Western in Westerns DVDs & Videos

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This collection of 20 Roy Rogers films includes such classics as MY PAL TRIGGER, UNDER CALIFORNIA STARS, THE CARSON CITY KID, BILLY THE KID RETURNS, BELLS OF SAN ANGELO, and UTAH.

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No-nonsense Texas border sheriff John T. Chance (John Wayne) fights off ruthless mercenary gunmen in order to keep a murderer in custody. A ragtag band of volunteers, consisting of a singing kid, a toothless old man, a recovering alcoholic, and a spunky woman, assist. Contains an interesting sing-along interlude among the group, and yes, the Duke participates.

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If you love Westerns, this is the ultimate set for you. Eight-four movies are collected on twenty DVD discs, for over one hundred and eleven hours of pure Western entertainment, featuring such class actors as John Wayne, Lee Van Cleef, Roy Rogers, Gene Autry and Randolph Scott.

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Hollywood's most celebrated luminaries--behind the camera as well as in front of it--combined talents to present this epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family. The film, divided into three chapters--"The Civil War" (directed by John Ford), "The Railroad" (directed by George Marshall), and "The River, the Plains, the Outlaws" (directed by Henry Hathaway)--tells the story of the Prescotts, a spirited group of easterners who make a declaration to migrate west. When their parents are lost in a tragic river accident, Eve (Carroll Baker) and Lilith (Debbie Reynolds) go their separate ways. Eve remains on the land that took her parents, settling down with the well-intentioned Linus Rawlings (James Stewart), while Lilith becomes a singer who is courted by the conniving Cleve Van Valen (Gregory Peck) when he learns that she has inherited a fortune in California. As time passes and the Civil War takes the life of Linus, the newest generation of Prescott offspring struggles with even greater danger and loss, in the form of fierce Indians as well as family archrivals. Top-notch production values and an endless string of solid performances have earned HOW THE WEST WAS WON the well-deserved label as one of Hollywood's most revered classics.

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As the film opens, Josey Wales is a simple farmer in Missouri. When a vicious band of Union Red Legs, led by Terrill (Bill McKinney), burns his home to the ground, killing his wife and son, Wales joins a gang of Confederate raiders, determined to get revenge. After the Confederacy loses the war, Wales sets out on his own, an outlaw who kills to survive. He eventually meets an old Indian (Chief Dan George, in a wonderfully sympathetic performance) and some other outcasts, and together they seek out a more peaceful existence. But Terrill continues to hunt Wales, and the simple farmer is forced to fight again. Critics did not take Clint Eastwood's THE OUTLAW JOSEY WALES seriously in 1976. Today, many consider it one of the greatest Westerns ever made. Here the West is an ugly and brutal place, as it is in Sergio Leone's films, but this is a different kind of Eastwood hero. He has a name, a sense of humor, and a heart. Made in the shadow of Vietnam and Watergate, the film conveys a bitter distrust of government but also a longing to live in peace. Next to UNFORGIVEN, this is the most sweeping and emotionally complex of Eastwood's Westerns.

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Set in the old West, this 12-hour television mini-series aired on TNT in the form of six two-hour installments, each featuring a different director. Executive produced by Steven Spielberg, INTO THE WEST tells the epic story of westward expansion from the contrasting perspectives of a Native American family and a family of white settlers from the East. As both multi-generational families struggle with the new realities that western development entails, viewers are offered a glimpse into a highly dynamic era. Filmed in New Mexico and Calgary, the series places its fictional characters within the landscape of actual historical events.

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Allan Lane returns to the screen to reprise the character of Red Ryder in this double-feature. Among his many feature films and television appearances, Lane was perhaps best known to viewers--albeit unwittingly--as the voice of MR. ED on the hit TV show. Known by the nickname "Rocky," Lane stars here in RUSTLERS OF DEVIL'S CANYON and SANTA FE UPRISING.

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James Arness vaulted into the annals of television history with his iconic portrayal of U.S. Marshall Matt Dillon in the long-running television Western GUNSMOKE. Armed with a quick draw and an even quicker wit, the principled and intelligent Marshall Dillon brought peace and righteousness to the lawless frontier of 1800s Dodge City with the help of his trusted deputies Chester (Dennis Weaver), Festus (Ken Curtis), Quint (Burt Reynolds), and Newly (Buck Taylor), as well as the support of his friends Doc Adams (Milburn Stone) and Miss Kitty (Amanda Blake). This collection celebrates the 50th anniversary of GUNSMOKE's 1955 premiere with 29 of the Emmy Award-winning series' best episodes, which feature guest appearances by John Wayne, Charles Bronson, Chuck Connors, Angie Dickinson, George Kennedy, James Doohan, Adam West, William Shatner, Jon Voight, Kurt Russell, Dennis Hopper, and Leonard Nimoy.

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John Wayne and his mining partner strike it rich, but tragedy ensues when one of them is accused of murder.

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Though the Western might have been born in America, the Italians put their own distinctive stamp on the genre. This collection includes 20 films from the cowboy boot-shaped nation, with director Sergio Corbucci, composer Ennio Morricone, and star Lee Van Cleef all lending their talents to the screen.

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Actor Ed Harris takes only his second stab at directing, following the Oscar-winning feature POLLOCK (2000) with this spirited western. Harris draws on a strong cast, many of whom have acted with him in previous films, to tell the story of two gunfighters attempting to bring peace to the small town of Appaloosa in the late 1800s. Virgil Cole (Harris) and Everett Hitch (Viggo Mortensen) ride into the windswept New Mexico town and are hired to bring vigilante entrepreneur Randall Bragg (Jeremy Irons) to justice. Bragg has imposed a reign of terror over Appaloosa, but his murderous actions are tempered when Cole and Hitch take control. Matters get complicated when widower Allison French (Renee Zellweger) flounces into town and variously woos Cole, Hitch, and Bragg, allowing Harris to throw in a few neat twists as his two principal characters attempt to bring the miscreant entrepreneur to justice. APPALOOSA is a slow-moving and beautifully shot feature that perfectly translates the dusky New Mexico landscape to celluloid. The film stands shoulder to shoulder with 21st-century westerns such as THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD and THE PROPOSITON, and much like those films Harris's feature draws heavily on deeply affecting performances from his leads. Irons is particularly affecting as the baleful Bragg, who brings a real air of menace to the screen any time he appears on camera. The nuanced turns by Harris and Mortensen play like a master class in subtlety, with the two seasoned actors perfectly delivering two stoic characters who are masking a lifetime of pain and suffering. Harris's feature is a welcome addition to the fold of introspective westerns, effortlessly standing alongside similar efforts such as Clint Eastwood's UNFORGIVEN or James Mangold's 3:10 TO YUMA.

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THE BRAVADOS: When four men who Jim Douglas (Gregory Peck) believes raped and killed his wife escape from their death sentences, Jim sets out to track the men down and enact his own vengeance. An honest man, Jim sees his actions as just and brave, but as he crisscrosses Mexico to exact an eye for an eye, he comes to realize that he has lost something of himself in his self-absorbed quest for revenge. Peck did his best work in characters with strong arcs, and THE BRAVADOS is no exception. Carrying the film from scene to scene, Peck hits his mark dead on when he realizes that the men he is after may actually be innocent, providing an exceptional cinematic moment. Joan Collins does a fine job as Josefa Velarde, an old flame of Jim's, but Peck's real costar is the gorgeous color photography of the mountains and ravines of the Mexican countryside. BUFFALO BILL: William Wellman skillfully directs the life story of William F. Cody, better known as Buffalo Bill. Based on a story by Frank Winch, there is plenty of action as the stages of his life unfold. The journey begins with his early years as an Indian fighter, jumps to his days as a scout and campaigner for Indian rights, and culminates in a display of his later years of Wild West showmanship. DRUMS ALONG THE MOHAWK is John Ford's first film in Technicolor (which had just perfected far richer shadings of color than had previously been possible), and the director uses it to stunning effect. The film stars Henry Fonda as Revolutionary War-era farmer Gilbert Martin, who, in 1776, has returned with his well-born wife, Lana (Claudette Colbert), to his rustic cabin in the increasingly dangerous Mohawk River valley. At first unaccustomed to the harsh physical challenges of frontier life, Lana adjusts to the work at hand and is soon able to help her husband in the fields. Shortly after they learn that the colonies are at war with the British, their farmhouse is attacked and burned to the ground by a party of Tory-led Indians. The feisty Widow McKlennar (Edna May Oliver) provides temporary shelter for the couple, but it's only a matter of time before the Indians launch a more brutal assault. Save for THE QUIET MAN, DRUMS ALONG THE MOHAWK contains the richest passages of pastoral imagery in Ford's entire canon, the visual beauty nearly upstaging the spectacular and terrifying Indian battles. IN OLD ARIZONA: The original "Cisco Kid" Western that set off a run of knockoffs in the early days of cinema, IN OLD ARIZONA is historically notable for a number of reasons. An early "talkie" filmed in 1929, it was the first Western with sound to emerge from a major studio, Fox Pictures, making it a revolutionary breakthrough with its cleverly hidden microphones masked by real rocks and shrubs. Warner Baxter received an Academy Award for his portrayal of the Cisco Kid, the "Robin Hood of the West" who was based on a character conceived by O. Henry.

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James Arness reprises his role as Marshall Matt Dillon in these 3 made-for-television movie sequels to the long-running TV western Gunsmoke (1955-1975). Includes RETURN TO DODGE (1987), THE LAST APACHE (1990), and TO THE LAST MAN (1992). See individual titles for plot details.

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One of the most popular shows of the Golden Age of TV Westerns, CHEYENNE followed the adventures of Cheyenne Bodie (Clint Walker), a strong and silent frontiersman seeking unsuccessfully to avoid trouble and live peaceably in the lawless West. Moving from job to job, Cheyenne inevitably encountered a steady stream of villains, outlaws, gunfights, and beautiful women. The acting and writing for the show was comparable to most westerns of the time, but what sent the show skyrocketing to the top of the ratings chart was the hunky physique of the six-foot-six Walker, whose shirt seemed to come off in every episode. In the debut season of the show in 1955, Cheyenne had a loyal sidekick named Smitty.

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An epic (at least in length), personal telling of the life of legendary lawman Wyatt Earp. This dark film traces the early development of his strong sense of family loyalty and follows his career as a marshal with his brothers and his friend Doc Holliday. Academy Award Nominations: Best Cinematography.

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Before he became a fixture in the spaghetti Western genre, iconic actor Clint Eastwood shot to fame in the 1950s and '60s television series RAWHIDE. Considered one of the best TV Westerns of all time, the classic series followed the episodic adventures of a band of rovers hired to drive cattle through the lawless terrain of the 1870s Wild West while encountering both natural and manmade dangers like anthrax and cattle rustlers. Eastwood starred as rover Rowdy Yates, the straight-arrow assistant to a tough-as-nails trail boss, Gil Favor (Eric Fleming), who also presided over trail hands Mushy (James Murdock), Quince (Steve Raines), Nolan (Sheb Wooley) and Wishbone (Paul Brinegar). This collection includes all 22 episodes of the cult favorite's debut season, which included guest appearances by Leslie Nielsen, Martin Landau, Lon Chaney, Dick Van Patten, DeForest Kelley, and Jack Lord.

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Arizona, 1879. Legendary Dodge City marshall Wyatt Earp, his wife Mattie and his brothers Virgil and Morgan just rode into Tombstone. These veteran frontiersmen hope to open a small business and settle into a quiet life. But they get more than they bargained for: Tombstone is a lawless municipality inhabited by a bunch of carousing locals. To make matters worse, the entire village is victimized by a gang of infamous outlaws. Wyatt, Virgil and Morgan may be the only formidable force around to confront them head-on.

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Stuntman-turned-director Hal Needham (CANNONBALL RUN), fashioned this intricately staged slapstick western after Road Runner cartoons. Cowboy Handsome Stranger (Arnold Schwarzeneggar) is escorting Charming Jones (Ann-Margret) to obtain a large amount of money from her father. However, they don't know that bumbling villain Cactus Jack (Kirk Douglas) has been hired to try and get the money from them in transit. The action is enhanced by the presence of several veteran character actors and comedians, including Ruth Buzzi, Foster Brooks, Jack Elam, and Paul Lynde.

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James Arness vaulted into the annals of television history with his iconic portrayal of U.S. Marshall Matt Dillon in the long-running television Western GUNSMOKE. Armed with a quick draw and an even quicker wit, the principled and intelligent Marshall Dillon brought peace and righteousness to the lawless frontier of 1800s Dodge City with the help of his trusted deputy, Chester Goode (Dennis Weaver), his friend Doc Adams (Milburn Stone), and saloon keeper Miss Kitty (Amanda Blake). This collection presents the series' debut season in its entirety.

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