CD Universe in Westerns DVDs & Videos

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This collection of 20 Roy Rogers films includes such classics as MY PAL TRIGGER, UNDER CALIFORNIA STARS, THE CARSON CITY KID, BILLY THE KID RETURNS, BELLS OF SAN ANGELO, and UTAH.

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Hollywood's most celebrated luminaries--behind the camera as well as in front of it--combined talents to present this epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family. The film, divided into three chapters--"The Civil War" (directed by John Ford), "The Railroad" (directed by George Marshall), and "The River, the Plains, the Outlaws" (directed by Henry Hathaway)--tells the story of the Prescotts, a spirited group of easterners who make a declaration to migrate west. When their parents are lost in a tragic river accident, Eve (Carroll Baker) and Lilith (Debbie Reynolds) go their separate ways. Eve remains on the land that took her parents, settling down with the well-intentioned Linus Rawlings (James Stewart), while Lilith becomes a singer who is courted by the conniving Cleve Van Valen (Gregory Peck) when he learns that she has inherited a fortune in California. As time passes and the Civil War takes the life of Linus, the newest generation of Prescott offspring struggles with even greater danger and loss, in the form of fierce Indians as well as family archrivals. Top-notch production values and an endless string of solid performances have earned HOW THE WEST WAS WON the well-deserved label as one of Hollywood's most revered classics.

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As the film opens, Josey Wales is a simple farmer in Missouri. When a vicious band of Union Red Legs, led by Terrill (Bill McKinney), burns his home to the ground, killing his wife and son, Wales joins a gang of Confederate raiders, determined to get revenge. After the Confederacy loses the war, Wales sets out on his own, an outlaw who kills to survive. He eventually meets an old Indian (Chief Dan George, in a wonderfully sympathetic performance) and some other outcasts, and together they seek out a more peaceful existence. But Terrill continues to hunt Wales, and the simple farmer is forced to fight again. Critics did not take Clint Eastwood's THE OUTLAW JOSEY WALES seriously in 1976. Today, many consider it one of the greatest Westerns ever made. Here the West is an ugly and brutal place, as it is in Sergio Leone's films, but this is a different kind of Eastwood hero. He has a name, a sense of humor, and a heart. Made in the shadow of Vietnam and Watergate, the film conveys a bitter distrust of government but also a longing to live in peace. Next to UNFORGIVEN, this is the most sweeping and emotionally complex of Eastwood's Westerns.

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James Arness reprises his role as Marshall Matt Dillon in these 3 made-for-television movie sequels to the long-running TV western Gunsmoke (1955-1975). Includes RETURN TO DODGE (1987), THE LAST APACHE (1990), and TO THE LAST MAN (1992). See individual titles for plot details.

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Actor Ed Harris takes only his second stab at directing, following the Oscar-winning feature POLLOCK (2000) with this spirited western. Harris draws on a strong cast, many of whom have acted with him in previous films, to tell the story of two gunfighters attempting to bring peace to the small town of Appaloosa in the late 1800s. Virgil Cole (Harris) and Everett Hitch (Viggo Mortensen) ride into the windswept New Mexico town and are hired to bring vigilante entrepreneur Randall Bragg (Jeremy Irons) to justice. Bragg has imposed a reign of terror over Appaloosa, but his murderous actions are tempered when Cole and Hitch take control. Matters get complicated when widower Allison French (Renee Zellweger) flounces into town and variously woos Cole, Hitch, and Bragg, allowing Harris to throw in a few neat twists as his two principal characters attempt to bring the miscreant entrepreneur to justice. APPALOOSA is a slow-moving and beautifully shot feature that perfectly translates the dusky New Mexico landscape to celluloid. The film stands shoulder to shoulder with 21st-century westerns such as THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD and THE PROPOSITON, and much like those films Harris's feature draws heavily on deeply affecting performances from his leads. Irons is particularly affecting as the baleful Bragg, who brings a real air of menace to the screen any time he appears on camera. The nuanced turns by Harris and Mortensen play like a master class in subtlety, with the two seasoned actors perfectly delivering two stoic characters who are masking a lifetime of pain and suffering. Harris's feature is a welcome addition to the fold of introspective westerns, effortlessly standing alongside similar efforts such as Clint Eastwood's UNFORGIVEN or James Mangold's 3:10 TO YUMA.

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No-nonsense Texas border sheriff John T. Chance (John Wayne) fights off ruthless mercenary gunmen in order to keep a murderer in custody. A ragtag band of volunteers, consisting of a singing kid, a toothless old man, a recovering alcoholic, and a spunky woman, assist. Contains an interesting sing-along interlude among the group, and yes, the Duke participates.

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Arizona, 1879. Legendary Dodge City marshall Wyatt Earp, his wife Mattie and his brothers Virgil and Morgan just rode into Tombstone. These veteran frontiersmen hope to open a small business and settle into a quiet life. But they get more than they bargained for: Tombstone is a lawless municipality inhabited by a bunch of carousing locals. To make matters worse, the entire village is victimized by a gang of infamous outlaws. Wyatt, Virgil and Morgan may be the only formidable force around to confront them head-on.

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The critically acclaimed miniseries continues with this second chapter in the Lonesome Dove saga. A prequel to the Pulitzer Prize-winning Larry McMurtry novel, LONESOME DOVE, the six-episode series COMANCHE MOON explores the lives and struggles of several Texas men and women in the old west. Steve Zahn stars as Texas ranger Augustus "Gus" McCrae opposite Karl Urban (THE LORD OF THE RINGS: THE RETURN OF THE KING) as ranger Woodrow F. Call. Rounding out the cast and the drama are Val Kilmer as Yankee Captain Inish Scull, Rachel Griffiths (BROTHERS AND SISTERS) as Scull's unfaithful wife, Linda Cardellini (ER) as Gus's significant other, and Elizabeth Banks (THE 40-YEAR-OLD VIRGIN) as a young prostitute who has a baby by Call. The rangers team up with a collection of interesting characters in order to fight off the Comanche. Their mission revolves around tracking down three outlaws: a Comanche war chief, a Comanche thief, and a Mexican bandit.

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PURE COUNTRY: A country singer finds himself straddling two worlds: the down-home place where his musical roots are set, and the glittery fast lane where his success has taken him. In his first foray into the world of motion pictures, country star George Strait is affecting and heartwarming. PURE COUNTRY also features 10 songs by Straight recorded exclusively for the film. HONEYSUCKLE ROSE: Country music star Willie Nelson plays Buck Bonham, a modern-day cowboy touring the country circuit.

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This exciting western was based on two best-sellers by the famous western author, Louis L'Amour. After the Civil War, three brothers head to the Wild West to seek their fortune rather than return home to Tennessee and a lethal family feud.

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HELLFIGHTERS: In one of Wayne's less spectacular later dramas from 1968, he plays real-life character Red Adair, owner of a Texas company that puts out oil-well fires. Katherine Ross, fresh from earning an Academy Award nomination for THE GRADUATE, in '67 plays his feisty daughter. REAP THE WILD WIND: John Wayne, Ray Milland, and Paulette Goddard team up with the legendary producer-director Cecil B. DeMille to create one of the greatest swashbuckling epics of all time. Adventures on the panoramic high seas highlight this tale of two men competing for the same woman. Key West in the 1840s is filled with salvage businesses thriving on the cargo of wrecked ships dashed against the coral reefs. Spunky ship owner Loxi Claiborne (Paulette Goddard) suspects salvager King Cutler (Raymond Massey) of foul play, since he's always first on the scene at a wreck. The independent, kittenish Southern gal is waiting on deck to help rescue the latest survivors of a wreck when she meets courageous Captain Jack Stuart (John Wayne), who instantly falls for the free-spirited Loxi. Loxi and Jack promise themselves to one another and make arrangements to meet up in Charleston. But, once in Charleston, Loxi meets lawyer Stephen Tolliver (Ray Milland). Despite Loxi's refusal to act like a typical blushing Southern belle, she quickly entices the debonair businessman, who decides that he will do anything to make her his wife. The rivals in love become enemies in the courtroom when Jack helms another wreck and Tolliver suspects foul play. Who will be found guilty and how hinges on some amazing developments. Along with the star-studded cast, this glorious sea spectacle stars huge clipper ships, horrifying storms, and a giant squid in a memorable underwater battle. ROOSTER COGBURN: John Wayne reprises his role as Rooster Cogburn, the eye-patched, whiskey-guzzling deputy marshall from TRUE GRIT. While on the trail of a gang of outlaws led by his old partner, Hawk (a truly villainous Richard Jordan), Rooster teams up with bible-thumping missionary Eula Goodnight (Katherine Hepburn) to avenge the murder of her father by the gang. The chemistry between Wayne and Hepburn is palpable as barbs fly between the grumpy gunman and feisty missionary, and Strother Martin delivers a sparkling cameo. THE SPOILERS: Two Yukon adventurers duke it out over a gold claim and a beautiful saloon girl in this remake of the classic Rex Beach novel about life in an Alaskan mining town during the gold rush of early 1900. John Wayne plays miner Roy Glennister, co-owner of a gold mine financed by saloon owner Cherry Malotte (a sultry, double-entendre-spouting Marlene Dietrich). When crooked gold commissioner Alexander McNamara (Randolph Scott) conspires to steal Glennister's claim--along with the affections of Cherry--it's a no-holds-barred showdown between the two rivals in one of the best saloon brawls in cinema history. THE WAR WAGON: Frank Pierce (Bruce Cabot) is a ruthless man bent on manipulating the cattle business for his own wealth and prosperity. When Taw Jackson (John Wayne), an honest rancher, interferes with his plans, Pierce imprisons him and confiscates his gold-filled land. Taw escapes and plans a raid on Pierce's heavily guarded payroll carriage--but not if Pierce has anything to say about it. After assembling a group of misfits and hired guns, Taw runs into serious opposition when he encounters the madcap gunslinger, Lomax (Kirk Douglas). Sent by Pierce to stop the raid, Lomax winds up taking a liking to Taw, and they decide to join forces and stage a raid on Pierce's WAR WAGON.

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Hollywood's most celebrated luminaries--behind the camera as well as in front of it--combined talents to present this epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family. The film, divided into three chapters--"The Civil War" (directed by John Ford), "The Railroad" (directed by George Marshall), and "The River, the Plains, the Outlaws" (directed by Henry Hathaway)--tells the story of the Prescotts, a spirited group of easterners who make a declaration to migrate west. When their parents are lost in a tragic river accident, Eve (Carroll Baker) and Lilith (Debbie Reynolds) go their separate ways. Eve remains on the land that took her parents, settling down with the well-intentioned Linus Rawlings (James Stewart), while Lilith becomes a singer who is courted by the conniving Cleve Van Valen (Gregory Peck) when he learns that she has inherited a fortune in California. As time passes and the Civil War takes the life of Linus, the newest generation of Prescott offspring struggles with even greater danger and loss, in the form of fierce Indians as well as family archrivals. Top-notch production values and an endless string of solid performances have earned HOW THE WEST WAS WON the well-deserved label as one of Hollywood's most revered classics.

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$12
 

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In Clint Eastwood's acclaimed Western, Little Bill Daggett (Gene Hackman), a sadistic, dictatorial sheriff, enforces gun control on a tiny frontier town, doling out his own brand of due process as he sees fit. When he denies justice to the prostitutes of the town brothel, one of whom has been slashed by a client, the women hire Bill Munny (Eastwood), a reformed gunslinger, to gain vengeance. However, Munny must contend with his new moral code in the face of revisiting the life he left behind. Eastwood's directorial masterpiece also stars Morgan Freeman and Richard Harris.

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Sydney Pollack directs this notable picturesque film in which a solitary man named Jeremiah Johnson (Robert Redford) battles ruthless Indians, who use him as the target of a long-awaited vendetta, and the merciless elements of nature, in search of peace. Set in the mid-19th century, after the Civil War, the film centers on Jeremiah as he becomes disillusioned with the ways of his civilization and the ravages of war, and he sets out determined to survive in the Rocky Mountain wilderness by himself.

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Though the Western might have been born in America, the Italians put their own distinctive stamp on the genre. This collection includes 20 films from the cowboy boot-shaped nation, with director Sergio Corbucci, composer Ennio Morricone, and star Lee Van Cleef all lending their talents to the screen.

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Stuntman-turned-director Hal Needham (CANNONBALL RUN), fashioned this intricately staged slapstick western after Road Runner cartoons. Cowboy Handsome Stranger (Arnold Schwarzeneggar) is escorting Charming Jones (Ann-Margret) to obtain a large amount of money from her father. However, they don't know that bumbling villain Cactus Jack (Kirk Douglas) has been hired to try and get the money from them in transit. The action is enhanced by the presence of several veteran character actors and comedians, including Ruth Buzzi, Foster Brooks, Jack Elam, and Paul Lynde.

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Sequel to the unusual film "A Man Called Horse," which was made entirely from the perspective of the Sioux. Here the Englishman raised by the Sioux becomes fed up with "civilization" and returns to his Indian brothers, only to find they've been decimated by the white men.

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Morton (Gabriele Ferzetti), the power-hungry owner of a railroad company, hires Frank (Henry Fonda, playing against type), a gunfighter without a conscience, to kill anyone who stands in the way of the completion of the railroad. After Frank murders land owner Brett McBain (Frank Wolff), McBain's widow (Claudia Cardinale) hires two killers of her own to protect her and gain revenge: a mysterious, harmonica-playing desperado (Charles Bronson) and his rogue sidekick (Jason Robards). Using techniques previously unseen in the genre, Sergio Leone utilizes close-ups, color, and Ennio Morricone's trademark score to create a tense and somber meditation on death which is widely considered to be one of the best westerns in cinematic history. Soon-to-be legendary Italian directors Dario Argento (SUSPIRIA) and Bernardo Bertolucci (THE LAST EMPEROR) collaborated with Leone on the screenplay.

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When a young girl is kidnapped, her small-town schoolteacher (Anthony Edwards) from Back East enlists the aid of a renegade gunman (Louis Gossett, Jr.) and his ragtag gang of Old West misfits set off in a wild, funny, and exciting search for El Diablo, the legendary bank-robbing outlaw who kidnapped her.

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After a detour into dramas such as REBEL WITHOUT A CAUSE, director Nicholas Ray returned to the Western genre with THE TRUE STORY OF JESSE JAMES. Robert Wagner (HART TO HART) starred as the title outlaw in this biopic that explored the man's origins as a criminal. Jeffrey Hunter strayed far from what would be his famous role as Jesus in KING OF KINGS to play fellow lawbreaker Frank James, with Hope Lange and Agnes Moorehead costarring as the most important women in James's life.

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