Unrated

Description:

This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

Description:

In this funny documentary exploring the many talents of porn star Ron Jeremy, whose stout physical build and hairy back earned him the nickname The Hedgehog, director Scott J. Gill explores the actor from every possible angle while carefully avoiding hard core content. Bubbling with personality, Jeremy is extroverted and perverted, he loves attention of any kind, and he boasts a bold sexual aptitude (which viewers of his movies can certainly assert). Having starred in hundreds of films ranging from the campy THREE FOXES AND A DWEEB (which he directed, casting himself in the role of a professor whose students are especially eager to learn) to the trashy SNATCH MASTERS series (Jeremy starred in parts 9 through 12), this porn star has certainly been around the block. However, PORN STAR is not all breathy bedroom scenes, nor is it laugh-out-loud comedy. The documentary reveals a more human, lonely, vulnerable side of Jeremy that may make viewers reconsider the idea that the porn industry is all fun and games. In fact, maintaining such a prolific career has not been easy for Jeremy, and has taken a toll on his personal relationships. However, that does not subtract from Jeremy's celebrity status in the porn niche or his avid fan base.

Description:

This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

Description:

A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

Description:

While it might sound outlandish to speak of THE PINEAPPLE EXPRESS in the same sentence as CITIZEN KANE, in its own little neck of the cinematic woods the Judd Apatow/Seth Rogen comedy is perhaps just as groundbreaking. In fact, it's nearly impossible to think of another film that blends so seamlessly pitch-perfect stoner babble with high-octane action sequences. Dale Denton (Rogen), a process server with a weed fixation, witnesses a murder and turns to his dealer, Saul (James Franco), for support. The murderer is actually Saul's main drug supplier, and because of Saul's access to some extremely rare high-grade pot (called Pineapple Express) the two are quickly tracked down and put on the run. Like all Apatow/Rogen vehicles, the movie deals with the theme of men succumbing to adulthood and all the adjustments they are forced to make in the process. However, unlike KNOCKED UP and THE 40 YEAR OLD VIRGIN, PINEAPPLE EXPRESS is just too wacky to offer any lessons. Still, there's more going on here than giggles and the munchies. Indie director David Gordon Green (SNOW ANGELS) brings a subtle auteur's touch to the proceedings, approaching the smoking scenes with his distinctively loose feel and giving the action sequences a wonderfully dated sheen that makes them look more like a fight from KNIGHT RIDER than the empty flash of 21st-century blow-?em-ups. It is Franco, however, who truly steals this movie--he hasn't been this charming since his days on FREAKS AND GEEKS. There's only so many ways to play a stoner, but Franco puts his own endearing, lovable spin on the type, portraying Saul as a kind-hearted, well-intentioned yet hardcore dope smoker. Rogen and Apatow have proven themselves a nearly unstoppable juggernaut; here's hoping they bring Franco along on the ride a little more often.

Description:

Following up his hit DUDE, WHERE'S MY CAR? writer-director Danny Leiner has come up with the riotous road-trip comedy HAROLD & KUMAR GO TO WHITE CASTLE. Harold (John Cho) has graduated college and is now working at a cubicle, where he is abused by other workers and forced to do their jobs for them. Kumar (Kal Penn) is expected to go to medical school to follow in the footsteps of his father and brother, but he'd rather spend his time partying. The entire film takes place in one night, as wild Kumar is determined to get a sack of burgers at White Castle, even though his more staid roommate would prefer to stay home and finish a project for his officemates. While Kumar seeks fun and adventure, lusting after nearly every woman he meets, Harold dreams only of Maria (Paula Garces), the woman down the hall whom he likes but is too afraid to talk to. Harold & Kumar's excellent adventure includes an outrageous bathroom scene in a college; a cop who takes his job way too seriously; a group of extreme, rad dudes who harass Harold, Kumar, and a convenience store manager; LAW & ORDER: SVU's Chris Meloni as an incredibly disgusting possible psycho; and Neil Patrick Harris playing himself, making fun of his Doogie Howser image. In addition to plenty of raunchy--and very funny--references to sex, drugs, and rock & roll, Leiner also takes on stereotypes and the meaning of love.

Description:

This female flip on "lose your virginity" comedies follows an 18-year-old girl as she tries desperately to become a woman the night before throwing her cap in the air for graduation. With teenage libidos pulsing all around her, getting laid would seem a cinch. Unfortunately, that's easier said than she's done.

Description:

Based on a series of comics by underground cartoonist Robert Crumb, this X-rated animated film brings a cynical eye to the idealism of the 1960s. It's a world where black people are crows, cops are pigs, rabbis are lions, and cats--like New York University student Fritz (voiced by Skip Hinnant)--are substituted for guilt-ridden white guys who want to be poets but mainly smoke pot and engage in group sex. After a drug bust by a couple of bumbling pigs makes him an outlaw, Fritz sets fire to his NYU dorm and hits the road in search of self-discovery. The crazy cat steals a car, starts a race riot in Harlem, and ends up stuck outside San Francisco with a group of sadistic revolutionaries led by a junkie biker rabbit. Throughout these adventures, Fritz's pot-addled self-righteousness gradually gives way to a deeper understanding of life, but perhaps too late to extract himself from a terrorist plot. FRITZ THE CAT was director Ralph Bakshi's first feature, and it carries many of his future themes--ultra bleak urban landscapes, cynically guarded idealism, grotesque sexuality, and raucously over-the-top moments of violence.

Description:

Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

Description:

In DODGEBALL: A TRUE UNDERDOG STORY, Ben Stiller and Vince Vaughn team up once again (following STARSKY & HUTCH) for another comic romp. While hilariously satirizing modern-day gym culture, the film also celebrates a sport that has previously been relegated to the elementary school playground. Peter La Fleur (Vaughn) owns the decrepit Average Joe's gym, which has been losing its clients ever since the glitzy Globo Gym opened up across the street. White Goodman (Stiller), Globo Gym's main spokesman, is a preposterously vain egomaniac on the cusp of taking over La Fleur's failing business. La Fleur learns from a beautiful attorney (Christine Taylor) that if he doesn't come up with $50,000 in 30 days, his career running a gym will be over. Potential salvation arrives in the form of a Las Vegas dodgeball tournament, but conquering a sport one hasn't played in several decades isn't such an easy feat. Fortunately for Peter, he finds a coach for his team: the hardheaded, ex-superstar Patches O'Houlihan (Rip Torn). As Peter and his ragtag team make their way to the championship in Las Vegas, they must contend with White, who has assembled a team of his very own. Rawson Marshall Thurber's debut feature is a highly assured work, which features hilarious cameos from Chuck Norris, Lance Armstrong, David Hasselhoff, and William Shatner.

Description:

Comedy Central's cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers' convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren't allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation's police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Although the RENO 911! police-farce schtick is often compared to the screwball comedy of the POLICE ACADEMY franchise, the improvisational comedic talent of its troupe sets it apart. Actors Kerri Kenney-Silver (as the unstable Deputy Trudy Wiegel) and Robert Ben Garant (as the loose-cannon Deputy Travis Junior) affectionately delve into the wildly stereotypical characters they portray, while also adding doses of humility that invoke a natural desire to root for them. RENO 911!: MIAMI allows the perpetual underdogs to really shine, providing a positive, warm message as an undertone to the over-the-top zany comedic antics.

Description:

This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

Description:

In the tradition of RISKY BUSINESS and AMERICAN PIE comes THE GIRL NEXT DOOR, a sex-soaked teen comedy that actually has a heart. High school graduation is nearing for senior class president Matt Kidman (Emile Hirsch), who has been more concerned with getting into college than partying. But all that changes one night when the gorgeous Danielle (Elisha Cuthbert) arrives next door. Engaging, funny, and wild, Danielle is Matt's dream girl come to life, and it appears that she likes him back. But before the two can consummate their relationship, his porn-obsessed friend Eli (Chris Marquette) reveals a shocking secret: Danielle's a porn star! When her wacky producer, Kelly (Timothy Olyphant), shows up to take her back to "work," Matt's life really begins to spiral out of control. All the while, he must continue to rehearse an incredibly important speech that will hopefully earn him a major scholarship. But, most importantly, Matt must win the heart of Danielle once and for all. Directed with irreverent yet good-natured sincerity by Luke Greenfield, with an all-star soundtrack (Marvin Gaye, Elliott Smith), THE GIRL NEXT DOOR has a breezy charm that might surprise some viewers. This is due in large part to Hirsch and Cuthbert, who deliver assured and engaging performances that help to sweeten the profane proceedings.

Description:

Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all.

Description:

America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

Description:

A highly acclaimed, animated samurai sword-and-sorcery epic. Jubei, a masterless ninja for hire. He joins forces with a powerful female ninja, Kagero, after the rest of her ninja team is destroyed by a powerful man-monster. With extraordinary fight scenes and stunning animation NINJA SCROLL is Yoshiaki Kawajiri's masterpiece.

Description:

In COYOTE UGLY, an aspiring songwriter, Violet Sanford (Piper Perabo), leaves her small-town home and her supportive father (John Goodman) for New York City in hopes of starting a music career. But life in the big city is harder than she imagined. Feeling defeated, and unemployed, she hears about a job opening at a bar called Coyote Ugly, and persuades the bar owner, Lil (Mario Bello), to give her a chance among the bar's beautiful brigade of bartenders. When Violet arrives for work the bouncer tells her it's a quiet night, but when she goes inside the bar she is hit by a wall of throbbing music and howling men. Two women are atop the bar, pulling a customer back over it, pulling up his shirt, and pouring beer on his chest. Welcome to COYOTE UGLY. How will Violet deal with the bar? How will it deal with her? What of her songwriting plans? Inside this raucous, raunchy movie, coproduced by Don Simpson and Jerry Bruckheimer (FLASHDANCE), is a sweet romance between Violet and Kevin (Adam Garcia), a refreshing escape from the chaos of the bar.

Description:

This fast-paced comedy romp includes a veritable cornucopia of delights. Whether its playing- up music videos, TV shows, or life itself, this is a rip-roaring riot of lampooning and laughter. Amongst the guests taking part are Slash, Michael Clarke Duncan, Gena Lee Nolin, Karen Black, and a whole lot more!

Description:

Comedy Central's cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers' convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren't allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation's police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Although the RENO 911! police-farce schtick is often compared to the screwball comedy of the POLICE ACADEMY franchise, the improvisational comedic talent of its troupe sets it apart. Actors Kerri Kenney-Silver (as the unstable Deputy Trudy Wiegel) and Robert Ben Garant (as the loose-cannon Deputy Travis Junior) affectionately delve into the wildly stereotypical characters they portray, while also adding doses of humility that invoke a natural desire to root for them. RENO 911!: MIAMI allows the perpetual underdogs to really shine, providing a positive, warm message as an undertone to the over-the-top zany comedic antics.

Description:

The Roger Corman-produced cult favorite DEATH RACE 2000 (1975) gets an update in this reworking from action director Paul W.S. Anderson (RESIDENT EVIL). In a role sure to please fans of his work in CRANK (2006) and the TRANSPORTER films, Jason Statham is Frankenstein, the fierce driver portrayed by David Carradine in the original. The script, also by Anderson, largely does away with the original's satirical elements in favor an increased number of breathtaking crashes and stunt driving. In 2012, the American economy has collapsed, and prisons have been taken over by corporations. Overseen by Warden Hennessey (Joan Allen), Terminal Island prison generates immense amounts of revenue with pay-per-view broadcasts of "Death Race," in which inmates participate in an auto race where anything goes. New inmate Jensen Ames (Statham), who has been framed for the death of his wife, is chosen to take over the role of Frankenstein, the contest's recently deceased masked star driver. His chief competitor, Machine Gun Joe (Tyrese Gibson), unaware that a new man is behind the mask of his old rival, will stop at nothing to win. With Case, a sexy navigator from the nearby women's facility, and a trusty pit crew led by wise veteran Coach (Ian McShane), Ames has a good shot at winning. If he does, he's been promised his freedom---but the race holds more obstacles than he can imagine, and ratings are more important to Hennessey than being true to her word. Loud, gory, and lightning fast, DEATH RACE is geared to the video game generation, right down to the graphics that appear onscreen during the race's TV broadcast. Once again, Statham creates a great hero to root for in a performance that rises above the copious stunts and visual effects. Allen, in uncharacteristic role, is suitably imposing as the steely warden.