but so rarely delivered.

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The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST) give us Jigsaw's "origin" story--finally showing us why he does what he does. Along they way, they still find time to work in the usual dose of elaborate Rube Goldberg-like torture devices and heaps of MPAA-defying gore in what plays like an extreme version of CSI. During his (extremely graphic) autopsy, Jigsaw's final tape (swallowed in SAW III) is found in his stomach. Promising that his work will continue despite his passing, his message sets off a series of grisly tasks for anxious SWAT team leader Rigg (Lyriq Bent), who is given 90 minutes to rescue detectives Matthews (Donnie Wahlberg) and Hoffman (Costas Mandylor), who are to be dispatched via blocks of ice and high voltage wires. Trailing Rigg are FBI agents Strahm (Scott Patterson of GILMORE GIRLS) and Perez (Athena Karkanis), who get some unexpected blood on their hands along the way. A series of flashbacks details a pivotal event between Jigsaw and his girlfriend, Jill (1980s beauty Betsy Russell, PRIVATE SCHOOL), which inspired him to devote the remainder of his life to the creation of his signature puzzles. Darren Lynn Bousman, director of the previous two sequels, returns once again to ensure that the series retains its trademark desaturated look. Though viewers starting with this installment may find the brief glimpses of characters from the previous films confusing, fans should be pleased with how the films link together. They are also sure to appreciate that, like FRIDAY THE 13th carrying on sans Jason in PART IV: A NEW BEGINNING, the death of Jigsaw won't keep the franchise from evolving into SAW V and beyond.

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A gang of small time drug dealers try striking a larger score and in the process, the amateurs cross a major drug kingpin. These friends now realize there is no turning back as a war breaks out on the streets. This gritty ghetto action film emphasizes the consequences of street life and provides a dark look at the limited future of many of America's inner city young, black men.

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In this spoof of Hollywood blockbusters, director and screenwriter Craig Mazin (THE SPECIALS) tackles the age-old story of a regular guy who suddenly finds that he possesses super powers. Ricky Riker (Drake Bell) is a typical teenager, except that his luck is worse then most. Basically, he's a loser. He's been in love with beautiful Jill (Sara Paxton) for years, but is sure she doesn't know he exists. Even his techie best friend, Trey (Kevin Hart), is willing to throw him over for another clique. But Rick's life changes dramatically when a genetically enhanced dragonfly bites him during a school field trip. In a flash, he becomes the Dragonfly. He can scale buildings, and has immense strength--though he's still a klutz. Rick isn't sure he has what it takes to be a superhero, but it's up to him to save the city from the villainous Hourglass (Christopher McDonald), who literally sucks the life out of people, and threatens to harm those dearest to Rick. Mazin, who was one of the screenwriters for both SCARY MOVIE 3 and SCARY MOVIE 4, spoofs a gamut of superheroes, including Batman, Spider-Man, the Fantastic Four, and the X-Men. Marion Ross and Leslie Nielsen appear as Rick's Aunt Lucille and Uncle Albert, and a multitude of stars appear onscreen, albeit briefly, including Tracy Morgan, Regina Hall, Simon Rex, Craig Bierko, Pamela Anderson, Robert Hays, and Nicole Sullivan. Miles Fisher is particularly amusing as Tom Cruise, and Brent Spiner plays Hourglass's sidekick. Stick around after the credits start rolling for some additional footage.

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Following up his hit DUDE, WHERE'S MY CAR? writer-director Danny Leiner has come up with the riotous road-trip comedy HAROLD & KUMAR GO TO WHITE CASTLE. Harold (John Cho) has graduated college and is now working at a cubicle, where he is abused by other workers and forced to do their jobs for them. Kumar (Kal Penn) is expected to go to medical school to follow in the footsteps of his father and brother, but he'd rather spend his time partying. The entire film takes place in one night, as wild Kumar is determined to get a sack of burgers at White Castle, even though his more staid roommate would prefer to stay home and finish a project for his officemates. While Kumar seeks fun and adventure, lusting after nearly every woman he meets, Harold dreams only of Maria (Paula Garces), the woman down the hall whom he likes but is too afraid to talk to. Harold & Kumar's excellent adventure includes an outrageous bathroom scene in a college; a cop who takes his job way too seriously; a group of extreme, rad dudes who harass Harold, Kumar, and a convenience store manager; LAW & ORDER: SVU's Chris Meloni as an incredibly disgusting possible psycho; and Neil Patrick Harris playing himself, making fun of his Doogie Howser image. In addition to plenty of raunchy--and very funny--references to sex, drugs, and rock & roll, Leiner also takes on stereotypes and the meaning of love.

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In COYOTE UGLY, an aspiring songwriter, Violet Sanford (Piper Perabo), leaves her small-town home and her supportive father (John Goodman) for New York City in hopes of starting a music career. But life in the big city is harder than she imagined. Feeling defeated, and unemployed, she hears about a job opening at a bar called Coyote Ugly, and persuades the bar owner, Lil (Mario Bello), to give her a chance among the bar's beautiful brigade of bartenders. When Violet arrives for work the bouncer tells her it's a quiet night, but when she goes inside the bar she is hit by a wall of throbbing music and howling men. Two women are atop the bar, pulling a customer back over it, pulling up his shirt, and pouring beer on his chest. Welcome to COYOTE UGLY. How will Violet deal with the bar? How will it deal with her? What of her songwriting plans? Inside this raucous, raunchy movie, coproduced by Don Simpson and Jerry Bruckheimer (FLASHDANCE), is a sweet romance between Violet and Kevin (Adam Garcia), a refreshing escape from the chaos of the bar.

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HOUSE ON HAUNTED HILL: Vincent Price has one of his juiciest roles in this haunted-house thriller as millionaire playboy Frederick Loren, who invites five guests out to a genuine haunted house, offering them each $10,000 if they spend the night. Elisha Cook Jr. plays one of the guests, a nervous alcoholic who has been in this house before and witnessed some terrible things. Mr. Loren's beautiful but treacherous wife (Carol Ohmart) is also present--and might be out to kill Frederick during the course of the evening; then again, he might be out to kill her. Severed heads, a skeleton, an acid vat, ghostly screams, and a noose that creeps around on its own and strangles unsuspecting victims are just some of the treats in a film that has been spooking delighted audiences on late-night TV for decades. Producer-director William Castle (THE TINGLER) claimed this was filmed in a process called Emergo, which meant that at a key moment a glow-in-the-dark skeleton on a wire was rigged to sail over the audience's heads. The skeleton is long since gone, but the goofy thrills remain in this classic tale, from a script by Robb White. THE LAST MAN ON EARTH: Based on Richard Matheson's SF thriller I AM LEGEND, THE LAST MAN ON EARTH is about a man who survives a global plague only to be stalked nightly by zombielike victims who call out his name. Vincent Price stars as Robert Morgan, a scientist who tried desperately to come up with a cure for an airborne virus that was killing people around the globe. Although he could not develop a serum in time to save his family, he himself seems to be immune from the disease. Thus, he is left to wander the streets by day, staking zombies, then barricading himself in his house each night as the zombies try to break in and kill him. Price is excellent in the role, going about his horrible business as if it were just another day: waking up and eating breakfast, putting on a suit, calmly staking the zombies, making dinner, listening to records at night. But when he suddenly sees what looks like another living soul out in the daylight, his world is suddenly turned inside out.

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Van Wilder (Ryan Reynolds) is a college stud who is in no rush to finish his coursework and graduate. In fact, after six years of partying his way through Coolidge College, his parents have decided to stop paying his tuition, but Van Wilder isn't worried--he just needs to find a way to pay it himself and keep the fun coming. His fundraising ideas include a topless tutorial service and other raunchy schemes, which only help add to Van's "Big Man on Campus" status. A romance develops between Van and Gwen (Tara Reid), who is writing an investigative piece on Van for the school newspaper. Through his exploits, Van eventually begins to turn over a new leaf, and finally grow up. But not before there are plenty of opportunities for the kind of gross-out humor that teen flicks like THERE'S SOMETHING ABOUT MARY and AMERICAN PIE have made so popular in recent years. The main set piece here involves dog semen injected into eclairs. While this is not exactly highbrow fare, teen audiences who are not too squeamish will enjoy this bawdy college romp.

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Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

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In DODGEBALL: A TRUE UNDERDOG STORY, Ben Stiller and Vince Vaughn team up once again (following STARSKY & HUTCH) for another comic romp. While hilariously satirizing modern-day gym culture, the film also celebrates a sport that has previously been relegated to the elementary school playground. Peter La Fleur (Vaughn) owns the decrepit Average Joe's gym, which has been losing its clients ever since the glitzy Globo Gym opened up across the street. White Goodman (Stiller), Globo Gym's main spokesman, is a preposterously vain egomaniac on the cusp of taking over La Fleur's failing business. La Fleur learns from a beautiful attorney (Christine Taylor) that if he doesn't come up with $50,000 in 30 days, his career running a gym will be over. Potential salvation arrives in the form of a Las Vegas dodgeball tournament, but conquering a sport one hasn't played in several decades isn't such an easy feat. Fortunately for Peter, he finds a coach for his team: the hardheaded, ex-superstar Patches O'Houlihan (Rip Torn). As Peter and his ragtag team make their way to the championship in Las Vegas, they must contend with White, who has assembled a team of his very own. Rawson Marshall Thurber's debut feature is a highly assured work, which features hilarious cameos from Chuck Norris, Lance Armstrong, David Hasselhoff, and William Shatner.

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What would happen if the characters in the thrillers SIGNS and THE RING started to hang out together? The answer: SCARY MOVIE 3. In the latest spoof from director David Zucker (TOP SECRET, THE NAKED GUN), beautiful television reporter Cindy (Anna Faris) covers a story about mysterious crop circles in the corn fields around Tom's (Charlie Sheen) home. Simultaneously, a mysterious videotape of disturbing images is circulating around town, and viewers receive phone calls saying that they will die in seven days. Intrepid reporter Cindy has a gut feeling that the crop circles and the videotape are linked--and she's determined to get to the bottom of the story. At the same time, she is playing mother to her creepy psychic nephew, Cody (Drew Mikuska), and sparks are flying between her and Tom's brother, wannabe-rapper George (Simon Rex). Celebrities abound in this goofy satire that pokes fun at a number of recent films through both sight gags and dialogue. Watch for appearances from Queen Latifah, George Carlin, Denise Richards, Fat Joe, Eddie Griffin, Ja Rule, Macy Gray, Pamela Anderson, Jenny McCarthy, Darrell Hammond, Method Man, Redman, and Leslie Nielsen as the President of the United States.

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When three beautiful (and unavailable!) women go to Palm Springs for the weekend, their intent is to relax and enjoy each other's company. Their mistake? Joining their wild single friend as she peruses bars, picks up men, and looks for one-night stands. Upon joining in the fun, these 3 women encounter a common problem--what will they say to their boyfriends back home?

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Controversial, brave, and extremely sexually explicit, Clement Virgo's LIE WITH ME examines the often raw relationship between David (Eric Balfour) and Leila (Lauren Lee Smith), two emotionally damaged young people living in Toronto. Each feels trapped in a bleak life, and attempts to find some kind of escape with the other.

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In this double feature, George Romero makes a welcome return to the world of zombies with LAND OF THE DEAD, while 300 director Zach Snyder makes his debut with the remake of the Romero classic DAWN OF THE DEAD. See individual titles for synopsis information.

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The EXTREME COMEDY COLLECTION celebrates bad behavior with a trio of MTV-generation comedies: BEAVIS & BUTT-HEAD DO AMERICA (1996), JACKASS: THE MOVIE (2002), and TEAM AMERICA: WORLD POLICE (2004). See individual titles for plot details.

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An antidote to the 1990s spate of urban coming-of-age films. The tale of a black youth sent to live with his father in the 'hood, this spoof parodies the key elements of such "serious" movies as "Boyz N the Hood," "Menace II Society" and "Juice."

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This pop culture-laden fright-fest takes the legend of Countess Elizabeth Bathory of Hungary and relocates it in the inherently creepy locale of New Orleans. The usual cast of motley and none-too-bright teenagers is assembled and attached to quirky names--smartass Phineas (Jimmi Simpson) and his Goth-girl sister, October (Sophia Bush), hunky protagonist Hutch (Jon Foster), and tech-head Swink (Frankie Muniz), to name a few--and they all have one thing in common: the love of gaming. When Hutch's best friend Loomis (Milo Ventimiglia) is a victim in a violent massacre, Hutch ends up with the game he was playing just before he died. Called "Stay Alive," the game is technically illegal and Hutch and his friends can't resist booting it up. The game resurrects the Countess, who centuries ago was walled up in her tower when her crimes were discovered (she is said to have brutally murdered 650 servant girls and bathed in their blood). Now, she is fulfilling her vow to return to reassume her reign of terror. This time, however, her victims are gamers who will die in the same way in life as they do in the game. The video game itself becomes a character in the film, showing off excellent 3-D, cinematic effects, and creating an effectively spooky atmosphere with a memorable, if derivative, aesthetic. The gore never escalates past PG-13 levels but the scare tactics are adept, while the Countess herself, with pasty skin and high-necked red dress, is a movie monster worthy of canonization.

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Director Ronny Yu (FREDDY VS. JASON) tells the story of Chinese hero Huo Yianjia in JET LI'S FEARLESS. Born in the late 1800s to a martial-arts master in the Tianjin region of China, Huo Yianjia (Jet Li) is not allowed to train at his father's school because he has asthma. Later, as an adult, the self-taught Yianjia becomes a master in his own right with his own school and disciples. His only goal: to become the Champion of Tianjin--and he is willing to fight any and every challenger. Along the way, Yianjia's pride takes over and he becomes obsessed with both praise and revenge, missing the true purpose and message of the martial arts. When his quest for revenge results in tragedy, Yianjia embarks on a new journey, leaving Tianjin. Returning to his home years later, Yianjia is a new man, understanding the connection between body, mind, and soul. Instead of fighting for personal gain, he sees the importance of maintaining the national identity and pride of the Chinese people. Focusing on the importance of good sportsmanship and unity, Yianjia starts the Jingwu Sports Federation, bringing all the schools of martial arts together. Most important, he makes history in Shanghai in 1910 by defending the honor of the Chinese people in a contest against representatives from the four major foreign powers in China. Based on a true story, the film features detailed period settings and costumes, as well as superior stunts. Jet Li evokes a wide range of emotions as Yianjia, instilling the character with life and capturing the essence of this important chapter in Chinese history. Dong Yong stars as Yianjia's loyal friend, Nong Jinsun, and Sun Li plays Moon, a young woman who befriends Yianjia when he leaves Tianjin. This film is in Chinese with English subtitles.

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Comedy Central's cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers' convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren't allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation's police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Although the RENO 911! police-farce schtick is often compared to the screwball comedy of the POLICE ACADEMY franchise, the improvisational comedic talent of its troupe sets it apart. Actors Kerri Kenney-Silver (as the unstable Deputy Trudy Wiegel) and Robert Ben Garant (as the loose-cannon Deputy Travis Junior) affectionately delve into the wildly stereotypical characters they portray, while also adding doses of humility that invoke a natural desire to root for them. RENO 911!: MIAMI allows the perpetual underdogs to really shine, providing a positive, warm message as an undertone to the over-the-top zany comedic antics.

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DUKES OF HAZZARD: Slipping into the boots made famous by John Schneider and Tom Wopat, Seann William Scott and Johnny Knoxville play moonshine-selling cousins Bo and Luke Duke. Along with their ridiculously gorgeous cousin Daisy (Jessica Simpson) and joke-telling Uncle Jessie (Willie Nelson), the Duke boys love to get the goat of Hazzard County's most crooked law enforcement officials, including Sheriff Rosco P. Coltrane (M.C. Gainey) and county commissioner Boss Hogg (Burt Reynolds). But when they discover that Boss Hogg is using his leverage to run them off their farm in order to turn Hazzard County into a strip mine for coal, things get personal. With the help of their faithful friends, Bo and Luke set off on their riskiest adventure yet. DUKES OF HAZZARD - THE BEGINNING: This feature-length TV movie takes a step back in time to show how the young Bo and Luke Duke grew into the characters TV audiences came to know and love. The troublesome Bo (Jonathan Bennett) and Luke (Randy Wayne) are placed firmly in the clutches of their Uncle Jesse (Willie Nelson) at the onset of the show, but they're soon teaming up with cousin Daisy to foil Boss Hogg's plans to seize their uncle's farm.

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The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships as well as for its racy content. Sarah Jessica Parker stars as the writer of a relationship column, but has still has none of the answers in this collection of the entire third season.

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In Joel Schumacher's psychological thriller THE NUMBER 23, Jim Carrey takes on another dramatic role. Carrey's character is similar to his roles in THE TRUMAN SHOW and ETERNAL SUNSHINE OF THE SPOTLESS MIND: he portrays an average man thrust into quite extraordinary situations after a series of strange events cause him to question everything he's ever taken for granted. On his birthday, Walter Sparrow is given a mysterious and tattered book called THE NUMBER 23 by his loving wife, Agatha (Virginia Madsen). As Walter reads the book, he quickly notices its alarming similarities to his own life. Rather than stop reading, he continues, unknowingly inviting the book to take over his life. The deeper Walter gets into the plot, the more he sees himself in its protagonist, Fingerling, whom we see through highly stylized sequences in which Carrey appears as the seedy detective character. Madsen is also present in these scenes, cast as Fingerling's pain-loving girlfriend Fabrizia. As Fingerling and Fabrizia's love affair inches towards its fiery conclusion, we learn the role the number 23 has played in their story and will play in Walter's future if he cannot keep his growing obsession with it at bay. While Carrey and Madsen are adept at playing a man gone mad and a headstrong wife in crisis, they are most fascinating as their dark counterparts, and Schumacher succeeds in creating a truly intoxicating noirish underworld of sex and death through those sequences.

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Nicholas Stoller's FORGETTING SARAH MARSHALL is a romantic disaster comedy produced by the same team that made such hits as THE 40-YEAR-OLD VIRGIN and KNOCKED UP, headed by writer, director, and producer Judd Apatow. When he gets suddenly and unceremoniously dumped by his longtime girlfriend, television star Sarah Marshall (VERONICA MARS lead Kristen Bell), composer Peter Bretter (FREAKS AND GEEKS alum Jason Segel) is devastated. Miserably depressed, he seeks solace in tawdry one-night stands, but he is desperate to win Sarah back. On the advice of his stepbrother, Brian (SATURDAY NIGHT LIVE's Bill Hader), Peter heads off to Hawaii for a much-needed vacation, but he gets even more freaked out when he discovers that Sarah and her new beau, wild and wacky British singing sensation Aldous Snow (comedian Russell Brand), are staying there as well. Mired in sadness, Peter is befriended by hotel employee Rachel Jansen (THAT '70S SHOW's Mila Kunis), who encourages him to get back his life and pursue his own dreams, which include staging a Dracula musical with puppets. But Peter is blinded by his desire for Sarah even as he grows closer to Rachel and starts hanging out with some of the hotel's odder personalities, including Chuck (Paul Rudd), a drug-addled surf instructor, and Matthew (SUPERBAD's Jonah Hill), a drug-dealing restaurant worker obsessed with Snow. Segel, who gets fully naked several times in the film, wrote the screenplay, a sharp blend of comedy and drama, and is solid in his first major starring role. Stoller, making his feature-film directorial debut, gets the most out of his diverse cast and beautiful setting, especially Jack McBrayer and Maria Thayer as a newlywed couple having some bizarre sexual problems, and Billy Baldwin as Sarah's costar in the television show CRIME SCENE: SCENE OF THE CRIME. FORGETTING SARAH MARSHALL is an outrageously funny yet touchingly sweet movie.

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Created by the team behind the cult television series THE STATE and VIVA VARIETY, Comedy Central's RENO 911! parodies reality cop shows through the outrageous antics of an inept police force in Reno, Nevada. The series' eccentric characters--a closeted lieutenant in hot shorts, a former topless dancer, a bilingual police dog trainer, and more than a few mentally unhinged deputies--are brought to zany life by a funny cast that includes THE STATE alums Ben Garant, Thomas Lennon, and Kerri Kenney. This collection presents every episode from the series' fifth season in unblurred, uncensored editions.

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Nothing makes good-guy non-recidivist offender Cameron Poe happier than the thought of returning to society, where his angelic wife and the equally angelic little girl he's never known are waiting. And nothing makes him angrier than the passel of psychopathic murderers and rapists aboard his prison transport plane--especially when, under the direction of ringleader Cyrus "The Virus" Grissom, they revolt and hijack their own plane. Fortunately, our hero's been trained by the Army as an elite one-man-fighting-machine, and a dogged Justice Department agent waits on the ground to help him bring the fanatical fly-boys in for a bloody crash landing--in Vegas! A hyperactive Molotov cocktail blended from the frenetic efforts of high-octane action producer Jerry Bruckheimer ("The Rock"), hipster-schtick screenwriting specialist Scott Rosenberg, and music video director West. Academy Award Nominations: 2, including Best Original Song ("How Do I Live"), and Best Sound.

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After nearly two decades of successful detours into mature thrillers (THE GIFT, A SIMPLE PLAN) and superhero blockbusters (the Spider-Man series), director Sam Raimi returns--full tilt--to his scrappy horror roots with DRAG ME TO HELL. Alison Lohman stars as Christine Brown, a soft-spoken Southern girl with a good heart, a PhD-toting boyfriend (Justin Long), and a job as a loan officer at a bank just outside of Los Angeles. When evicting a vile and negligent old woman named Mrs. Ganush (Lorna Raver) seems to be the only way to secure an important promotion, Christine pushes her moral flexibility about as far as it can go (not very far at all) only to dearly pay the price as the recipient of a rather nasty curse. The next three days of Christine?s life amount to an unimaginable endurance test in which she is subject to physical and psychological torture while a terrifying demon draws ever closer to take her to hell, where she would burn for eternity. Raimi manages to keep the feverish awfulness of DRAG ME's central concept palpable while layering on his distinctly disturbing and exhilaratingly kinetic macabre-meets-slapstick portraiture, and the result is an efficient celebration of the art of horror movies that?s campy, scary, and fun. Similar to HBO?s classic TALES FROM THE CRYPT series, HELL feels like a living, breathing EC comic. While it may come as a minor shock that Bruce Campbell, the beloved mouthpiece of the EVIL DEAD franchise, is nowhere to be found in this unabashed horror-comedy, Christine is an excellent twist on Raimi's genre-hero archetype. Fans will get a kick out of seeing her inexplicably leave her gob agape as putrid projectiles pour in, and hearing her, after a bit of pushing, spout a Campbell-ism or two ("I?m gonna get me some!").

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This female flip on "lose your virginity" comedies follows an 18-year-old girl as she tries desperately to become a woman the night before throwing her cap in the air for graduation. With teenage libidos pulsing all around her, getting laid would seem a cinch. Unfortunately, that's easier said than she's done.

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The Diaper Mafia seizes control of the Tromaville School for the Very Special. Now it's Toxie and his faithful sidekick Lardass to the rescue. Only one thing can stop the two heros from saving Tromaville form a dreadful future and his name is Noxie the Noxic Offender. This outrageous work goes farther than any in career of director Lloyd Kaufman (TERROR FIRMER). Kaufman stars in the film as does porn legend Ron Jeremy, rock star Lemmy, scream queen Debbie Rochon, and the late, great Hank the Angry Dwarf.

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